In the article, “The Racial Logic of Grey’s Anatomy: Shonda Rhimes and her “Post-Civil Rights, Post-Feminist” Series”, the author, Kristen J. Warner argues Rhimes’s use of blind casting, “the process of not writing race into a script,” in her prime-time show Grey’s Anatomy (Warner). Warner says, “...race has little to do with text in comparison to the more pressing issues of a hospital” (Warner 633). Shonda Rhimes creates a multicultural hub at Seattle Grace Hospital where racial issues take a step back to the more pressing problems of a hospital: surgery, competition, exhaustion, and of course relationships and sex. This article analyzes the historical precedents to Grey’s Anatomy, Rhimes’ use of blind casting as a public relations …show more content…
Julia was criticized for constructing a “white negro.” The show “played it safe” to not scare away any white viewers by sugarcoating its messages. As a medical show Julia suggests that the networks have not been responding to black’s desires to be seen as much as they are responding to what and how much white viewers want to see of black life. However, Matthew Fogal author of “‘Grey’s Anatomy’ Goes Color Blind,” makes the point that “Grey’s Anatomy has differentiated itself [from other medical shows] by creating a diverse world of doctors - almost half the cast are men and women of color - and then never acknowledging it” (Fogel 2005). Grey’s Anatomy appeared on ABC in March 2005. Five surgical interns, Meredith Grey, Cristina Yang, Isobel Stevens, Alex Karev and George O’Malley, competing and negotiating their work and relationships with each other and their three supervisors, Derek Shepherd “McDreamy,” Preston Burke, and Miranda Bailey. Rhimes described her hit show on the Tavis Smiley Show saying, “Grey’s Anatomy is more than just a medical drama. It is about people who are starting a job, and on a bad day you kill somebody...and on a good day, you save a life” (Rhimes 2005). Grey’s Anatomy is a large ensemble drama with a very diverse cast where race is solely limited to the colors of the character’s body. Shonda Rhimes is a woman of her time. She is the only black, female
Neil Calman’s “Out of the Shadows”. In Calman’s essay, he confesses how his implicit bias towards minority groups, in this case black men, prevented him and other medical professionals from properly doing their jobs. Additionally, in Dr. Calman’s essay he blatantly admits that his African American patient, Mr. North, is treated differently than a White middle class patient. Calman supported his claim by citing examples of Mr. North being denied a refill for an insulin prescription, being sent home from an appointment because he was 10 minutes late and even not being offered consultations by doctors to see heart specialists because they assumed he could not afford the visit (Calman, 2000). Dr. Calman recognized his own prejudice and the prejudice of other medical professions toward Mr. North and worked vigorously to try to convince others to confront their own. Even going as far as calling ahead and giving a positive characterization of Mr. North so he would not be categorized as “Poor Black Man” and given subpar medical
Through the perpetuating institutionalized and structure racism, Harriet A. Washington goes to explain the reason why African Americans continues to mistrust the healthcare system and its professionals. The book Medical Apartheid, reveals the dark history of medical experiments on African Americans from colonial times to the present. Washington verifies some of her research by introducing Eugenics,
However, the most typical type of portrayal that can be seen in modern television is the one that includes black actors to portray black characters without prejudices or ideas about their “otherness.” As suggested in the study by Parks and Kumar (2003), it is normal for the modern television to contain images of black bodies in the same contexts as the white ones (p. 423). Instead of pointing to his blackness, the authors of the Criminal Minds have included Derek Morgan as an ordinary character into the team of behavioral profilers who do the same job. The only distinction of Derek Morgan from other members of the team is his ethnicity. Therefore, this type of stereotyping should be discussed along with the other efforts of the TV series creators to include a black role model, a “good guy” into the
Social pressures change as time passes, therefore it is interesting to see how these three texts whom differ by almost four hundred years perceive society and the effect this has on the protagonists; Shakespeare’s King Lear which was first performed in 1606 during the Jacobean era, presents a patriarchal society. Whilst, Arthur Miller uses the characters in ‘Death of a salesman’ to show the failure of the ‘American dream’ during the “golden era” of America in the late 40’s. The ‘American Dream’ was a set of ideals which suggested that anyone in the US could be successful through hard work, and had the potential to live a happy life. The sense of the deterioration in the equality of opportunities links to the fall in power and hierarchy in
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the
Shameless is a Golden-Globe nominated show with a white dominated cast. One of the siblings on the show is black, but is identified as a White male contrary to the character’s skin tone. “When it comes to representations of Blacks on television, the 1980s can be seen as a decade of elevated inclusion both in terms of the quantity and quality of roles -- which remains the norm today. (Tukachinsky, Mastro, & Yarchi, 2015). Over the years, we will see more shows gearing their audiences to the black community. Producers add in a few social issues to reel viewers in, but the fact remains the same that a prime time heavy hitting shows, will most likely have less than 20% of their cast of African descent. In consonance with researchers, blacks currently constitute between 14-17 percent of the prime-time population. (Tukachinsky, Mastro, & Yarchi, 2015). The lack of representation in the media can lead to some interpreting that the Caucasian race is the superior race, and in retrospect, can influence the attitudes and beliefs of viewers. Prior research has shown that exposure to counter stereotypic exemplars in the media can have a positive effect on inter-group relations. (Scharrer, & Ramasubramanian, 2015) In order to reduce the misrepresentation from taking over the media, we must depict a positive image on the lives of minorities and portray them as successful, thriving human beings. By
During the process of producing a television series, the demand for the producers to introduce their characters with only their highlighted traits make it impossible for viewers to gain a deep understanding of the community that the characters represent. One of the stereotypic traits that is usually seen on movies and television shows is societal difference that each race is placed into. Michael Omi in his article In Living Color: Race and American Culture stated that “in contemporary television and film, there is a tendency to present and equate racial minority groups and individuals with specific social problems” (546). There are many films and television shows found today that ground racial minorities into a specific social problems that are related to the color of their skin. It can be inferred from the current popular culture that this stereotype still persists.
Warning if you have not seen all of Grey’s Anatomy I recommend not reading this. I could tell you everything there is to know about greys and I plan to.
Though it has been apparent that people of color have been treated as a subclass within the medical field for centuries; as was brought to light in The Tuskegee Syphilis Study, the recognition of forced hysterectomies and sterilizations of African American women in the 20th century and, to “The Negro Project” which worked to reduce the African American population through eugenics (Feagin & Bennefield, 2014). With even these three examples it is clear that the medical field has played a large role in creating both psychological and physical disadvantages and trauma for minority groups in America. Yet, it seems to be a subject that many professionals refuse to address. A meta-analysis conducted by Mayberry, Mili and Ofili found that,
Rhimes is often praised for her revolutionary casting and taking risks. However, after being inducted in to the National Association of Broadcasters’ Broadcasting Hall of Fame in 2015, Rhimes gave a speech in which she said: diverse casting is not brave, it is human. She is proof that a successful black woman behind the scenes of multiple hit TV shows means that there can also be successful shows on television with nontraditional casts. But why doesn’t this happen with someone like a white male behind a TV show? The 2015 Hollywood Diversity Report also studied why white males might not cast a person of color as a lead. “Individual stakeholders in the industry (typically white and male) look to surround themselves with other individuals with whom they feel comfortable, with whom they feel they have the best prospects for producing a successful project,” (Hollywood Diversity Report, 54). If shows and movies with minority representation have proven to be successful when done right, then it seems strange that there is still such an over representation of nonwhites in mainstream entertainment.
Over the years television has been known to be one of the major educating and socializing institution in America. Television in today’s society is able to play a powerful key through which individuals can be informed, hold forums, and voice their opinion‘s. Television is also important because it offers us glimpses into minority life and minority figures. When sociologists examine minorities in television they document how minorities are portrayed and how those portrayals have changed over the years. Through time, minorities in television have been able to make moderate gains whether they are in front of or behind cameras. However, they continue to remain significantly underrepresented as leading actors in films, as writers, and as TV show creators. Even though minorities are significantly underrepresented in today’s society the TV industry has been pushing to give an opportunity to many minority groups in succeeding in the media. Several TV shows and commercials have succeeded in the TV industry to try and change how minorities are underrepresented, however, there are also shows that reinforce stereotypes and are prejudice towards minorities.
Entering therapy, then, was a terrifying prospect for Mercy, filled with an infinite potential for exposure and shame. The differences between us were palpable from the start; binaries of black and white, African and American, anti-establishment and more conventionally-minded filled the room with questions of compatibility, divergent values and the weight of our disparate social identities. Though a perfunctory investigation of any feelings she had about the differences between us was quickly dismissed, the starkness of our dissimilarities haunted our interactions from the start.
While today’s “patients [have] one thing going for them that Henrietta didn't: They [are] alive. And the dead have no right to privacy-even if part of them is still alive,” (Skloot 211) history’s ethical debate regarding medical racism remains a social issue. When patients experience racism, they may be unable to defend themselves if they are incapacitated by medical professionals. Due to patient negligence and bias, the health care provider’s poor treatment breaks the trust of minorities. As shown in the Tuskegee Syphilis Study and treatment of Henrietta Lacks, doctors and researchers have failed to inform the participants correctly. Both occurrences highlight medical racism because of the historical maltreatment of minority groups. Now, many
Various television shows have pushed boundaries to create positive differences in social perception of minorities, but only few have had the power and influence to make a noteworthy impact on American culture. Television Comedy has been able to cleverly impact acceptance of American Culture boundaries for years on end. From the show “Good Times” all the way to “The Office”, comedy has been an effective way of creating positive perceptions and acceptance of all different kinds of views on our society. An easily countable number of academic texts give evidence to Black-watched, Black-targeted television narratives. (Marc, 1997). Racially directed comedy television shows have, in my opinion, have been one of the most prevalent types of television
In doing so, he pays particularly close attention to black patients and their relations with health care policies and practices. Smedly maintains that blacks are not only the victims of, inpatient and outpatient treatment, racial policies, and other services but also the victims of its consequences. He argues that many health care administrators are agents to a system of inequality that support provider and administrator biases, geographical inequalities, and racial stereotypes (Smedly 2012).