Similarities Between Creon And Antigone

The conditionality of burying the dead shows that gods’ law is less sacred for Antigone than she claims to be. Neither does she care about her living families. She humiliates Ismene publicly, causing Creon’s death indirectly and set her uncle Creon in a dilemma where he needs to punish his daughter-in-law. Her real incentive is individual reputation, for she excludes Ismene from standing by her and asks Ismene to spread the news about her defiant act. She seems to use religion and family as elegant reasons to achieve honor. On the contrary, Creon, as a king, weights the interest of the overall state more than his own family. After experiencing the civil war caused by Polyneices, he understands the great need of the polis for order and thus enacts harsh laws to punish people causing riots. Unanimous obedience to law would also encourage his people to fight bravely in the war by being “loyal and dauntless at his comrades’s side”. Creon has to retain the validity and effectiveness of the law, because if every citizen can pursue any personal interest without fear for grave consequences, the entire social operation mechanism would break down. Punishing Antigone is necessary to retain the order of the polis.

Antigone takes place just after a war between Antigone’s two brothers, Eteocles and Polynices. Eteocles fought on the side of Thebes whereas Polynices resembled an invader. Afterwards, Eteocles is buried and seen as honorable. However, Polynices is denied a proper burial because he is considered a traitor to Thebes. In this play, Sophocles uses Antigone and Creon as foils by characterizing Antigone as a martyr and Creon as a tyrant to urge the reader to realize that one’s own morals are more significant than the decrees of any government.

     In Sophocles’ play Antigone, Creon was engaged in a conflict with Oedipus’ daughter Antigone. Creon and Antigone did not see eye-to-eye the entire play due to extreme differences. Creon and Antigone had many similarities despite their enormous discrepancies. Having as many differences as they did, it made them uniquely similar in numerous ways. The similarities that Antigone and Creon shared were independence, loyalty toward their views, cruelty and arrogance (“The Similarities”). The connection shared by Antigone and Creon showed that as hard as Sophocles tried to make them diverse, he made them unintentionally equivalent at the same time.

Anti-Woman Antigone, being a woman, is thought of as less than a man when she commits the crime of burying Polyneices. Antigone’s gender shapes the harshness of punishment of her misdeeds from Creon and the other royals. Creon, astounded at the fact that Antigone went against his wishes and the law, wanted to punish her with a death sentence. Antigone is sentenced to death to show the townspeople that Creon makes no exceptions for crimes committed in the city. Although Creon may think so, the townspeople did not think Antigone was guilty of crimes against Thebes, or the king.

This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

While most of society define heroism as a person who saves lives, people with heroism show bravery and opposition to society or its laws. In Sophocles’ Greek tragedy Antigone, King Creon defies his society’s laws for his own self pride while in Voltaire’s novel Candide, a young boy breaks his uncle’s rule to fulfill his desires. Both characters challenge their society’s laws and take a stand against the flawed principles; however, should people consider Creon and Candide as heroes? Individuals do not have an obligation to challenge laws due to the fact that it leads to multiple deaths and the suffering of themselves or of others.

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

Creon doesn’t want to show weakness, even for family, but he doesn’t want to kill Antigone, who is not only his niece and sister, but engaged to his son. The final decision that Creon must make is whether or not to revoke his death sentence on Antigone. Creon would be doing the right thing, but it would show that he was wrong in a previous decision and he does not want to admit that he was wrong.

Creon orders the guards to take Antigone away not caring for his son's feelings, since she is his fiancée. Creon feels the law should stand despite the fact that Antigone was his niece or how moral her act was. "Bring her [Antigone] out! Let her die before his eyes..." (Scene 3, 130). This quotes shows that Creon took his position as king seriously to the point where in he was willing to sacrifice the feelings of his own son. He was willing to be the cause of son's destruction just to prove that he is the king and always right. "I will go... I buried her, I will set her free" (scene 5, 102,104). Not only does this quote show leadership but also stubbornness he was risking his relationship with his son to prove that he was the leader of Thebes. Creon says another quote which shows his loyalty to his kingdom, "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26). It shows his strong sense of leadership which catches up with him in the end causing destruction.

In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus

Honestly the past couple of days, I did not work out. Stayed indoors most of the time completing unfinished work and studying for upcoming tests. However, the reason for not working out is because there is a theory I want to attempt this week. Challenges I faced over the past couple of days were visuals for Marching Band. Okay, there are some people in the world who says that Marching Band ain't a sport. In my opinion, a sport is defined by physical exertion output (endurance), skills, rules, and competition. Though that is just my opinion, others have their own definition of what is considered a sport. Overall, since I have done absolutely nothing for the past week. Adjustments are necessary for the upcoming week. Requiring me to exercise daily and comparing the data I have collected from the past couple of days. The progress that I and Wendy have remarkably benefited us in terms of physical appearance. Our endurance and determination to keep pushing forward have increased exponentially.

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.