In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus …show more content…
Antigone ignores the idea of civic responsibility and puts her family first. Her family is more important to her than the law because she finds religion more powerful than Creon. “The ancient Greeks were polytheistic, they believed in many different gods and goddesses. The Greeks believed that these gods and goddesses controlled everything, from the waves in the ocean to the winner of a race.” (Richmond) If Antigone did nothing, living with the guilt of not helping her brother would be worse. She breaks these rules for divine law, a law that is believed to come directly from god. Antigones actions for Polyneices that he must be buried is a requirement from the gods. If not buried properly the souls of the deceased were let to walk to river Styx, the entrance to the under world, for eternity and their souls would never be at rest. Not burying a body was a great insult to the dead and Antigone could not live with that on her conscience. Creon on the other hand ignores the laws of the gods and believes his duty to the city comes first. Creon believes his decision was in the best interest of Thebes to show that he is a strong ruler and the city of Thebes will be safe in his hands. As the play is read and the rolls of Antigone become under stood to the reader it is easy to understand how the play itself favors Creon. The play is meant to realistically resemble the Greek way of life, which makes Creon
The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them
The conditionality of burying the dead shows that gods’ law is less sacred for Antigone than she claims to be. Neither does she care about her living families. She humiliates Ismene publicly, causing Creon’s death indirectly and set her uncle Creon in a dilemma where he needs to punish his daughter-in-law. Her real incentive is individual reputation, for she excludes Ismene from standing by her and asks Ismene to spread the news about her defiant act. She seems to use religion and family as elegant reasons to achieve honor. On the contrary, Creon, as a king, weights the interest of the overall state more than his own family. After experiencing the civil war caused by Polyneices, he understands the great need of the polis for order and thus enacts harsh laws to punish people causing riots. Unanimous obedience to law would also encourage his people to fight bravely in the war by being “loyal and dauntless at his comrades’s side”. Creon has to retain the validity and effectiveness of the law, because if every citizen can pursue any personal interest without fear for grave consequences, the entire social operation mechanism would break down. Punishing Antigone is necessary to retain the order of the polis.
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be
Creon meant to clarify to his son that anyone who commits a crime should be punished - even if the criminal is a member of one's family. Creon's doctrine says that once the state decides something, the law applies to everybody. Therefore, he sees no alternative other than to leave the body unburied for the state. Creon would do anything for the sake of the community whereas Antigone is devoted to her family. The situations mentioned above create tensions in the play because Antigone and Creon are bi-polar in their beliefs.
Creon’s bad decision leads to his eventual downfall and demise. Creon realizes his hubris and his wrong decision a little too late. Antigone is already dead, and he cannot correct his wrong-doing. This makes the audience feel pity for him, for he
Antigone believed that the actions she took were done for the right reason, because they adhere to the law of the Gods. In opposition to that, Creon believes that the actions he had taken were in fact the right ones, because he believed that Polyneices was a traitor to the land, and that anyone who should give him a proper burial would suffer the penalty of death. So, the actions that were taken by both of them individually were the right ones, in their own minds at least.<br><br>Antigone, in her plan to give her brother Polyneices a proper burial, kept in mind the consequences that she would suffer for having followed through with the plan. This doesn't necessarily mean that Antigone does not obey the human law that is set up by King Creon, it just means that this particular rule conflicted with the law of the Gods, something that Antigone believes highly in obeying, especially when it deals with her family. Antigone disregards the Olympian Justice that governs the land and also presides over the set laws that make civilized life attainable (Segal "Antigone" 172).<br><br>Antigone goes up against human law, by burying her brother Polyneices, knowing well that she will have to sacrifice her own life. She does this only because it is morally and ethically right, and this is why she stakes her life based upon her strong beliefs (Segal
The only person in the city who is ready to defy Creon’s law is his niece, the sister to Polynices, Antigone. She is overcome with grief by Creon’s order, and sets out to bury her brother. She believed that Creon, “a mere mortal,” did not have the power to “…override the gods, the great unwritten, unshakable traditions…” surrounding the rights of a dead man (Line 503-505). Her loyalty was to her family, not to the new king of Thebes. When Antigone goes to her sister Ismene to plead for her help in burying their brother, even she is too afraid of Creon’s authority to assist her only family. “I must obey the one’s in power,” she says. “...defy the city? I have no strength for that.” (Line 79-80, 93). She is lead to go against what she feels is morally right because she is fearful of the consequences. Even though Antigone is aware of these deadly consequences, she is willing to face them and stand up for what she believes is right. Discovering that Antigone has gone against him, Creon immediately sentences
When a messenger comes to Creon, bringing the news that Antigone has buried her brother, he begins his arguments why Antigone has broken the law. He begins by stating that a man shows what he is made of by his "skill in rule and law." In other words, the law is everything and as a ruler, he must do everything for his country. He considers Polyneices an enemy of the city and a threat to the security of the city as well. Thus Polyneices will be called a traitor in life and in death and dishonored. The scene when Antigone and Creon face each other is the opportunity for both to defend themselves. Creon questions Antigone. She bases her responses on that the city laws proclaiming her as illegal are not the laws of Zeus or laws proclaimed by gods, but rather, laws made by a man that one day will also die. She will honor her brother's death because this is what the gods have proclaimed for all mankind. (lines 460-463)
Even if he believes he is right and his son should obey him, he doesn’t show an ounce of sympathy for Haemon, who loves Antigone. Creon details his thoughts on the importance of the rule of law over other loyalties, and his belief that to allow any anarchy or, seemingly, freedom would threaten the state. Creon’s method of executing Antigone is interesting. By entombing a living person, Antigone, and denying burial to a dead person, Polynices, Creon’s laws seem to go against common sense, tradition, and nature itself. Creon does not keep a cool head, as a wise leader should, or look for a way to compromise. He is as stubborn as Antigone, as if this were a street fight, he feels he could never back down.
In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.
Antigone refuses to let King Creon dictate what she does with her brother’s dead body. Antigone states, “he has no right to keep me from my own” (Sophocles, 441 BC, line 48). Antigone feels that nobody has the right to dictate how she plans to bury her family member. In addition, Creon demands civil disobedience above all. Creon believes that the worst thing an individual can do is act against authority. In contrast, Antigone believes that state law is not absolute. Meaning one should be able to act against the law in extreme cases to honor the gods. Divine law could be proved valid, for example, “the fact that Polyneices’ dust-covered corpse had not been disturbed by animals could be taken as a possible sign that burial was accepted as valid by the gods” (Sourvinou-Inwood, 1989, pg. 142). Sourvinou-Inwood is stating that because the animals had not touched the dead body, it could be a sign from the gods that a proper burial should be in order. That Creon could have been wrong and the gods wanted Polyneices buried. Moreover, the Greeks supported absolute monarchs, however, simultaneously they also believed in divine law and had a profound amount of respect for the gods and their laws.
Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.
Sophocles believed that it was significant that the law of a persons conscience supersedes the law of the state. Antigone overlooks the law of the state and follows her heart to do what she knows is morally right, opposed to a law created by a human with high authority. She understands that the consequences are heavy for the act, however, she courageously concluded that the importance of the act was greater than the consequences.
Being that Antigone is the protagonist, her character is important in the play. She made the decision to bury her brother knowing that it was against Creon’s law. Ismene refused to help Antigone, which left her angry, yet still determined to bury her brother. She knew that burying her brother could lead to her own death, but she continued to show courage, strength, and determination throughout her role. In the beginning, Antigone says, “Dear god, shout it from the rooftops. I’ll hate you all the more for silence/ tell the world!”(17,100-101). This was said to Ismene, when they were discussing burial plans and Ismene was telling Antigone that she was against the plan. Antigone’s dialogue shows that she is not worried about being punished or worried about who knows what she has done. It is clear that Antigone is sincere about honoring the gods, her actions show that she feels that she is pleasing the gods and that is all that matters to her. “These laws/ I was not about to break them, not out of fear of some man’s wounded pride, and face the retribution of the gods.”(30, 509-511). This demonstrates how she feels about man’s law vs. divine law. In the plot, there was not one time where Antigone denied
Creon has no toleration for people who place personal beliefs over the common good. He believes that government and law is the supreme authority, and civil disobedience is worst form of sin. The problem with Creon’s argument is he approaches He approaches every dilemma that requires judgement through descriptive generalizations. In contrast to the morality defined by Aristotle in his Nicomachaean Ethics, Creon shows that he is deaf to the knowledge of particulars--of place, time, manner, and persons, which is essential for moral reasoning. In short, he does not effectively bring together general principles and specific situations Creon does not acknowledge that emotion, and perception are as critical to proper moral consideration as reason. This explains why he does not respond accordingly with the reasoning of the guard, Tiresias the prophet, Antigone, her sister Ismene, or even his own son Haemon. Throughout the whole play, Creon emphasizes the importance of practical judgement over a sick, illogical mind, when in fact it is him who has the sick, illogical mind. He too exhibits pride in his argument. To Antigone and most of the Athenians, possessing a wise and logical mind means acknowledging human limitations and behaving piously towards the gods. Humans must take a humble attitude towards fate and the power of the gods, yet Creon mocks death throughout the play. He doest not learn his lesson until the end of the play when he speaks respectfully of