Shameless Stereotypes

Hi Christina, I would not even know how to classify Shameless, they seem to shift their family communication styles several times. For instance, there are times they are Laissez-Faire with a low conversation and low conformity, especially when they are each self-absorbed in their own activities and problems, this especially applies to Frank. Whereas, other times they are high conversation and low conformity, when they care and talk about thing but essentially to self-absorbed in their own problems, and have no desire to change or fix anyone else. To me this sounds like Fiona and Lip. Anyhow, they are very protective of each other but they are also highly dysfunctional.

However, the most typical type of portrayal that can be seen in modern television is the one that includes black actors to portray black characters without prejudices or ideas about their “otherness.” As suggested in the study by Parks and Kumar (2003), it is normal for the modern television to contain images of black bodies in the same contexts as the white ones (p. 423). Instead of pointing to his blackness, the authors of the Criminal Minds have included Derek Morgan as an ordinary character into the team of behavioral profilers who do the same job. The only distinction of Derek Morgan from other members of the team is his ethnicity. Therefore, this type of stereotyping should be discussed along with the other efforts of the TV series creators to include a black role model, a “good guy” into the

Samuels (2011) analyzes different television shows in an attempt to draw the conclusion of the portrayal and demeanor of African American women on television. Using current African American dominated shows that attract viewers such as “Love and Hip Hop”, “Real House Wives” and “The Bad Girls Club”, Samuels came to the conclusion that these shows use black women to justify the stereotype of the “angry black woman”. Although Donald Trump’s show “Celebrity Apprentice” is not an African American dominated show, Samuels uses it as an introductory and perfect example that black women are used on television as a whole to exemplify this stereotype when Star Jones and NeNe Leakes are shown arguing. Samuels analyzes simple things such as facial expression, movement and gestures on a variety of television shows that feature African American women using it as proof that it defines them as the angry black woman because Caucasian women do the complete opposite when being analyzed through the shows. When taking a look at VH1’s “Basketball Wives” and “Love and Hip Hop”, Samuels noticed that each show had a pattern and contained a confrontation between the women or the threat to do bodily harm to another person.

In today’s world, the exchange of information between individuals is largely based on the media alone. Conversations are held through social media sites, the news channels become the deliverers of new waves of specifically chosen stories, and the rest of the media effects the subconscious of the society. Movies, television shows, and “general” knowledge contribute to the rest of the mass media that affects the minds of people. The subconscious of the people can form the characteristics of the young and solidify ideas within the older population. The problem of the current society is that the subconscious ideas transferred to the media is particularly in the favor of Caucasians. This excludes people of African descent, Latinos, Asians, and other recognizably new minorities such as transgender. The overall effect of this subconscious problem is not very measurably but it can have disastrous consequences within each respective culture. Among all the minorities listed, African Americans and people of African descent have a tendency to be the most often misrepresented.

During the process of producing a television series, the demand for the producers to introduce their characters with only their highlighted traits make it impossible for viewers to gain a deep understanding of the community that the characters represent. One of the stereotypic traits that is usually seen on movies and television shows is societal difference that each race is placed into. Michael Omi in his article In Living Color: Race and American Culture stated that “in contemporary television and film, there is a tendency to present and equate racial minority groups and individuals with specific social problems” (546). There are many films and television shows found today that ground racial minorities into a specific social problems that are related to the color of their skin. It can be inferred from the current popular culture that this stereotype still persists.

Have you ever noticed the recurring stereotypes of black women that is portrayed on reality television? Everyday you can look on television and tune into any network and see the madness that goes on. Whether it be Love and Hip Hop, Bad Girls Club, or The Real Housewives of Atlanta, you  can see the exaggerated confrontations and animated expressions given off by these women. Media stereotypes of the angry black women have become more persuasive in recent years than ever before. If we as a whole stop these television networks from promoting dangerous stigmas on black women, we can increase the amount of positive representation of women of color drastically in television, advertising, and social media.

The film industry’s portrayal of African American people consists of countless stereotypes and inaccuracies. These depictions lead to an innumerable amount of misrepresentations about the African American community. As the latest wave of black films begins to dawn, the clearer the images become of a collective people. Using my personal experiences as a mixed woman of color, as well as including my academic strengths and goals, and points of view regarding various black films, the content of this paper will examine the representation and stereotypes that can be seen in African American Hollywood.

“Change will not come if we wait for some other person or some other time. We are the ones we’ve been waiting for. We are the change that we seek” Barack Obama. The question is always asked does the media reflect the reality of society, or does society try and imitate the reality shown by the media? There are a number of stereotypes associated with African Americans in our society such as African American men are athletes, rappers, criminals, deviant, streetwise, uneducated, and unemployed just to name a few. African Americans in the media have changed through the years. The history of African Americans on TV or minorities in general is hampered by the racial conflicts and segregation that are embedded in American society. Historically, black actors have been grouped stereotypically and assigned to comedy. This has often been traced to the genre of black minstrelsy that was popular in the early 20th century.

The way entertainment in the media portrays us has greatly affected how others identify us. Movies and shows like; Madea’s family Reunion, Bringing down the House, Love and Hip Hop, and Basketball Wives all portray us in a degrading way. People sometimes find it comical of course, but the fact that it is comical does not justify it being debasing. This image of us has evolved from things in the media, and its’ power to shape people’s idea of us. We as a race must stop living up to our stereotypes. As soon as we take action in not succumbing to our own stereotype, people will not think we are “Ghetto” or any other undignified term they think of us; therefore in the media we won’t be perceived in that way. As Colin Powell once said, “Fit no stereotypes. Don't chase the latest management fads. The situation dictates which approach best accomplishes the team's mission.” Although African American stereotyping is prevalent in the media now because of its’ entertaining quality; it perpetuates a cycle of harmful stereotypes. As long as this cycle continues, our culture will always be illustrated negatively.

When you look at the amount of African American stars on television, it is easy to tell that stereotypes of African Americans are being portrayed negatively. Since the 1960s, black television has thrived in many different ways. From “Different Matters” to “Insecure”, African Americans have tried to get rid of this stigma. African Americans are constantly shown as. However, with the increase of representation comes an increase in misrepresentation. The amount of discrimination has risen exponentially in the United States. This is due to the increased hatred and miscommunication of black struggle and black problems in the world, causing an inhumane belief and standard of regular African Americans in the world.

A Netflix TV show, Dear White People produced by Justin Simien, is about the students of Winchester University. This show tends to target not only the Netflix customers, but the black and white audience as well; the entire first season generally focuses on the media, racial, and gender roles within the community as well as the mainstream problem of the unrecognized white privilege by white skinned people. Looking up who the producer is, it turns out that Simien is a black-skinned man. Therefore, he fully understands the politics and the human behavior towards the black race from the white race (considering racism towards people with his skin color has been around for so long). Being black-skinned is already clear for many people to assume that he probably has dealt with the racism majority of his life, considering the repeating themes throughout the show. Even with the title, the producer is purposefully calling out to the specific audiences in a straightforward way. According to some reviews, many have concluded that Dear White People is extremely offensive to them. While watching the show, there were a few significant and periodic themes that showed throughout the first season and the major themes I chose were important how the roles of media played throughout the show. As a result, the roles of the media within the show reveals that people tend to communicate to the public of who they they really are as a person by showing what they want the public to see them as: in a

Participants in the study reported feelings of inadequacy in comparison to their lighter skinned counterparts in everything from school competitions to mate selection. These feelings of inadequacy remained prevalent from childhood through adulthood. Media also plays a key role in how the skin tone bias is perpetuated. Rap and Hip-Hop music videos often portray lighter skinned women as the love interest of the main character or the woman the male finds sexually desirable (Wallace, Townsend, Glasgow, & Ojie, 2011). Movies and television programs targeted towards African Americans may also have a light skinned woman as the successful, attractive character with a juxtaposing character who is darker, loud, obnoxious, and often fits into the “sassy sidekick” trope. A popular Black situational comedy in the 1990s, Martin, was a prime example of this (Walter et al., 1992). The main character’s girlfriend Gina, was a successful, beautiful lighter skinned woman and her best friend, Pam, was dark skinned and often the recipient of Martin’s jokes about her appearance. Exposure to these repeated stereotypes for Black women only furthers the notion that light skin is somehow superior to dark skin. This could mean that for African American women, having darker skin is a risk factor for developing body dissatisfaction.

Likewise, the shocking images displayed in #WHERESTHELOVE correlate with the lyrics to enhance the reality and seriousness of the violence and discrimination happening in the world. The images featured in this video add shock value because they are real graphic images from the media present in today’s society. For example, there is a photograph of hundreds of Syrian refugees fleeing a destroyed town. Another photograph is of a young African-American laying face down dead on the street. These photos are shocking because they capture real issues happening to real people, creating the feeling of empathy for the mother that has lost a child to police brutality or the families that are forced to leave their homes from acts of war. In addition to

Shameless takes place modern day, small old house in the rough south side of Chicago. The show goes from talking about a dysfunctional family, gay relationship, alcoholic father, struggle to make ends meet, and the daily life of the Gallagher family and their friends. Frank Gallagher is the alcoholic addicted father that does the complete opposite of what a decent father would do for their family. He drinks non-stop, thinks he knows everything, never takes ownership, and shows zero concern for his family unless it's convenient for him. Frank is the prime example of a drunk father who only wants what’s best for himself. Fiona is the daughter of frank. She is the leader and mother-like figure in the household. Lip, Ian, Carl, Debbie, and Liam are the rest of the Gallagher family. Lip has the brains and has all the potential in the world, but doesn’t show it. Ian is the ambitious one in the family. He struggles, whether he is straight or gay. Later in the show his true

According to Wilkerson, “From the beginning, television, the image mill for the mainstream has not known what to do with black characters. It has struggled, as has the country, to find a place for them that white Americans could find comforting and digestible from the safe distance of their living rooms. Reality had nothing to do with it.” The media has portrayed black characters as nothing more than, buffoons, hustlers, pimps, and prostitutes.