Paul Shupack King Lear

King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He

Then he banishes Cordelia from the kingdom and now that Cordelia is now banished from her home and is now set to be with the King of France, who was visiting Lear’s court is seeking her hand in marriage and he still wants to be with her forever. Also, in the poem King Lear is shown to act like a child sometimes almost childlike, he acts as he is cruel with passionate feelings, he is also kind as well. He wasn’t mature enough and didn’t have the ability to manage his emotions. King Lear occasionally had a violent temper that was out of control and he also had an adverseness to what he didn't want to see.

The emotive grandstanding language illustrates the dynamic prominence of exercising power imprudently and in haste. However, in contrast to The Queen, Lear’s transference of political authority to his daughters is on the prerequisite of flattery with an over exaggerated speech which must appeal and appease his ego: “Which of you shall we say doth love us most, that we our largest bounty may extend.” (Act 1.1.45-50) Lear’s actions have afforded his daughters the opportunity to take advantage of him. This strengthens Shakespeare’s theme of power, that authority is nothing more than a show and a display of status through language and verbal praise.

At the beginning of the play King Lear denounces Cordelia as his daughter in a fit of rage. He has this reaction simply because she refused to flatter him and speak exaggerations of her love for him. As his favourite daughter, Lear was expecting Cordelia to shower him with compliments and praises like his other two daughters and when this did not occur he was overwhelmed with fury and denounces her as his daughter. Lear also falls victim to wrath once he realizes what his other two daughters have done to him. “I will have such revenges on you both, That all the world shall--I will do such things,-- What they are, yet I know not: but they shall be The terrors of the earth.” (2.4.305-9). In this quote Lear reveals the wrath that he wishes to inflict on both of his daughters for deceiving him and rejecting him after he gave them everything he had. King Lear’s wrath is fueled by his daughters’ betrayal. Lear never actually did proceed to inflict his wrath upon his daughters but he did however have every intention of doing so if given the opportunity.

All texts can be read and understood, interpreted and represented in many different ways according to the views of the responder and their context. Many different interpretations of “King Lear” have been made, each valuing and highlighting different aspects and themes of the play. It is necessary for these interpretations to be made and adapted in order for “King Lear” to have relevance within the context of the society. Each interpretation of the text extracts and concentrates on certain ideas, issues, themes, values of the play, altering the way the play is received amongst audiences and critics.

Income inequality has been one of the most prevalent societal issues since the dawn of the agricultural revolution in 2000 B.C.E. Shakespeare tackles this issue in the 17th century England through one of his most spectacular works, King Lear. Lear has an epiphany during the third act in the midst of internal and external storm: wealth destroys justice by “plating sin with gold” while at the same time adversely hurting the poor whose “tatter’d clothes small vices do appear.” Unfortunately for us, Lear’s realization could not be more applicable to both human history and modern current events. Power and wealth dictates the due process of punishment, tipping the scales in favor of the rich every time as exemplified in literary works like King Lear and Twelfth Night, on top of being empirically proven throughout the course of history and modern day government.

King Lear is based in a time where clothing showed ones’ social status, as well as their roles and responsibilities in society. The play begins with Lear, dressed prodigally, followed sequentially by the other characters, in descending order of their rank. The clothes of authoritarians serve as “robes and furred [that] gowns hide all.” (20, 158-159). But, “through tattered rags small vices do appear” (20, 158-159). These lines depict the key idea that wealthy individuals are able to escape punishments through their mien. When Lear was in power, he favored wealthy individuals based not only on their looks, but also by how they expressed their love to him. In the beginning of the play, Lear questions his daughters about who “loves us most” (1,45), and in doing so, gauges their

During the opening act, King Lear was preparing to divide his kingdom amongst his daughters. This test of love essentially pitted the daughters against each other and signified the sibling rivalry that was shown. He was seeking a verbalized declaration of false affection, instead of a true affirmation from the heart. Goneril and Regan were quick to assert how they adored their father more than the other, while Cordelia was unable to proclaim her love for her father in spoken words. She simply announced, “Wretched as I am, I can’t express in words what’s in my heart. I love your Majesty according to my duty as a daughter. No more, no less” (Shakespeare 27). King Lear disowned his favorite daughter for merely not articulating in words what she expressed in her daily actions. Had a mother been present, she may have required more intent, rather than presumed conclusions and doubt upon their children. The queen could have expressed how the king was acting irrational in the heat of the moment and that perhaps banishment was slightly harsh. After all, it is “from being mothered and fathered, we learn to be ourselves as men and women (Kahn 241).

Although Cordelia appears in Act I, Scene I and disappears until Act IV, she has an enormous impact on the play as a whole. It is generally acknowledged that the role played by Cordelia in King Lear is a symbolic one. She is a symbol of good amidst the evil characters within the play. Since the play is about values which have been corrupted and must be restored, it is not surprising that the figure who directs the action must be embodiment of those values which are in jeopardy – love, truth, pity, honour, courage and forgiveness. Cordelia’s reply does not initiate the tragedy; Lear’s misguided question does that. Her “nothing” sets her father’s tragic journey in motion. There is nothing wrong with her remarks.

It is clear from the beginning of King Lear that Cordelia has an entirely good nature, she remains constant throughout the play, never wavering in her morals. The play begins with Lear deciding that he will have his daughters compete for their divisions of his kingdoms based on which of them can impress him the most with their proclamations of love. Cordelia, however, cannot express her love for her father in words, and refuses to deceive him by doing otherwise, stating that she is “sure [her] love's more richer than [her] tongue” (278-80). She realizes that by holding her tongue she is infuriating her father, but her nature cannot allow her to do otherwise. When King Lear asks her what she has to say, she states “Nothing, my lord.” This shows Cordelia’s inherent good nature by doing what is right in a tough situation. Lear’s lack of understanding of the natural bond between parents and their children leads him to his eventual demise. He is easily mislead by the other sisters, Goneril and Regan’s fake natural behavior when they give their long speeches in order to try and flatter him.

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

King Lear is frequently regarded as one of Shakespeare’s masterpieces, and its tragic scope touches almost all facets of the human condition: from the familial tensions between parents and children to the immoral desires of power, from the follies of pride to the false projections of glory. However, one theme rings true throughout the play, and that very theme is boundless suffering, accentuated by the gruesome depictions of suffering our protagonists experience . There is no natural (nor “poetic”) justice depicted in this pre-Judeo-Christian world Shakespeare presents, as the relatively virtuous individuals (Kent, Gloucester, and Cordelia) in this

“King Lear”, a play by Shakespeare tells us how kingship and power or the loss of power are expressed. Lear, king of Britain decides to retire and shares his kingdom between his daughters; he later discovers what it is like to lose the power and authority that came with responsibilities. In the play, power is related to flattery, appearance and anger.

Though the actions of Regan and Goneril mirror the king's, in that they banish King Lear, just as he banishes Cordelia and Kent, their sin against their father is worse than his sin against Cordelia and Kent. King Lear bases his daughters' love on superficial characteristics, he banishes Kent and Cordelia – his own daughter – and clings to his pride, not desiring to give up the title "King" even after he has yielded his power to his

Shakespeare’s King Lear and Marlowe’s Doctor Faustus are two examples of early modern texts, one a tragedy and the other a morality play respectively, which deal with the theme of power at the crux of its narrative. Between both texts it is evident that different characters utilize their power or authority differently – some ‘unwisely’ whilst some ‘maliciously’. In either case, the use of power progresses the plays and drives the majority of main characters.