The Metamorphosis by Franz Kafka
I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.
In the opening lines of the story we are drawn into climax of the story. We are
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Anyhow, that might be quite a good thing for me, who can tell? If I didn’t to hold my hand because of my parents I’d have given notice long time ago, I’d have gone to the chief and told him exactly what I think of him.” They live in an upper class flat and they have hired help to wait on them, and Gregor is the one who supports it all. His father lost his business and his mother and sister do not work. The metamorphosis of Gregor is a dark blessing to him. It releases him from all of the pressures of daily life, his family, and at times he seems to enjoy being a bug. At one point he tells us how much he enjoys crawling up and down the walls and ceiling.
Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working
His boss tells him that he is causing his parents unnecessary worry, but his parents are not worried at all or they would have busted into his room to see if he was okay. Whilst in the middle of all of this Gregor is starting to get scared of what the change is bringing into his life and causing unnecessary worry. In chapter 2, Grete brings in food for Gregor and for a change he is being treated somewhat correct and they notice he has became a full time crawler. This causes the family to question what he is doing is not human and they are starting to fear his new abilities as a “bug”. As an example, his mother and Grete take out the furniture to give him more room to crawl. Losing all faith in Gregor they take the furniture out because the fear is too great they may never get their son back and they have to accept the fact Gregor is a nasty vermin.
Thirdly, he suffers isolation from the physical world, which he is no longer able to participate in due to his presence and lack of mobility. Lastly, he suffers isolation from other people around him, especially his family. By the end even his sister, Grete, the most compassionate member of the family, explanations that they should stop thoughtful of the creature as the person they knew. She says that “the fact that we’ve believed it so long is the root of our trouble” (Kafka 48), which can be taken to mean that at some point Gregor stopped being a person not only because of his entrance but since of his non-conformist actions. The beating he receives from his father shows the extent of the cruelty he endures, though his father knows that “family duty compulsory the conquest of disgust and the use of endurance, nothing but patience” (Kafka 36). The tragedy is that this alienation ends up killing Gregor, who “dies not as a vermin, but as a human being thinking of his family”. The transformation is an indication of the breakdown of Gregor’s psyche and alienation within his self. The reader is not told how the transformation
Gregor maintains submissive personality and does not defend himself. Gregor’s physical change into a bug is the only aspect of him that changes. Gregor continuously allows himself to be abused. Upon Gregor’s transformation, he is unable to go to work. Therefore, the chief clerk visits Gregor to force him to come to work. Gregor remained locked in his room and would not leave for work. So, the clerk became extremely impatient. The frustrated clerk divulges into a cruel and demoralizing speech. He maliciously accuses Gregor of hiding because of unethical involvement in cash receipts. Later, Gregor’s family and the clerk become restless and want to see Gregor. The door to Gregor’s room is unlocked to open and reveal Gregor in his insect form. Gregor’s family and the clerk react with horror. The clerk and Gregor’s mother run away from him in fear. Gregor’s father grabs a stick and a newspaper and dashes toward Gregor, herding Gregor back into his bedroom with prods and fierce language. Gregor injures himself badly while trying to fit back through the doorway. Gregor’s door is slammed shut behind him and he his left alone, frightened and injured, in his room. The events subsequent to Gregor’s transformation exhibit his passive nature. Clearly such passivity was not useful to Gregor.
Gregor Samsa's metamorphosis occurs one morning when he wakes up from unsettling dreams and finds himself changed into a monstrous vermin. This change makes Gregor dependent on his family members and reverses his previous situation in which his family was dependent on him. As a bug, Gregor is useless to his family and can no longer perform simple human tasks, let alone support his father, mother, and sister.
Isolation not only changes the personalities of Gregor and his family, but also it changes the role and duties Gregor plays in his family. Before the metamorphosis, Gregor worked alone to provide for the entire family. For example, in the beginning, before the transformation, he says, “But besides that, the money Gregor had brought home every month he had kept only a few dollars for himself” (4). This shows Gregor’s selfishness and his family’s heavy dependency on his income. It establishes the fact that Gregor’s family’s loyalty to Gregor was strong because the family depended on Gregor for their own survival, and shows how they betrayed him by disregarding him after he became an insect. The isolation of Gregor caused by the transformation not only affects Gregor’s role in the family, but also changes the role of Mr. Samsa. Mr. Samsa originally told by Gregor: ”Now his father was still healthy, certainly. But he was an old man who had not worked for the past five years and who in any case could not be expected to undertake that much” (17). This shows how irresponsible Mr. Samsa acted for his family in the beginning. Mr. Samsa, a man in his 50s, blamed his unemployment on anxiety and depression from a past failed business. Mr. Samsa changes his role as the useless drag to the provider of the family, and even obtains a new job as a bank manager.
Now homebound Gregor is now able to be apart of family conversations. Metamorphosis shows Gregor yearning for human contact from his family, but it also shows his family eagerly alienating him from their life. With continuous alienation, Gregor loss interest in his family and no longer desires to have contact with them. Kafka shows families that are experiencing a financial crisis; a loss, unemployment, abuse or an illness can cause a breakdown in communication as a whole. Once Gregor is unable to communicate, he becomes an observer of the world around him. His insect form symbolizes the emptiness, insignificant and an outcast, which he was at work and at home.
Gregor’s metamorphosis brings many positive and negative changes in himself as well as his family. His family used to rely on him for his income as he was the only source of money in the family, but now they all worked and earned money themselves that is a very big positive change in the family. The negative change was bad for the Gregor himself as he couldn’t face the world with his new appearance,
Gregor's existence before the metamorphosis was much like after it; limited to work and family, he went unnoticed by both. After changing into a cockroach one night, Gregor is forced to live a life of isolation with a family who is appalled by him. He is placed in a "dark bedroom, in the jumble of discarded furniture and filth" a " monstrous vermin, a grotesque, hidden part of the family" (Eggenschwiler 211). Shock and terror, resulting in Gregor being locked away, marked his family's reaction to his metamorphosis. His sister is the only one that, while frightened, would tend to Gregor's room and meals. She even took the responsibility so far as to get angry with anyone who
Prior to the metamorphosis Gregor led a physically isolating life with little time for anything other than superficial relationships. Hinted at the beginning of the piece he longed to break free from his traveling salesman's job and shrug off the financial burden placed on his back. The metamorphosis was equally as mentally imprisoning as to what it was physically. Gregor was unable to express his emotions or even communicate his needs to his family this ultimately led to the family’s gradual shift of resentment towards him solely because they were unable to see how much of their once family member remained.
Gregor’s role in his family characterizes him as an altruistic individual whose nature made him ignorant to his family’s manipulation. Gregor endures most of his hardships without complaint and puts the needs of his family firmly above his own. Upon realizing his transformation at the beginning of the novella, his first thoughts were not of alarm but of great concern about being late to work because it is his only means of taking care of his family (Kafka 6). After his father’s business failed, Gregor “work[ed] with special ardor” (27) doing laborious work as a traveling salesman, not only to “pay off [his] parents’ debt”(4), but to also spend what little money he has to give Grete the opportunity to perform violin professionally (26). With all these responsibilities, it’s inevitable for Gregor to be under great stress, which can infer that Gregor’s transformation is a result of his willful desire to escape the pressures his overburdened life. Gregor struggled between remaining a steadfast provider or following his desire for independence, however, his metamorphosis freed him from a job he detests. Now that it is impossible for Gregor to work, Mr.Samsa reveals that “he possessed more money than Gregor knew about” (#). This is a significant event where Kafka uses the motif of betrayal to emphasize the corruption in familial infrastructure represented through Gregor’s sacrifice and interaction with his family, as well as to socially comment about how people in society use
When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply
In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of
Ever since the metamorphosis, Gregor’s perception of himself begins to change as his family sees a bug more than their own son. Gregor does nothing but lock himself in his room.
Furthermore, Gregor’s descent into social and physical abjection then forces his family to change radically in order to support themselves. In the beginning, Gregor starts off as the provider for his family. He hates his job, but he still goes above and beyond the call of duty to give his family a more comfortable life, even indulging the expensive endeavour of his sisters’ dream of studying the violin. However, after the metamorphosis, he is thrust into the role of a dependant – forcing his family to take responsibility and support themselves. His sister steps up to the plate in the beginning, giving him a selection of foodstuffs to find what he likes and even cleaning up after him. His parents are still in denial at this point, so much so that they refuse to see him at all. But as time goes by, his family begins to accept the situation and even try to help Grete out. His father produces some money from his previous failed business venture and his mother and sister try to make life more comfortable for Gregor. Grete in particular changes the most noticeably; Gregor himself notes at the beginning that her life up till that point had been “enviable”, consisting of “wearing nice
Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family.