Theme Of Law And Justice In The Merchant Of Venice

Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through

King Lear follows the domestic troubles of two families and their subsidiary workers over the course of a few days in eighth century Britain. Throughout the play King Lear and his fellow nobleman, Gloucester, make several poor judgements based on tradition that send their familial relations in a downward spiral. In the paper Natural Justice and King Lear, Paul M. Shupack analyzes this phenomena and states “So long as people could persuade themselves that tradition defined what was natural and just, and so long as kings saw their role was to enforce traditional rights, the tension between law and morals remained hidden”(Shupack 67). Here Shupack recognizes that eighth century noblemen like Lear and Gloucester tended to approach justice traditionally. In the context

The merchant of Venice is a drama and romantic play, by William Shakespeare. Regarding the test for the suitors and the final part of the book, the author is inspired by a fourteenth-century Italian novel of Giovanni Fiorentino, called “Il Giannetto”, (Bullough, 1957). The merchant of Venice is believed to have been written between 1596 and 1598. It is contained on the First Folio, in the contents of Comedies, sharing certain aspects with others plays. That one traditionally ends with the positive return to order expected from the genre, it also has some characteristics of a tragedy, in particular with regard to the punishment and the oppression that are suffered to Shylock Jew. The peculiarity is the title of this book, “The Merchant of Venice”, in fact, it refers to the character Antonio, and not Shylock, a moneylender, which has a pivotal role in this play. One possible reason is that by calling “The Merchant of Venice”, Shakespeare wanted to focus the attention of the readers, on the

Mosley, Joseph Scott. The Dilemma of Shakespearean Sonship: An Analysis of Paternal Models of Authority and Filial Duty in Shakespeare’s Hamlet. Diss. 2017.

One of the strengths of good theater is its ability to mirror the problems and conditions shaping its time. In The Merchant of Venice, William Shakespeare reflects two important aspects of Elizabethan society: the corrupting influence of prosperity and the increasingly vengeful nature of Venetian justice. To address the former issue, Shakespeare downplays the importance of wealth by associating its involvement in romance with superficial and insubstantial advantages. He characterizes prosperity as a deceiving agent, citing its ability to introduce shallowness into a relationship. Shakespeare reasons that genuine romance depends on sacrifice and emotion, not wealth. The problem with justice is equally striking. In the play, justice is

Another example of Portia fighting back is when Portia uses trickery to make Shylock stick exactly to the bond causing him to be condemned to Christianity and to give half of his belongings to Antonio and the other half to

Rings are significant to the narrative of The Merchant of Venice for several reasons. Firstly, as symbols of love, wealth and power. Secondly, as a means through which Portia gives and then regains control of herself, her weath and power and finally, the theft and sale of Leah's turquoise ring acts as a source of sympathy towards Shylock and allows him to parallel the Christian husbands, Bassanio and Graziano.

The Enmity between Christians and Jews is first revealed in this passage by Shylock’s tetchy, sarcastic reply to Bassanio. Bassanio politely invites Shlock to dinner and Shylock replies sarcastically saying, “Yes, to smell pork…” He further separates himself from Bassanio by referring to, “…your prophet, the Nazarite.” Also, in an irritated way, he lists the things he is prepared to do with Christians, and the things he in not prepared to do. In this passage, “I will buy with you…nor sell with you”, Shylock repeats the word ‘YOU’ Eight times, making it sound like an accusation, not only against Bassanio, but all Christians, for wronging

Shakespeare engages a modern audience through the character Shylock. Shylock in The Merchant of Venice is the antagonist of the play and is subject to sequences of misfortune, much to the delight of the Elizabethan audience. However, in a modern context we show slight feelings of sympathy towards him as a result of today’s ideologies. Upon meeting Shylock we see that his religious standing puts him in an isolated position against the Venetian society. A line is recited

Pay him six thousand, and deface the bond (3.2.298) This section is an instance were the word bond as the agreement between Shylock is confronted by another strong character in this play. Portia playing a strong masculine role for her house hold and new husband Bassanio. She shows her power and authority by wanting to deface the bond and pay more than the original sum, to free Antonio and help out Bassanio. This shows that even though the agreement between Antonio and

Since the beginning of time, there have been distinct divisions in the roles of men and women. Even dating back to early civilization, women have been portrayed by society as objects of desire. In the Renaissance period, the ideas about women and gender roles are still quite similar and the plays of Shakespeare can be used as a looking glass upon the acts of Renaissance society. Women were said to be concerned about their status as well as their identity which was said to be based solely upon the husband. In the Merchant of Venice, Shakespeare proves that not only can a woman be beautiful, but she can also be powerful, capable of overcoming similar obstacles as men, and above all else intelligent. Shakespeare appears to convey the true definition of feminism by creating heroic attributes in Portia, the heiress of Belmont, qualities that surpass other women of her time. A few of these traits would be perseverance, strength, resourcefulness, and the ability to put others before oneself. She defies and breaks the mold of traditional gender roles placed in a Renaissance society and illustrates admirable qualities that for centuries have gone unnoticed.

Literary devices are frequently used throughout acts four and five of Shakespeare’s The Merchant of Venice. Some of the most prominent devices used on TMOF are dramatic irony, allusion and symbolism. These devices help further develop theme ingrained in the story such as marriage, deceive, wealth, and religion. The use of literary devices helps ensure the story transitions smoothly and is pleasant to the reader, it might also help in the comprehension of the story´s characters.

With Shakespeare being born in the sixteenth century, there were still three centuries to go before women started the feminist’s movement. However, with his storyline in both The Merchant of the Venice and Twelfth night, the females leads disguised themselves as males to accomplish what needs to be done. Both plays, shows the heroine choices which challenges the characters they interact with. These endearing characters shows similar and different traits. The focus of these plays was based on Portia’s and Viola’s ambition which showed Shakespeare’s respect for women.

The Merchant Of Venice is structured partly on the contrast between idealistic and realistic opinions about society and relationships. The play tells us mercy is preferable to revenge. Shylock chose revenge over mercy against Antonio and how his choices affected him. The Court of Venice begging mercy of Shylock. Finally, Portia forgiving Bassanio for giving away his wedding band.

William Shakespeare’s The Merchant of Venice is a perplexing story of dark humor, race, religion, identity, love, and justice. Generally, most people understand The Merchant of Venice as a comedy about a bitter and outcasted Jewish moneylender named Shylock who seeks revenge against a Christian merchant who has failed to pay his loan back. However, there are many different perspectives on whether The Merchant of Venice is a comedy or a tragedy depending on one’s views on the difference between race and religion. If one views the story as a comedy, it is a dark comedy full of many problems, especially the controversial subject matter of anti-Semitic attitudes of its Christian characters. If one views it as a tragedy, it is a tragedy that concludes with majority of its characters in a “happy ending”—that is if one agrees that Jessica’s decision of love over betraying her father and giving up her Jewish identity is indeed a happy ending.