At the beginning of the short drama, “Trifles,” Mrs. Peters, the sheriff’s wife, is painted as timid and submissive wife. She willingly submits herself to the responsibilities she has as a wife. As the play unfolds, Mrs. Peter’s submissiveness begins to diminish. Mrs. Peters and Mrs. Hale work together to uncover the murder of Minnie Wright’s husband. When the women find the evidence, they refuse to share it with the men. Mrs. Peter’s character transforms into a more confident individual over the course of the play. The stage directions originally describe Mrs. Peters as a “slight wiry woman, with a thin nervous face” (1006). Mrs. Hale plays an important role in the development of Mrs. Peters. Mrs. Hale is the foil of Mrs. Peters. Her illustration …show more content…
Hale and Mrs. Peters find a dead canary and a broken bird cage, it becomes obvious that Mr. Wright was an aggressive and controlling husband. Mrs. Hale states, “No, Wright wouldn’t like the bird- a thing that sang. She used to sing. He killed that, too” (1012). The canary represents Minnie Foster. Before she married Mr. Wright, she was a joyful girl who sang in the church choir. After her and Mr. Wright get married, she is forced to stop singing and is stripped of her happiness. The broken cage represents Mr. and Mrs. Wright’s controlling marriage. The bird cage is violently broken to represent how Mrs. Wright violently escaped her marriage. The women’s discoveries cause Mrs. Peters to sympathize with Mrs. Wright. Ultimately, Mrs. Peters decides to stand up for what she believes. The character development of Mrs. Peters is driven by her sympathy for Mrs. Wright. At the beginning of “Trifles”, Mrs. Peters’ character is portrayed as anxious and insecure. The evidence the women find reveals that Mrs. Wright was trapped in a neglectful marriage. All of the insightful evidence influences Mrs. Peters to disregard her duties as Mr. Peters’ wife, and conceal the evidence from him. Despite Mrs. Peters original compliant and coy personality, the events throughout the play drive her to boldly protest submitting to the male
Therefore, Mrs. Wright murdered her husband simply because he murdered her pet bird, and she did so the same way he murdered the bird, making the motive is unethical. Mrs. Hale finds a dead bird with a broken neck inside of Mrs. Wright’s sewing box wrapped in a cloth. Obviously as lonely as Mrs. Wright was the death of her bird would have been catastrophic for her. This is evidence of a motive proving Mrs. Wright killed her husband out of sheer revenge of the death of her bird, it was the last thing he was ever going to take away from her. Along with the broken cage Mrs. Peters states, “Why, look at this door. It’s broke. One hinge is pulled apart” (8). Then Mrs. Hale comments, “Looks like someone must have been rough with it” (8). This is how it happened, Mr. Wright came home from work in
As the ladies examine the house, while the men are other places, picking clothes and an apron up for Mrs. Wright, Mrs. Hale gains sympathy for her until finally she starts to take action. When they find the block of quilting that has stitching askew, she starts to fix it, perhaps to cover for Mrs. Wright?s distraught state of mind. While Mrs. Hale is finding sympathy for Mrs. Wright, Mrs. Peters offers a counterpoint that tries to justifies the men?s viewpoints and actions. Her comments to Mrs. Hale?s resentful musings on Mrs. Wright?s unhappy life and on the actions of men in regards to women in general all seem to be rote answers programmed into her by society and a desire not to cause any trouble. This all changes as soon as Mrs. Peters finds the bird.
Trifles, Susan Glaspell’s play written in 1916, reveal concerns of women living in a male dominated society. Glaspell communicates the role that women were expected to play in late 19th century society and the harm that can come of it to women, as well as men. The feminist agenda of Trifles was made obvious, in order to portray the lives of all women who live oppressed under male domination. John and Minnie Wright are two main characters who are never seen; however provide the incident for the play. In this play women are against men, Minnie against her husband, Mrs. Hale and Mrs. Peters against their husband’s, as well as men in general.
The men in this story are mocking the women, because they do not expect the women to know anything of importance, and to only know their “womanly” duties, which are deemed unimportant. Another similarity between the two works are the changes that the women undergo towards the end of the plays. In “Trifles”, the women, Mrs. Peters and Mrs. Hale, are stuck with the choice of aiding a murderer that was in an abusive relationship, or to tell their husbands what they have found:
In the society of the 1920s when the play was written, the confinement of women was at an all-time high, however the breakout of women’s rights was just starting. The tone of this play helps show just this view, by promoting a character such as Mrs. Peters, who is stuck on whose side be on in the mystery of the murder. As they uncover the motive of Mrs. Wright, Mrs. Peters character begins to understand her, although the deceased husband was murdered in such a gruesome way, and know there should be a punishment for the crime for the crime because of her background with her husband as sheriff, who said she is “married to the law”, she comprehends the “stillness” that Mrs. Wright must have felt, with the house being as gloomy as it was on a bright character such as she before she was married. Such as
The play Trifles takes place in a rural area and centers around a woman, Mrs. Wright, who has been accused of killing her husband by strangling him. The act starts off in Mr. and Mrs. Wright’s home on a cold, winter morning the day after Mr. Wright’s body was discovered by the neighbor; the county attorney, the sheriff and his wife and the neighboring farmer and his wife are all inside the
The play Trifles by Susan Glaspell is an interesting story about a woman named Mrs.Minnie Wright. Mrs. Minnie wright does not actually take part in the scene but is actually the main character throughout the play. The focus of the play is about whether or not Minnie Wright did in fact murder her husband, John Wright or did he commit suicide. Throughout the scene, they bring in people to look over or find evidence that can be used to give testimony at her trial. Mrs. Minnie wright should be found innocent of her husband's death, It does not matter if she had a part in his death or not. The fact that she was not happy because of her husband's attitude towards her tells the audience that she was not happy and was a captive in what was supposed to be her home.
A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.
The play written by Susan Glaspell in 1916 is based on the murder of John Wright where the prime suspect is his spouse; Minnie Foster. “Trifles” is fixated on the investigation of the social division realized by the strict gender roles that enable the two men and women to have contending points of view on practically every issue. This is found in the way the men view the kitchen as they consider it as not having anything of significant worth. From the earliest starting point, the two women and men possess distinctive positions. For instance, the women are unimportant guests to Minnie Foster's home while the men have desired authority obligation.
Finding love, getting married, becoming a housekeeper, and hopefully being blessed with children used to be a woman’s goal in life. Susan Glaspell wrote and interesting play of a woman whose husband slowly took everything away that she loved in life. In return, she ends up taking his life while he’s asleep, by slowly killing him with a rope. The male and female gender dynamic of the story plays a significant aspect in the roles of the characters and their behavior. The men expect the women to live a domesticated lifestyle and fulfill the roles of a good wife and housekeeper. The women embrace the roles; however, they understand the struggles that come with being a wife. Since they can sympathize with Mrs. Wright, they understand how she feels and it explains why they react the way they do with the men in the play. Trifles opens your eyes to an interesting view of what being a housewife can do to a woman over time.
Have you ever wondered what people say about you behind your back or what they think of you what you're not there? This book strongly shows what other people think of Minnie Wright and their true opinions come through. Trifles is a play written by Susan Glaspell. It is a murder mystery about who killed John Wright. Towards the end of the story, we come to the conclusion that the murderer was Minnie Wright, John wrights wife. Minnie Wright took her own husband's life because he had killed the one thing that she had loved most, her bird. She thought as if she needed revenge on him for doing what he did, this being said she killed him in the same way that he had killed her beloved bird; a rope around the neck. Susan Glaspell decides to tell this story mainly through the eyes and minds of Mrs. Peters and Mrs. Hale. While the main plot of the story is about Minnie Wright and her actions, she never appears in the story because well, she doesn't have to. Susan Glaspell chiefly relies upon the characters in the story to give the readers and audience a sense of what type of person Minnie Wright is. Readers can sense her presence through the way she and her house are described. The characters say things like, “here is a nice mess (referring to her house)” (118.) or “she looked queer” (116.) These small statements can help us form an image of what Minnie Wright is like when she is not even present. Minnie Wright’s absence also allows the women to sympathize with her and therefore makes the women feel obligated to keep her secret.
The men, though, laugh at the women's wonderings about the quilt. To them it is of little importance. Likewise, the bird and its cage are easily dismissed. In fact, the men just as easily believe a lie about this bird and cage. When the cage is noticed, its broken door overlooked, the county attorney asks, "Has the bird flown?'" Mrs. Peters replies that the "'cat got it'" (360). There is actually no such cat, but the men do not know that and never question the existence of it. The bird, however, is vital to the case. Mr. Wright killed the bird, Minnie's bird, which may have provoked her to then kill him. In addition, the strangling of Mr. Wright, a form of murder which perplexes all when a gun was handy, is reminiscent of the strangling of that bird. It is another answer to the men's questions, but an answer they never find. The women, on the other hand, take note of all they see. They notice not only the bird, the cage, and the quilt but other things that the men call "trifles," like Minnie's frozen preserves and her request for her apron and shawl. These women are united; it seems, not only as country wives or as neighbors but on the basic level of womanhood. This is apparent from the start of the play. Mrs. Hale and Mrs. Peters "stand close together near the door," emotionally bonded throughout the play and, here, physically, in a way, too. Mrs. Hale and Mrs. Peters also have a kinship to Minnie, just as to each other. They respect her work as a homemaker. Mrs.
“Trifles,” Mrs. Peters and Mrs. Hale band together as a counterbalance against the men conducting the John Wright murder investigation that leads to Mrs. Wright. Glaspell creates an empathy between the female characters for the disproportionate role women have. As the play progresses, tensions begin to surface, the men critiquing Mrs. Wright’s housekeeping abilities, the women gradually start to defend her, and eventually covering up evidence that would likely lead the men to her committing the murder. Mrs. Hale appears to be on empathetic towards Mrs. Wright: “Looking her up in town and then coming out here and trying to get her own house against her!” Mrs. Peters is initially hesitant, affirming the rules of men: “But Mrs. Hale, the law is
When Mrs. Hale finds a dead bird in Mrs. Wright's sewing box, she soon recognizes the obvious reason why John Wright was murdered. The audience sees character motivation in Mrs. Wright. Mr. Wright was a man who used silence and coldness to control and mold his wife into someone he thought she ought to be. He killed the singing bird, which was a symbol for Mrs. Wright as Minnie Foster. In an indirect way, he killed her joy of singing, her spirit, keeping her in her own "cage" which she can not escape from. Unless she "got rid of" what (or who) was holding her prisoner.