Theory, Space, Society Space And Its Influences On Both Academic And Social Worlds

“East meets West in my work, but I haven’t made an attempt to merge the two worlds. They exist in opposition” (Morimura 1990).

Gender expectations limited personal choice to a great extent during the Elizabethan Era. The Elizabethan Era was the period in which Elizabeth I ruled England from 1558-1603. There was a strong view on women should be the property of men and must obey them. William Shakespeare influenced this time period massively and incorporated the different gender roles and expectations into his plays. Personal is defined as something concerning one's private life, relationships, and emotions rather than one's career or public life. Choice is defined as an act of choosing between two or more possibilities. Therefore personal choice can be seen as how someone chooses to life their personal life; whether that be the relationships formed or

One of the things that also affect the development of literary work is Orientalism. Orientalism is one of colonial ideologies which can be found in literary work which can show author’s colonial

The writers from the U.S. looks stuck in Orientalism; the perspective which believes that the Western perspective is the only way to describe the international politics in recent situations.

The reader gets a rare and exotic understanding of a totally foreign and ancient culture experiencing the growing pains of colonial expansion during the British domination

Edward Said’s “States” features an insightful, in depth analysis of “Orientalism” as it applies to Palestinians and Israelis. He begins with a description of Palestine and the Palestinian condition using photographs to demonstrate a more humanized perspective of these transient people. Said reflects on his childhood in Palestine and draws from personal experience to paint a picture of a people without a home, or to be more accurate, people without an identity. A rhetorical analysis reveals the levels to which Said’s persuasion actually manages to persuade the audience. Said’s use of pathos is strong and well developed due to his use of anecdotal evidence and his insistence on humanizing the issue, while his ethos is considerably boosted by his personal experiences in Palestine, with Israelis, and his comprehensive study of

The main interest in postcolonial theory is what happens to people during and after colonialism. Splitting in straight lines self from other by purifying the self, is one discussion in postcolonial theory. Naturally, people view each other globally within the concept of ‘Them and Us’. One’s identity is often defined through encounters with differing cultures. Edward Said is considered the founder of postcolonial theory. In 1978 Said wrote a controversial book called Orientalism. He attempts to explain the geographical division between the West, the Occident and

In his book Culture and Imperialism, Edward Said articulates on the hybrid nature of postcolonial identities:

Because Montagu chooses to describe the Turkish women’s agency rather than their passivity, her depiction of Eastern women drastically differs from the predominantly reproduced notion of the exaggerated sensuality, submissiveness, mysteriousness, and sexual availability of Oriental women. “Unlike most Orientalist travel writers who emphasize the oppression of Islamic

Edward Said described the western way of seeing others as Orientalism, which western people believe that they are superior to the rest of the world and that the rest of the world move backwards. Although Orientalism is a misunderstanding concept of the west, it is recognised worldwide.

The definition of orientalism takes up no more than two sentences in the dictionary. Coincidentally, Orientalism came to be such a complex and deep concept which Said devotes his entire book in discussing about it. His book – Orientalism unfolds the history of the Orientalism, reveals the “dark” side of an orientalist’s mind and describes the different dimensions of Orientalism. He also attempts to expose the truth of the Orient, which he warned that: “One ought never to assume that the structure of Orientalism is nothing more than a structures of lies or of myths, which were the truth about them to be told, would simply blow away” (Said). In order to understand the truth Said`s referring to, one ought to first understand the origin and

Stuart Hall’s work introduces readers to the discourse of “the West and the Rest”, and outlines how the “system of representation” it provides serves to validate the power of the Western world (186). He highlights how the dissemination of discourse about Western superiority and the comparative “otherness” of the non-Western world work to maintain power hierarchies. Hall pinpoints several historical events, from the Crusades to colonisation, as instrumental in forming a Western identity through opposition to “the

“...Orientalism is not so innocent a form of knowledge as this. Instead, he redefines Orientalism as the ubiquity of a sense of the division of the world into two spheres in aesthetic production, popular culture, and scholarly, sociological, and historical texts. In other words, he is suggesting that the concept of difference between east and west is a geopolitical difference which is written up throughout the texts of western culture whether through travel writing, political texts, paintings, or in academic discussions” (Sharp 2009, 31).

rd Said’s concept of Orientalism to highlight the western ideology of othering the foreign landscape. The crux of ‘Orientalism’, being the vehicle of studying the colonial conflicts and the cultural hegemony, demarcates the European’s map road of dealing with the Other. It is one-sided ideology that reflects the Westerners’ views of the Orient as they have imagined it to be. I aim in this essay to scrutinise Bells’ narration of using the male voice in tackling the landscape in the texts under investigation.

From the late eighteenth to the mid twentieth century, European countries - predominantly England and France - oversaw the expansion and collapse of their empires, during which time they had come to understand their Eastern colonies through the lens of ‘Orientalism.’ A term coined by the literary critic Edward Said in 1978, Orientalism refers to the project through which Western artists and intellectuals fabricated an image of ‘the Orient’ - an area stretching between ‘India and the Bible Lands’ - in order to legitimise their control over it. This project characterised the East as an inferior, post-civilised realm, where order had been displaced by - as Said writes - an ‘Oriental backwardness.’ However, by the end of the nineteenth