“The Making of an Allegory,” by Edwin Honig and “Franz Kafka’s ‘Metamorphosis’ as Death and Resurrection Fantasy,” by Peter Dow Webster illuminate how sacrifice and transformation are a vital part of the deeper meaning of "The Metamorphosis." Gregor Samsa is an ordinary young man until he wakes up one day as a giant vermin; metamorphosised into something horrendous and reviled by the world. Through Honig’s and Webster’s critical essays, this transformation, as well as many more, and sacrifice made by all involved are explored in a thorough and definitive way. In “The Making of an Allegory,” Honig illustrates how the family structure is altered and strengthened by Gregor’s transformation and, in turn, his seclusion. Honig’s syntax defines …show more content…
His syntax and imagery clearly state his view as to how the major change in Gregor causes a major change in his entire family. In “Franz Kafka’s ‘Metamorphosis’ as Death and Resurrection Fantasy,” Webster clarifies how Gregor is not the only one transformed by his situation, as well as the negative effects that have been brought on by it. The tone used by Webster in his essay brings about this negative feel towards the transformation itself, as well as a cynic view towards most of the novel, especially the title. “'Metamorphosis' is misleading as a title,” because it entails that only one person or being is being metamorphosised; instead, “it should be pluralized since the whole family…father, mother, and sister…are equally transformed.” By giving a reason as to why the title is erroneous, Webster expresses his disturbance towards the title and that Kafka should have realized this and given the proper form of the word. He declares that “Grete…finally refers to…Gregor as ‘It’ and insists that unless he is rejected…the whole family will disintegrate,” interpreting Grete’s altered view towards him as a sign that she has also grown up through this. The syntax displayed only adds to the negativity towards not just the title, but other parts of the book. Grete’s sudden outburst combines with the syntax of other pieces in the article to display Webster’s assertion on the negativity of the whole family’s transformation. This contrasts with the positive outlook towards it
With this in mind, Gregor, being an allegory for Kafka, portrays his feelings towards his family and his involvement with them. He portrays most of his feelings through his sister, and father, who are mainly static characters
I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.
In the article, written by Walter H. Sokel, he goes into depth about how Franz Kafka’s life is reflected in the book The Metamorphosis and his other writings. Sokel ties together multiple aspects of the novel and their importance to Gregor and his family dynamic as a whole. Many of the points made in the article address the absurdity of the situation the novel presents and the underlying meaning in the actions of the characters. The premise of the article is pointing to the facts that Gregor's predicament is Kafka inserting his own life frustrations into his literary works. In each passage of the article another part of Gregor's life is laid bare. Sokel’s many inferences that the fault is in Gregor's own doing and not his situation in life, create a complex maze of cause and effect.
The change begins with the family as they realize that Gregor can no longer support them financially. This puts in motion the most major metamorphosis of the story. Gregor’s initial concern is how his change will affect his ability to work. Likewise, the family seems to be concerned with the same thing; the mother fears Gregor is ill, and the father sends for a locksmith to open the door to Gregor’s room (214), all the while
Gregor’s role in his family characterizes him as an altruistic individual whose nature made him ignorant to his family’s manipulation. Gregor endures most of his hardships without complaint and puts the needs of his family firmly above his own. Upon realizing his transformation at the beginning of the novella, his first thoughts were not of alarm but of great concern about being late to work because it is his only means of taking care of his family (Kafka 6). After his father’s business failed, Gregor “work[ed] with special ardor” (27) doing laborious work as a traveling salesman, not only to “pay off [his] parents’ debt”(4), but to also spend what little money he has to give Grete the opportunity to perform violin professionally (26). With all these responsibilities, it’s inevitable for Gregor to be under great stress, which can infer that Gregor’s transformation is a result of his willful desire to escape the pressures his overburdened life. Gregor struggled between remaining a steadfast provider or following his desire for independence, however, his metamorphosis freed him from a job he detests. Now that it is impossible for Gregor to work, Mr.Samsa reveals that “he possessed more money than Gregor knew about” (#). This is a significant event where Kafka uses the motif of betrayal to emphasize the corruption in familial infrastructure represented through Gregor’s sacrifice and interaction with his family, as well as to socially comment about how people in society use
In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The
Change is unavoidable and inevitably in every moment of our lives. In every second of our lives, changes appear and disappear, impacting our lives. Humans perceive change differently and it reveals the true nature of our heart. It is due to the dissension of change between humans that determines the differences in our individual perceptions. In the novel, “ Metamorphosis” by Franz Kafka, the word change is taken to a entirely absurd degree as the main protagonist, Gregor Samsa is illogically transformed into a bug. Although Gregor’s thoughts still shown traces of his human self, Gregor’s family is unable to cope with his hideous form and isolates him from their world. Once perceived as the breadwinner of the family, Gregor is now seen
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,
In the third and final chapter, the family found the new drudgery of their lives. Their “overworked and tired-out family” (p. 880) increasingly neglected Gregor. He longed for responsibility and was “often haunted by the idea that next time the door opened he would take the
Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family.
Change is often times inevitable. In order for drastic change to occur, a strong driving force must be present. Such a driving force is made evident in Franz Kafka’s novella, The Metamorphosis. Gregor Samsa’s transformation propels his family toward gradual change. The Samsa family moves from being dependent and pitiful in Part I to independent and abusive mostly in Gregor’s father’s case during Part II, and later negligent and hopeful in Part III. Kafka portrays the changes the Samsa family undergoes through careful choice diction and symbolism.
However the central theme of the masterpiece “The Metamorphosis” is change. The novel illustrates the idea of change and transformation through its main character Gregor Samsa who transforms into a large insect. The real
The deeper meaning of “The Metamorphosis”, by Frank Kafka, can be interpreted in many ways depending on critical theory is used to examine it. From a feminist criticism, one can observe how Gregor’s dominance as a male diminishes after he becomes a bug as his sister’s strength and role in the family grows stronger. From a biographical criticism, one can compare and contrast the traits of Gregor and the people around him with that of Kafka’s own life and his relationships. However, the focus of this essay will be applying a psychoanalytical criticism to the characters in “The Metamorphosis”, using the studies of Sigmund Freud to approach
The foremost thing that shocked people when they read Kafka’s Metamorphosis is the absurd story itself. Basically, the story of Franz Kafka’s “The Metamorphosis” is about a man transformed into a giant bug and died without the exact help of family members. In her essay “Transforming Franz Kafka’s Metamorphosis”, Nina Straus points out that the story of Metamorphosis is mainly about the gender role exchange between male and female, “Metamorphosis unfolds by contrasting Gregor’s maimed and dying body with the evolving, blossoming body of Grete, who take Gregor’s place as family provider and favorite”(Straus 134). It is no doubt that Straus well explained the gender role exchange, and also touched partly the conflict between father and son. However, she failed to extend and explain the tragic figure of the father Samsa, which becomes what this paper for. Therefore, this paper is going to offers readers a better understanding of the paradox of male characters who are designated to be both protector and victim of the patriarchal society through studying the character, Mr. Samsa.
Each object in Gregor’s room is an imagery of his humanity. As Gregor’s transformation started “from uneasy dreams” (1) while sleeping, everything in his