The Simpsons: Portrayal Of American Society

Living by the restrictions that society places upon us, humanity is constrained to follow rules. Television writers were forced to write a certain way and were forced to leave out information that society would deem as improper, rude, and even racist. However, in 1971, a groundbreaking American television sitcom broke through societal boundaries and transformed the way that the American audience viewed television. Engulfed by the Vietnam War, Civil Rights Movement of the 1950s and 1960s, fight for women's right, and the Watergate scandal, Norman Lear persevered through stereotypes and entertainment norms with his show All in the Family. This show approached its audience in a very blunt and crude manner; it made conflict the center of its comedy. It dealt with contemporary cultural issues in a relatable way, which blue allowed blue-collar workers to learn about their current everyday issues and concerns. Through his show All in the Family, Norman Lear highlighted sensitive topics such as racism, bigotry, and sexual relations to prove that they are still alive in our country; thus, Norman Lear is an agent of change by bringing awareness to social issues.

To start with, Richard Butsch’s piece Six Decades of Social Class in American Sitcoms explores the scattering of representations that explains class relations of modern-day capitalism. Butsch highlights that the corporate control of the nationwide television business has been manipulating the portrayals of working-class men as mainly “buffoons” on, just about, 400 prime-time television sitcoms, such as I Love Lucy, The Brady Bunch, and the Simpsons, produced over the last sixty years (Butsch, 507). Some studies have disclosed a constant pattern of underrepresentation of working-class professions, in addition to over-representing professional and management jobs, lessening the prominence of the working class (Butsch, 507-8). The “buffoon” character Butsch speaks of, has been portrayed

Final Paper Rough Draft Auston Collins Ever since their inception in the early 1930’s, television programs have revolutionized the United States in countless ways. From informing millions about current news to allowing sports fans to watch their team playing across the country, television has truly been one of the most revolutionary inventions of the past century. More recently, television programs have begun to comment and take a position on current events. In particular, satire has been very common, as it uses wit and irony to critique certain aspects of society.

The episode has the media depict Homer Simpson, the protagonist, as sexually harassing a younger woman when the audience can see that Homer was really trying to retrieve his precious gummy bear from the back of the woman’s pants. When the woman retaliates to what she assumes is an act of harassment, the media begin to get involved and a fictitious news station called Rock Bottom asks to interview Homer to get his account of the story. The report begins with the woman portrayed as a “university honours student who devoted her life to kids,” (Daniels & Lynch, 1994, 10:46) and Homer as a “grossly overweight pervert.” (Daniels & Lynch, 1994, 10:49) When she is spoken about, the music is angelic and sweet which suddenly contrasts to the sinister non-diagetic sound played when Homer is depicted. Later in the interview, Daniels and Lynch humorously show the blatant and obvious cuts in the interview by the clock in the background constantly switching back and forward in time, and Homer’s words cutting from “sweet” and “candy” repeatedly.

Ever since 1997, South Park has revolutionized the cable TV scene as a profane and obscene program that isn’t afraid to mock religious, political, and cultural topics and not get away with at least offending somebody. Throughout its twelve seasons, some of the most prominent events in pop culture have suffered the wrath of ridicule from the show’s creators, Matt Stone and Trey Parker, and succeeded in making millions of Americans laugh until they cry. The creative genius behind these cultural and controversial statements has exalted the series to iconic status in our entertainment industry for its satirical voice in each episode. Throughout its ten years on air, South Park has broken multiple political,

Everyone is entitled to their own opinion, and when it comes to the television series, Family Guy, everyone does. A person either loves the series or absolutely hates it. Antonia Peacocke voiced her opinion on the hit series in her article, Family Guy and Freud: Jokes and Their Relation to the Unconscious. At first she was just another addition to the other Family Guy haters, but she eventually came around and saw the humor after the hard to swallow punch lines. “Family Guy does not aim to hurt… creators take certain measures to keep it from hitting too hard.” Peacock says (307). What the creators are reenacting in the shows are not exactly, socially

The television shows from 1950 to the present are connected in many ways. The characters showed in the 1950s television show called Leave It To Beaver all have white coloured skin and portrayed as a happy, perfect family. As the decades increased, the nuclear families turned into blended families, and the television shows started to have coloured characters. The families started to have problems and social situations. The viewer sees the conflicts inside the family begin as the years progress. For example, in the 2000's we examined a television show called Arrested Development. The show portrays the characters as if they are troubled and have problems. The children do not listen to their parents but instead have

During the late 1980s, The Simpsons, was introduced as an animated cartoon show and has tremendously grown into a popularity of the American culture. Matt Groening, creator and executive producer of The Simpsons, has displayed twenty-seven seasons for over thirty years on 20th Century Fox Television. Jesssamyn Nehaus, doctor and avid popular media consumer, states the following, “In…respect, the show very much reflects the sensibilities of its originator, Matt Groening. As a Los Angeles cartoonist, Groening relentlessly satirized the basic elements of the American dream, portraying schools, families, and workplaces as prisons of the mind and soul” (763). The Simpsons present an irony of a dysfunctional family whose stories and characters are

The question of immigration had been one of America’s biggest issues since the 1500s. Mass immigration began in the late 1600s and became uncontrollable for the native population to control. In fact, many began to move west where opportunity existed. After the ratification of the Constitution in 1789, the question of immigration died down until the Irish and German immigration wave in the mid-19th century. Today, immigration is no longer a major issue, but illegal immigration is. All through the late 20th and early 21st century, many Latin Americans began to come to the US, undocumented. Media and government address the issue of illegal immigration in many different ways. The government is usually strongly against illegal immigration and some politicians make it the issue of their campaigns. The media, on the other hand, may vary in their views on the issue. South Park and The Simpsons both satirize the issue of illegal immigration in their own different way.

Homer Simpson is a fictional character and one of the main protagonists in the TV show The Simpsons. Dan Castellanta voices him. He lives in a fictional town called Springfield, Oregon, United States. He is married to Marge Simpson with three children named Bart, Lisa and Maggie. He has a pet dog named Santa’s Little Helper and cat called Snowball. Homer currently works in the show at a Nuclear Power Plant as a Safety inspector but has worked at previous jobs before. Homer is known to be crude, overweight, clumsy, lazy, heavy drinker and ignorant. (Simpsons Wiki, n.d)

As early as 1950, television families have depicted not only the way we live today, but also the way we ought to live (Tueth, 2003). Hence, television has continued to present comedies about family life that ranges from the didactic model of domestic conventionalist and gradually to non-conventionalist ways of life. By conventionalist, I mean the depiction of the “nuclear” family that consists of clear roles, responsibilities, and gentle lines of authority that flow from the wise dad and understanding mom to the obedient children (Kutalas, 2005). Examples of these types of shows between 1947 to 1990 that constructed more than 60% of family sitcoms included: The Cleavers, The Cosby Show, Father Knows Best, Family Ties, and Growing Pains

Family sitcoms have been the most popular and positively influenced television shows watched since the 1900s to today. Many of these shows have consisted of African American, Caucasian, and Hispanic families who all play a role that we as watchers look up to or perceive as the right way to run our household. Over time there has been an addition to biracial shows and family role changes throughout these sitcoms. For example, now observing single parent homes, homosexual guardians and even the changing of social interaction has both positively and negatively impacted real families who are watching.

Among currently running animated sitcoms, there are a few that have current connections to people and events. Most famous of this genre of shows are South Park and Family Guy. Unlike South Park, which follows a group of friends at school, Family Guy is about a family. The Griffin family consists of parents Peter and Lois, their children Chris, Meg, Stewie, and the family dog, Brian. Instead of showcasing the adventures of an individual struggling to balance impulses and responsibilities, Family Guy focuses on the dynamics created by family members who are extreme in their personality traits and very different from each other. Peter, the father, is impulsive, incompetent, and easily excitable. Lois is the stereotypical responsible mother and wife. Meg is a classic case of a teenage girl struggling to fit in at high school. Chris is your average awkward and immature teenage boy. Stewie, the precocious baby, is by far the smartest and most cunning of the cast. Interestingly, the screenwriters often drop hints that he is gay. He is eager to assume adult responsibilities and motivated to have

When the FOX network aired "The Simpsons" in 1989, the show brought the yellow-skinned and four-fingered cartoon characters named Homer, Marge, Bart, Lisa, and Maggie Simpson into millions of American living rooms. This bent archetype of the American family, as well as the hundreds of zany characters that populate their all-American hometown of Springfield, fast became the targets of enormous criticism. Elementary schools banned T-shirts bearing the images of the Simpson family and their slogans. Former U.S. Secretary of Education William Bennett and even President George Bush berated the show as subversive and demeaning (McAllister 1494). However, a more careful investigation of the show reveals far more than

The Simpsons first came to life on April 19th, 1987. It was aired as a