The Poison Wood Bible

Rachel Price is a character within the novel who is very self-centered, arrogant, selfish, racist, and independent. Although some of these characteristics go along with each other, others seem to contradict each other. Rachel’s selfishness shows through in many parts of the book. She is typically only focused on her successes and issues, without much regard to anyone else.

Barbara Kingsolver, born in 1955, grew up in Kentucky and lived in many different countries such as : England, France, and Canary Islands. She attended Debauw University and University of Arizona where she earned a biology degree. Kingsolver now is a beloved author of eleven books and has been named the most important author of the twentieth century and has had the honor of receiving the National Humanities medal in 2000. In 1998 she wrote “The Poisonwood Bible” and was short-listed for the pulitzer prize. Kingsolver now resides in Southwestern Virginia with her daughters and husband on a farm.

“ Imagine a ruin so strange it must never have happened First, picture the forest. I want you to be its conscience, the eyes in the trees.”

During the beginning of the Price family’s arrival at the Congo, the family settles in an unfamiliar land of Kilanga and Nathan is being portrayed as the physical representation of the American perspective on the African people by creating conflict. Since the family is from Georgia, the surroundings and the atmosphere of

Writers use a variety of manipulative stylistics and structural elements to further emphasize the language within their pieces of literature. Whether the purpose is to frame the basis for an autobiography, essay, fictional, mythical or nonfictional tale, they always strive to integrate certain textual features to add distinction to their work. In Barbara Kingsolver’s, The Poisonwood Bible, she composes the novel with the intention of creating a multi-voice layout with distinctive narrative voices and perceptions. About the tragic undoings and miraculous restoration of a missionary family moved to a village in the Belgian Congo, the setup of the novel is unquestionably not one sided. The narrative voices are broken down between the main characters, allowing for each of them to tell their stories.

The Poisonwood Bible is the story of the Price family and their journey in the Congo. The novel is told from the perspective of the daughters Rachel, Leah, Adah, and Ruth May. The family suffers because of their father Nathan Price’s selfishness. The villainous acts of Nathan result in the loss of a family member and the feeling of guilt bestowed among all of the characters.

No one shows the oppression, inflicted upon the Congo’s people in hope of spreading imperialism, better than the main characters in this story. Nathans only goal is to convert all of the native people’s beliefs to Christianity. By hoping to doing this, they will be able to grasp control and establish their dominance upon the village. This can be seen through Orleannas thoughts, “Call it oppression, complicity stupefaction, call it what you’d like, it doesn’t matter. Africa swallowed the conqueror’s music and sang a new song of her own” (Kingsolver 385). Kingsolver shows that individuals are always going to want and demand control, however the victims of this oppression will fight past it and won’t give in. Many people have come before the Price family, trying to do the same thing. However, the natives are smarter than to give into their new ideologies.

Rachel is the oldest of the four daughters, at 15 years of age, the whiny would-be beauty queen who "cares for naught but appearances," can think only of what she misses: the five-day deodorant pads she forgot to bring, flush toilets, machine-washed clothes and other things, as she says with her willful gift for malapropism, that she has taken "for granted," the bible and her faith were no where near the top of her list. Her only way of surviving in the Congo was simply to not adapt at all; as she says ''The way I see Africa, you don't have to like it but you sure have to admit it's out there. You have your way of thinking and it has its, and never the train ye shall meet!'' Thi

Orleanna’s place in society is to play the “preacher’s wife” and to just shadow her husband from place to place. Even when Nathan is going to move to Africa, she packs up her stuff to follow him because that was her place in society. However, once the family arrives in Africa, her connection with her husband, although previously broken, altogether falls apart. He starts ordering Orleanna around more than usual and just downright acts mean to her and the girls. Kingsolver demonstrates this when Nathan says, “Sending a girl to college is like pouring water in your shoes. It’s hard to say which is worse, seeing it run out and waste the water, or seeing it hold in a wreck the shoes” (Kingsolver 1.8.7). The external conflicts Orleanna confronts are cooking a decent meal for her family, caring for her children, and surviving herself, while also dealing with internal conflicts such as ultimately leaving Nathan. The atmosphere that she lives in is not helping because at the time in Africa, women had little to no rights and men had no respect for the women. The people in the Congo look down on the Prices at times for not having a strong man in the household. Kingsolver says, “It troubles Leah that people thought our household deficient because we lacked a bákala mpandi- a strong man- to oversee us” (Kingsolver 3.4.8). This enabled Nathan to remain a strong figure in telling Orleanna what to do and gives her more chores while he was out doing more important things such as “sav[ing] Africa from evil”. All of this builds up to Orleanna’s inevitable departure after the last straw: Ruth May’s death. In The Awakening, Edna does not fit in with the Creole society that she marries into but is forced to, again, put on a face and pretend to enjoy

The Poisonwood Bible is a book about a man named Nathan Price who takes his wife and four daughters on a mission into the Congo. All of their ups and downs are documented throughout the story. This novel was written by Barbara Kingsolver in 1998. This story was inspired from her own personal trip that her father took her on, to the Congo, where they lived without and water, electricity, and many other necessities. During the time period that this book was being written, a lot of feminist and post-colonial literature was being acknowledged. Feminist literature is both nonfiction and fiction that supports women by defending political, economic and social rights for women. Many works of feminist literature depict strong willed women who

Another way to deal with past regrets that is brought to light is the idea of repressing that memory in the first place. Unlike her sisters, Rachel Price is the only one who ignores her guilt. After Ruth May’s death and their departure from Nathan, Rachel rarely ever brings these major events up again. Instead she talks about her new life, speaking about her newest boy toy and complaining about the African’s culture. The night of Ruth May’s death, since Rachel is

The use of diction in The Poisonwood Bible helps create Rachel's voice throughout the story to convey Kingsolver's theme on cultural differences. As the Price family was being welcomed to Africa by the Congolese people, Rachel thinks "In all the ruckus, somebody was talking English. It just dawned on me all of a sudden. It was near impossible to make out what was going on, because people all around us were singing, dancing, banging their plates, waving their arms back and forth like trees in a hurricane" (Kingsolver 25). Rachel is giving a vivid description of a customary welcoming ceremony in Congo, but, as she is obviously not from Congo, it is surprising to her. An ordinary welcoming in America consists of dinner and a brief display of affection, such as a hug or peck on the check, very different from that of the Congo. Rachel's use of words like "ruckus", "banging", and "hurricane"

Opinions, self-assurance, and knowledge – these aspects of one’s character constantly develop throughout one’s lifetime. In some cases, opinions shift from one end of the spectrum to the opposite end of the spectrum, while the knowledge gained from the world guides one to become more self-assured. In The Poisonwood Bible, Leah, the daughter of a passionate preacher, gains several unfamiliar experiences after moving to Congo such as the peoples’ way of life and insight on what the Africans think about her family. Throughout The Poisonwood Bible, Kingsolver thoughtfully uses textual features such as figurative language, syntax, and tone to show how Leah’s character gradually progresses from a blinded worshiper who wants nothing more than to follow in her father’s footsteps to an individualistic young woman who strives to live a life without her father’s influence. To begin the novel, Kingsolver establishes Leah’s beliefs by utilizing different forms of figurative language.

This further impacted the children Rachel and Leah, being the oldest daughters in the family. Rachel was a daughter that loved her father and she at first felt that he was the best person in the world. She would always follow him around and be his little princess, that was until she started to see the bad things that he started doing in the dark, mysterious place they were living in. She started to see how arrogant and defensive he became throughout the community and how he threw hissy fits. She realized that enough was enough and she needed to grow accustomed to this new place by herself, just like the narrator did in the poem. This is because she knew that her dad was just going insane and he wanted too much power. She now felt bad for her mom and what he had done to her, and wanted to side with her mom to get out of the community that they were in because they had enough of it. Another thing that happened in the Congo while she was there was something absurd and scarring to say the least. Her sister had started to hunt with the men for meat and Rachel saw what they did when they killed the poor animals lives. Rachel was so startled and appalled that she had to become a vegetarian for a short time while they were there. This just shows that she had to adapt to a new lifestyle because she could not think of eating a poor animal that had an innocent life, but her sister Leach could have cared

This is apparent by the use of the character’s perspective about nature and the ultimate result it has upon them. This is in its most apparent shape when Orleanna says “We aimed for no more than to have dominion over every creature that moved upon the earth... Now you laugh, day and night, while you gnaw on my bones. But what else could we have thought? Only that it began and ended with us. What do we know, even now?” (Kingsolver 10). This quote by Orleanna about nature, shows the true power of it regarding the motifs of freedom and captivity. This is seen because of the fact that there is a progression and a change of thought that quickly evolves from the family and her thinking that they had the freedom to have dominion over nature, to she surrendering to nature and saying that she is captive forever because of nature that nature instead of being loving, betrayed her and is now seeking for the forgiveness of it. Another way this is seen it when Leah said “Its heavenly paradise in the Congo, and sometimes I want to live here forever,” (104). This extract from the novel at first glance may not seem like an important passage, but it is considering the fact that she feels that she has the motifs of freedom and love at her grasp as she feels free in the Congo and loves it. This ultimately will not last as their contrasting motifs will eventually kick in making her a prisoner of the Congo by her own merits keeping her captive in there for the rest of her life, while also betraying her because the land and the nature inside it made her lose her little sister. Finally, this connects to the thesis and the other paragraphs because of the fact that it shows this hope versus reality situation which is created when these motifs are combined, furthermore it shows the colorfulness of life in the book because of the fact that it shows the way