The Theme Of Arrogance In The Poisonwood Bible

During the beginning of the Price family’s arrival at the Congo, the family settles in an unfamiliar land of Kilanga and Nathan is being portrayed as the physical representation of the American perspective on the African people by creating conflict. Since the family is from Georgia, the surroundings and the atmosphere of

In The Poisonwood Bible, written by Barbara Kingsolver, the aspect of biblical allusion is clearly present throughout the majority of the novel. For example, one of the most conspicuous allusions to the Bible is the way that Kingsolver has purposely named some of the main characters in her book after different people and images in the Bible. Kingsolver uses this biblical allusion to develop important themes, events, and characters in her novel. Kingsolver makes references to the Bible by tying in and creating similarities between important events and themes in the Bible and important events and themes in her novel.

From the time people are born to their last moments of childhood, they invest in an object of security, something to keep them safe, something to always be there. The true mark of adulthood comes from abandoning this security item to walk forward without any weight. Just like all people, Leah in Barbara Kingsolver’s “The Poisonwood Bible” was no different. Leah spent her whole life clinging on to her father, Nathan, and as a result, she was blinded to what truly mattered to her. The loving presence of a family could not be seen behind his controlling ways. Her dependence on him kept herself from realizing whom she actually cared about. Moreover, the reliance on Nathan meant her actions were truly not her own. Rather

The way that you develop and discover yourself and your personal attributes is largely impacted by the environment you grow up in, as shown in The Poisonwood Bible. Each member of the Price family reacts differently to their being thrown into a completely new location, culture, and livelihood; the maturation path of each child varies drastically from the others, and their exposure to the Congo impacts each of them in a different way, which we observe through each character’s language and behavior in the book. The stylistic formatting, tone, and figurative language used in Leah Price’s narratives in The Poisonwood Bible change as she grows, and the maturation of her physical structure and overall mentality correlate to her development in language throughout the story. Leah enters the Congo as a religious, rule-following adolescent from the suburbs of Bethlehem, Georgia, but as time passes and she becomes accustomed to the land, Leah begins to develop in ways that were once unforeseen by her and her family.

The Poisonwood Bible is a novel written by Barbara Kingsolver that takes place in 1950’s New Orleans and the Congo of Africa. This story written in 1998 in reflection of imperialism, The Poisonwood Bible, is a political allegory. The Price family is the center of attention, each member having a specific role in the story as well as the political allegory about the imperialism and colonization of the Congo and other third world countries of the time. The mother Orleanna is an intellectual women for her time, the 50’s where women were supposed to be obedient to their husbands, and has a distinct voice. Barbara Kingsolver creates a specific voice for Orleanna Price to serve the purpose of being the advisory

The Poisonwood Bible is a book about a man named Nathan Price who takes his wife and four daughters on a mission into the Congo. All of their ups and downs are documented throughout the story. This novel was written by Barbara Kingsolver in 1998. This story was inspired from her own personal trip that her father took her on, to the Congo, where they lived without and water, electricity, and many other necessities. During the time period that this book was being written, a lot of feminist and post-colonial literature was being acknowledged. Feminist literature is both nonfiction and fiction that supports women by defending political, economic and social rights for women. Many works of feminist literature depict strong willed women who

In a world full of blame and lack of accountability, an individual’s role in injustice needs to be questioned. In the early 1960’s, after many years under Belgian rule, the Congolese people formed an uprising and gained independance. However, the Congo was ill prepared for the organization that independence demanded. The Soviet Union offered aid to the Prime Minister of the Congo. Since this was during the Cold War, the United States retaliated and supported a coup led by Colonel Joseph Mobutu. Mobutu ruled with an iron fist, resulting in pain and oppression of the Congolese. Looking back on history, it is easy to see who was at fault. But at the time, it was not easy to identify blame, especially for the Americans. Barbara Kingsolver wrote about the Congo’s trials much later in 1991. She used a narration from baptist missionary family to symbolize the different kinds of guilt Americans share. In Anne M. Austenfield’s narrative journal, she described Kingsolver’s ability to use, "several character-focalizers whose limited perspectives project highly subjective views of history" (Austenfeld). This technique allowed for Kingsolver to not only produce a more reliable account of what occurred, but to depict her desired theme and message. Kingsolver, in her novel The Poisonwood Bible, uses a political allegory to explore the different notions of guilt through the limited perspectives of her characters.

The use of diction in The Poisonwood Bible helps create Rachel's voice throughout the story to convey Kingsolver's theme on cultural differences. As the Price family was being welcomed to Africa by the Congolese people, Rachel thinks "In all the ruckus, somebody was talking English. It just dawned on me all of a sudden. It was near impossible to make out what was going on, because people all around us were singing, dancing, banging their plates, waving their arms back and forth like trees in a hurricane" (Kingsolver 25). Rachel is giving a vivid description of a customary welcoming ceremony in Congo, but, as she is obviously not from Congo, it is surprising to her. An ordinary welcoming in America consists of dinner and a brief display of affection, such as a hug or peck on the check, very different from that of the Congo. Rachel's use of words like "ruckus", "banging", and "hurricane"

In The Poisonwood Bible by Barbara Kingsolver, the author uses the complex and contrasting societies the Price family lives in to depict how in different societies the norms and concerning issues are not at all the same. The novel begins with the Price family moving from Georgia, USA to a village in Africa called Kilanga Village. The reason for this shift was for Nathan Price, the father, to enlighten the people of Africa

He does not care about their welfare, only that he saves as many souls as he can. Adah, who can most identify with the Congolese, recognizes what it is like to be ignored and forgotten, much like the countries occupying the Congo do too. Imperialism. Instead of helping the country fend off invaders, the US becomes an invader; only caring when the invaded countries misfortune can benefit the intruders cause. Rachel says it best after reading a Belgian newspaper that claims the Belgians find the Congolese participating in cannibalism. “If they came to our village that day, they would have interrupted Mother in the middle of scrubbing the floor and about twelve little naked boys having a pee-pee contest across the road,” (161). The Belgians paint themselves as heroes to the Congolese instead of villains who enslave and cut their hands off, similar to Nathan who sees himself as the man of God saving the

Today, all around the world people express their different and unique cultures everyday. If we were to go halfway around the world things that would seem weird to us would be normal to them. What makes people so quick to judge others when they have different ways of life than us? In the novel The Poisonwood Bible by Barbara Kingsolver an American family travels from Georgia to the Congo, and they have one goal in mind. Their goal is to spread the word of God, their baptist beliefs, and American values to the locals. However, the family fails to see that the Congolese people are not in need of a change of faith and lifestyle. The family is thrown into a difficult lifestyle in the Congo with many challenging obstacles that change some of the family members views and values. With the exception of the father, Nathan. In The Poisonwood Bible the values and culture of both the American family and the Congolese people help shape the theme of America’s over reach in third world countries and the destruction it creates.

Opinions, self-assurance, and knowledge – these aspects of one’s character constantly develop throughout one’s lifetime. In some cases, opinions shift from one end of the spectrum to the opposite end of the spectrum, while the knowledge gained from the world guides one to become more self-assured. In The Poisonwood Bible, Leah, the daughter of a passionate preacher, gains several unfamiliar experiences after moving to Congo such as the peoples’ way of life and insight on what the Africans think about her family. Throughout The Poisonwood Bible, Kingsolver thoughtfully uses textual features such as figurative language, syntax, and tone to show how Leah’s character gradually progresses from a blinded worshiper who wants nothing more than to follow in her father’s footsteps to an individualistic young woman who strives to live a life without her father’s influence. To begin the novel, Kingsolver establishes Leah’s beliefs by utilizing different forms of figurative language.

Perhaps her most acclaimed work is The Poisonwood Bible, published in 1998. She was nominated for the Pulitzer Prize and the PEN/Faulkner Award, and later received the U.S. National Humanities Award (Hamilton) for this book and her service to the arts. The Poisonwood Bible tells the story of a Southern Baptist missionary family adapting to life in the Congo. It is narrated by the daughters of the family (Hamilton). She heavily researched the background for this book, traveling to Central Africa during the writing process. This book was also named a Best Book of 1998 by the New York Times Review

This further impacted the children Rachel and Leah, being the oldest daughters in the family. Rachel was a daughter that loved her father and she at first felt that he was the best person in the world. She would always follow him around and be his little princess, that was until she started to see the bad things that he started doing in the dark, mysterious place they were living in. She started to see how arrogant and defensive he became throughout the community and how he threw hissy fits. She realized that enough was enough and she needed to grow accustomed to this new place by herself, just like the narrator did in the poem. This is because she knew that her dad was just going insane and he wanted too much power. She now felt bad for her mom and what he had done to her, and wanted to side with her mom to get out of the community that they were in because they had enough of it. Another thing that happened in the Congo while she was there was something absurd and scarring to say the least. Her sister had started to hunt with the men for meat and Rachel saw what they did when they killed the poor animals lives. Rachel was so startled and appalled that she had to become a vegetarian for a short time while they were there. This just shows that she had to adapt to a new lifestyle because she could not think of eating a poor animal that had an innocent life, but her sister Leach could have cared

This is apparent by the use of the character’s perspective about nature and the ultimate result it has upon them. This is in its most apparent shape when Orleanna says “We aimed for no more than to have dominion over every creature that moved upon the earth... Now you laugh, day and night, while you gnaw on my bones. But what else could we have thought? Only that it began and ended with us. What do we know, even now?” (Kingsolver 10). This quote by Orleanna about nature, shows the true power of it regarding the motifs of freedom and captivity. This is seen because of the fact that there is a progression and a change of thought that quickly evolves from the family and her thinking that they had the freedom to have dominion over nature, to she surrendering to nature and saying that she is captive forever because of nature that nature instead of being loving, betrayed her and is now seeking for the forgiveness of it. Another way this is seen it when Leah said “Its heavenly paradise in the Congo, and sometimes I want to live here forever,” (104). This extract from the novel at first glance may not seem like an important passage, but it is considering the fact that she feels that she has the motifs of freedom and love at her grasp as she feels free in the Congo and loves it. This ultimately will not last as their contrasting motifs will eventually kick in making her a prisoner of the Congo by her own merits keeping her captive in there for the rest of her life, while also betraying her because the land and the nature inside it made her lose her little sister. Finally, this connects to the thesis and the other paragraphs because of the fact that it shows this hope versus reality situation which is created when these motifs are combined, furthermore it shows the colorfulness of life in the book because of the fact that it shows the way