In the play Death and the Maiden, written by Ariel Dorfman, Paulina goes through a deterioration of character. She steadily becomes more and more unstable, and her actions become alarmingly irrational. The events that took place in her captivation are gradually revealed as the play progresses, yet much is left unsaid, leaving it up to the reader's interpretation. There is no specific context to time and place as no historical events are introduced, however, it is revealed that the country is moving from a harrowing dictatorship to a democracy. The traumatic events Paulina experienced can be perceived differently by each reader through her reliance on a safe haven, the structure and techniques used in the play and the universal setting and time permitting alternate nations with varying social norms to differ the reader’s perception of Paulina. Dorfman’s undefined setting grants the play Death and the Maiden to be universal, thereby altering how each reader perceives Paulina’s trauma.
The author of Death and the Maiden chooses to have both a universal setting and personal setting. This decision enables the reader to perceive the events however they desire to do so, however, the personal setting underlines Paulina’s reliance on a safe place. Paulina’s personal setting, her home, is where she can feel secure and has the possibility to control what happens, contrary to when she was held in captivity. Her safe haven, however, is destroyed when Dr. Miranda intrudes her home. This
At the beginning of the short drama, “Trifles,” Mrs. Peters, the sheriff’s wife, is painted as timid and submissive wife. She willingly submits herself to the responsibilities she has as a wife. As the play unfolds, Mrs. Peter’s submissiveness begins to diminish. Mrs. Peters and Mrs. Hale work together to uncover the murder of Minnie Wright’s husband. When the women find the evidence, they refuse to share it with the men. Mrs. Peter’s character transforms into a more confident individual over the course of the play.
“Pale Horse, Pale Rider” aptly symbolizes the era in which it was written because it represents Modernism so well. The theme of death not only connects to the heroine of the story, but also the “death” of the old. Miranda’s personal struggle with illness and her struggle with love reveal the tensions of the era in which the story is written. These themes of death and love, which are intrinsically more connected than one may realize could, connect to most of what we have read in this class. Though, of course, the styles differ, these themes remind me of “The Love Song of J. Alfred Prufrock,” especially because there is an individual narrator dealing with the issues of love and death. Despite the gender and lifestyle differences of Miranda and
Sarah Ruhl’s play, Eurydice, is a devastating story battling love, grief, life, and death. Although it is set during the 1950’s, the play manages to encompass the ancient Greek myth of Eurydice and Orpheus. The three most evident themes of this play are recurring death, fleeting happiness, and the power of love. The main conflict in this play is ultimately about the painful choice that comes with death; this is often caused by the King of the Underworld. One of the most impressive parts of this play is the ability to change the way the play is perceived through design.
One of the themes in A Lesson Before Dying is innocence. Gaines is saying that in some situations, (and more often than we think.) People who are innocent are still jailed, this can be due to any number of factors. “The fact that Mr. Grope shot only Brother and Bear was proof of Jefferson’s innocence. Why did Mr. Grope shoot one boy twice and never shoot at Jefferson once?” (Gaines 7) In addition to Jefferson’s innocence, we also see Grants thoughts as well. He believes he is innocent in the matter, and that he should have nothing to do with Jefferson or his god mother. “Yes, I’m the teacher,” I said, “And I teach what the white folks around here tell me to teach – reading, writing, and ‘rithmetic. They never told me how to keep a black boy
As the tale begins we immediately can sympathize with the repressive plight of the protagonist. Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be. She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170). However, in a time
As mentioned in a Frontline interview with Gawande about Being Mortal, life’s two ‘unfixables’ are aging ang dying ("Dr. Atul Gawande On Aging, Dying And "Being Mortal"). Despite this well-known fact, most physicians and patients alike are overwhelmed by the concept of death. Moreover, in times of medical crisis, terminally ill patients allow themselves to be given “the medical equivalent of lottery tickets” in the hopes of making a miraculous recovery (Gawande 171). The allowance of end-of-life decisions to be controlled by the concepts of medicine or technology is a dangerous path which shows a lack in pragmatism regarding death (Sinclair). Although the overall avoidance of the
Susan Glaspell’s one act play “Trifles” is based on an actual murder court trial that she remembered covering from her days as a newspaper reporter in Iowa. She wrote at a time when women were supposed to be submissive to men and especially to their husbands. This play takes a look at a common social problem during the early 1900s when Americans wanted to keep all of their relationship problems private. Many married couples would do anything to keep their lives free from scandal, and this murder mystery examines the necessity of appearances and reputation of having the perfect marriage that was typical during that time. This was done to protect the married couple from being scorned by family, friends and community if their secrets were ever turned into a scandal. It is an incredible play that may be better understood by those who have experienced the same situation at some time in their lives. This play/production is a good definition/example of a problem play because it aims to draw attention to a /the social problem, such as of emotional abuse.
In the play, Hamlet, Shakespeare leaves you wondering about death. Through the characters in the play, he reveals his own thoughts about death. Does Shakespeare portray a deep understanding of death in this play? The never-ending cycle of death and revenge is evident throughout the entire play.
At this point she simply finds no other way but to accept the stereotypical view of a young innocent girl in a relationship with an experienced man, another example of women being victims of male authority. The key to the bloody chamber is the key to her selfhood and subjugation that will ultimately kill her. ‘The protagonist’s husband clearly considers her an object of exchange and plans to inscribe upon her his continuing tale of punishment for wives’ disobedience’[viii] again showing how women make themselves victims of their own behaviour, Helen Simpson’s interpretation is that ‘I really cant see what’s wrong with finding out about what the great male fantasies about women are’ [ix] The heroine fights against the victimisation, and indeed reverses role with the male in the story, as it is Marquis who dies and it is the female who leaves this chamber and finds happiness.
In A Midsummer Night’s Dream, as in many of Shakespeare's plays the main theme is love. Shakespeare presents many different aspects of love in the play. He shows how love can affect your vision of reality and make you behave in irrational ways. He presents many ways in which your behavior is affected by the different types and aspects of love. The main types of love he presents are; true love, unrequited love, sisterly love, jealous love, forced love, and parental love. Shakespeare tries to show what kinds of trouble, problems and confusion, love can get you into.
The theme death has always played a crucial role in literature. Death surrounds us and our everyday life, something that we must adapt and accept. Whether its on television or newpaper, you'll probobly hear about the death of an individual or even a group. Most people have their own ideas and attitude towards it, but many consider this to be a tragic event due to many reasons. For those who suffered greatly from despair, living their life miserably and hopelessly, it could actually be a relief to them. Death effects not only you, but also those around you, while some people may stay unaffected depending on how they perceive it.
“It was only yesterday she had thought with a shudder, that life might be long.” (Chopin 17). “"Poof!"… gave a revealing look at the victims of domestic abuse and how they wrestle with overcoming their fear and their doubts after suffering years of abusive treatment.” (Toomer 5) Loureen unlike Mrs. Mallard, witnesses her husband’s death first hand during a marital argument. Loureen goes through denial questioning whether her husband’s death. She is happy her husband is dead but also feels guilty, because she knows how a mourning wife should react, but the joy of his demise is greater,” I should be praying, I should be thinking of the burial, but all that keeps popping into my mind is what will I wear on television when I share my horrible and wonderful story with a studio audience…”, Loureen’s husband, Samuel, was physically abusive, as revealed by Florence, Loureen’s best friend and neighbor. “Did that mother***** hit you again?” (Nottage 1563) This abuse, physical by Samuel and mental by Brently, is what allows Loureen in the drama “Poof!” and Mrs. Mallard in the short story “The Story of an Hour” to have the shared freedom they feel in the release from their respective abusive relationships.
The novella, “chronicle of a Death Foretold”,raises the question of (whether fate controls our lives more than we think). Fate is an important theme in this novel because it can not be changed. Marquez believes that even if you know your fate, you can not change the outcome. Marquez shows that people cannot alter their fate through the plight of the characters Santiago Nasar, Angela Vicario and the twin brothers.
Although a scene of a funeral home might come to mind when a reader first hears a short story aptly named “The Dead,” the tale actually takes place in the festive setting of a winter dance at the home of the two aunts of the main character, Gabriel Conroy. James Joyce’s short story “The Dead” has a literal title, because its main concept is death – both physical death and spiritual death.
“Trifles” a play by Susan Glaspell, emphasizes the thought that women were kept in their homes and their contributions to the home and family went unappreciated and unnoticed. The play gives readers a view of how women were view and treated during the 1900’s. As a female analyzing the play, Mrs. Wright’s motive for killing Mr. Wright was quite clear. Susan Glaspell gives her readers a feminist approach, to demonstrate how Mrs. Wright’s murdering of her husband is justified.