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Theological Symbolism in "Cool Hand Luke" Essay

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In the 1967 prison film Cool Hand Luke, directed by Stuart Rosenberg, there are many examples of theological symbolism and religious themes. Most of the symbolism alludes to Jesus Christ, which is often utilized in film to add depth to the protagonist in the story. Such Christ figure symbolism can also be seen in films such as the 1999 hit The Matrix and the original Star Wars film (1977). Along with these visual suggestions, there are also thematic elements that underlie Cool Hand Luke which involve Biblical allusions and metaphysical questions.
The film revolves around a man named Lucas Jackson, portrayed by the legendary actor Paul Newman, who is sentenced to two years in a small suburban jail. He is convicted for destroying public …show more content…

Luke’s goal was to challenge the establishment (to which he seemed to think was unjust) and make an example of hope for his fellow men in that they wouldn’t have to bow down to Dragline. Interestingly enough, after this fight, Dragline becomes acquainted with Luke and becomes very friendly.
Another scene that had a similar theme of crucifixion was when Luke boasted he could eat fifty eggs in the span of an hour. All of the inmates gather around him while Dragline fed him the eggs. Luke was taking this challenge in order to prove himself to the inmates, as well as to make money from all the bets placed on him. After he finishes eating the fifty eggs, he lies on the table with his arms outstretched. The camera zooms out and focuses on Luke on the table for a few seconds, which further reinforces the image of the crucifixion. Although there are not many direct implications from this scene as to what Luke was sacrificing himself for, it may have been for the fifty inmates at the jail. Perhaps Luke was sacrificing his stomach to stimulate the small economy in the prison, since everyone seemed to be profiting in some form after his challenge. The image of the crucifixion also occurs at the end of the film, when Dragline is reminiscing about Luke’s actions, and a photograph of Luke is placed on crossroad which creates a cross. The camera focuses away and this image

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