Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” tells a semi-autobiographical story of an upper, middle class Victorian woman and her experiences with the resting cure. Throughout the story, the character is faced with external and internal conflicts, that mirror Gilman’s experiences after being diagnosed with the resting cure. Jane’s against the limitations as a woman in Victorian society, combined with a history of mental fragility make her vulnerable to her husband John’s dominance. A major external conflict that Jane is faced with is woman vs society. The patriarchal system of the Victorian Era severely limited women’s independence and control of their lives; a theme that dominates this text. Jane’s husband, John, the antagonist, represents the mores of their society, and treats Jane like a child. After returning to bed one evening, John questions her reasons awakening “ ‘What is it, little girl?’ he said. ‘Don’t go walking about like that-you’ll get cold’” (Gilman 1397). John presents a double God complex, his role as husband is compounded by the fact that he is a doctor, and intensifies his dominant, and …show more content…
Jane references her history of mental fragility; which John uses to support his diagnosis of her mental state. His repeated claims of her need to rest, physically and mentally, contribute to her inability to trust herself. As the story progresses, Jane’s ability to discern reality from fantasy becomes increasingly difficult. As she is denied any creative and physical outlets, she becomes fixated on the wallpaper, its color, pattern, and texture. Her fixation on the wallpaper is representative of her fixation of her own mental state, and the deterioration of the wallpaper parallels her descent into madness. In the end, when she is having visions of a woman physically trapped within the wallpaper, is the moment when she begins to realize that she is a prisoner in her own
Who is Jane? I believe Jane is the narrator’s name she is finally free of her marriage as well as the person she tried to be. She becomes free of the people who were repressing her mind; herself and her husband. The wallpaper represents the structure of family, medicine, and tradition in which the narrator finds herself trapped. I think the wallpaper represents her trying to escape her husband and herself.
In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her
The social code of the Victorian era places women in a role of obedience. They are expected to fulfill duties such as a mother, keeper of a house, and to be a quiet and “behaved” spouse. The narrator in this story is an obedient spouse, who has become a new mother that experiences postpartum depression. The change in her role sparks a change in her demeanor, causing a “nervous condition”, in which her husband dictates her treatment. John’s treatment of his wife represents the powerless-ness and repression of women during the late nineteenth-century.” (Wilson). John’s authority over her treatment, mimics that of patient to doctor relationship, and further reminds her of her secondary status during the era.
The narrator feels very imprisoned in the house and tries to find a way to escape it. During the narrator’s rest cure treatment, she has attached herself to the wallpaper: She would “lay there for hours trying to decide whether that front pattern and the back pattern really did move together or separately”(260-261). This was the narrator’s way of escaping the oppression she was in. The wallpaper often seemed confusing to her, but she was determined to figure it out: “I am determined that nobody shall find it out but myself”(301-302), everytime John takes of her illness lightly, her interest in the wallpaper grows. This is a direct reflection of her loneliness and isolation from her treatment. The speaker’s rest cure treatment directed her not to do any activities that would make her think intellectually or imaginatively, so she is forced to stay isolated from people, books, and chores. However, as her loneliness grows intensely, she finds relief in writing, something she was told not to do. The narrator would often have to hide the fact that she writes when nobody's around, and when someone comes while she is writing she records “I must not let [them] find me writing”(141-142). The oppression the narrator has been put through has made her stronger mentally, she starts to become more and more possessive of the wallpaper and tries
In Charlotte Perkins Gilman's “The Yellow Wallpaper” we are introduced to a woman who enjoys writing. Gilman does not give the reader the name of the women who narrates the story through her stream of consciousness. She shares that she has a nervous depression condition. John, the narrator’s husband feels it is “a slight hysterical tendency” (266). She has been treated for some nervous habits that she feels are legitimately causing harm to her way of life. However she feels her husband, a physician, and her doctor believe that she is embellishing her condition. The woman shares with the reader early in the story that she is defensive of how others around her perceive her emotional state. This causes a small abrasion of animosity that
In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.
(91, 92). This statement signifies a decline in the narrator’s health as she goes from despising the wallpaper to becoming partial to it. She begins to enjoy following the pattern on the wallpaper around the room which is the result of the lack of stimulation due to her confinement and John not allowing her to write in her journal. In an analysis by Melissa Barth, as the narrator “becomes more distanced from the world and from any source of sensory stimulation, she begins to hallucinate.
This interpretation of the relationship between John and the narrator seems to prove that John is not a good husband to his wife, but in fact controlling, overbearing, and condescending. In William Veeder’s opinion, John is not completely responsible, and the wife is not exactly innocent either (Veeder 41). In William Veeder’s article “Who is Jane? The Intricate Feminism of Charlotte Perkins Gilman,” he claims that the narrator has victimized herself and is partly to blame for her undoing.
In “The Yellow wallpaper”, the wallpaper is a metaphor that expresses women’s protest against the repression of the society and their personal identity at the rise of feminism. During the Victorian era, women were kept down and kept in line by their married men and other men close to them. "The Yellow Wallpaper", written By Charlotte Perkins Gilman, is a tale of a woman, her mental difficulties and her husband’s so called therapeutic treatment ‘rest cure’ of her misery during the late 1800s. The tale starts out in the summer with a young woman and her husband travelling for the healing powers of being out from writing, which only appears to aggravate her condition. His delusion gets Jane (protagonist), trapped in a room, shut up in a bed making her go psychotic. As the tale opens, she begins to imagine a woman inside ‘the yellow wallpaper’.
Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.
First published in 1982, The yellow wallpaper is an engaging narrative , written in first person in which the narrator suffers from some type of nervous disorder . Her husband who prefers to refer to her condition as a temporary nervous depression or a slight hysterical tendency recommends that the narrator seeks solitude so as to recuperate . The short story mimics the form of secret and private entries on journals by the author. The haunting short story chronicles that descent of the narrator and protagonist into maddened and paranormal activities. Some people however interpret it as her chronicles to freedom .The author effectively employs the use of literary
“The Yellow Wallpaper” a short story about a mentally ill women,written by Charlotte Perkins Gilman at age 32, in 1892 is a story with a hidden meaning and many truths. Charlotte Perkins Gilman coincidentally also had a mental illness and developed cancer leading her to kill herself in the sixties. The story begins with Jane, the mentally ill woman who feels a bit distressed, and although both of the well respected men in her life are physicians she is put simply on a “rest cure”. This rest cure as well as many symbols such as the Yellow Wallpaper, her journal, and her inevitable breakdown are prime examples of the typical life of a woman in this time period and their suppressed lives that they lived even with something as serious as a
Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.
In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.