The Oppression of Women and The Yellow Wallpaper
The Yellow Wallpaper by Charlotte Perkins Gilman is a fictionalized autobiographical account that illustrates the emotional and intellectual deterioration of the female narrator who is also a wife and mother. The woman, who seemingly is suffering from post-partum depression, searches for some sort of peace in her male dominated world. She is given a “rest cure” from her husband/neurologist doctor that requires strict bed rest and an imposed reprieve form any mental stimulation. As a result of her husband’s controlling edicts, the woman develops an obsessive attachment to the intricate details of the wallpaper on her bedroom wall. The woman’s increasingly intense obsession with
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According to Gilbert and Gubar she is “mad” only by society’s standards, and, more importantly, that she is, in fact, moving into “the open spaces of her own authority” (91). This interpretation seems to just touch on the many social issues the narrator experiences. Keeping the narrator anonymous is one of the key themes to show the reader who the woman really is, because of the assumption at the beginning of her status in society and in her marriage to a prominent doctor. Her husband John does not even acknowledge his wife may have any mental problems and all attempts for the woman to tell him fail. For as she in desperation states “John laughs at me about this wallpaper” (Gilman 803). Thus, if the woman can expect to get laughed at in her marriage, it would be impossible for her to actually talk to her husband, much less convince him to change his diagnosis of her, especially because he is “so wise” and a physician (Gilman 806). Indeed, male-dominant opinion becomes even more prevalent when it seems that all three different men in the story are all close to her and all prescribe the same “rest cure” for her. However, she seems to “disagree with their ideas”, for as she lucidly states, “Personally, I believe that congenial work, with excitement and change would do me good” (Gilman 801).
According Elaine R. Hedges there
“The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison. Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world. The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality. This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.
"The Yellow Wallpaper" tells the story of a woman living in the nineteenth century who suffers from postpartum depression. The true meaning implicit in Charlotte's story goes beyond a simple psychological speculation. The story consists of a series of cleverly constructed short paragraphs, in which the author illustrates, through the unnamed protagonist's experiences, the possible outcome of women's acceptance of men's supposed intellectual superiority. The rigid social norms of the nineteenth century, characterized by oppression and discrimination against women, are supposedly among the causes of the protagonist's depression. However, it is her husband's tyrannical attitude what ultimately
She has been trained to trust in her husband blindly and sees no other way. He calls her “little girl” (352) and “little goose” (349) and states “She will be as sick as she pleases!” (352) whenever she tries to express her issues. Instead of fighting for what she thinks will make her better she accepts it and keeps pushing her feelings aside, while he treats her like a child. We get an instant feel for her problem in the first page when she says, “John laughs at me, of course, but one expects that” (pg 346). A woman shouldn’t expect her husband to laugh at her concerns. Even after briefly writing about her condition she remembers her husband telling her the very worst thing she can do is think about it and follows his instructions. This is when she begins to focus on the house instead of her problems and the obsession with the wallpaper starts. She has nothing else to think about alone in the home; they don’t even allow her to write, which she has to do in secret.
The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways. Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society. The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia. A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..." (Gilman, 669). She lived by these guidelines for three months until she came close to suffering from a nervous breakdown. Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.
Today, women have more freedoms than we did in the early nineteenth century. We have the right to vote, seek positions that are normally meant for men, and most of all, the right to use our minds. However, for women in the late 1800’s, they were brought up to be submissive housewives who were not allowed to express their own interests. In the story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, a woman is isolated from the world and her family because she is suffering from a temporary illness. Under her husband’s care, she undergoes a treatment called “rest cure” prescribed by her doctor, Dr. Weir Mitchell. It includes bed rest, no emotional or physical stimulus, and
"The Yellow Wallpaper" is about a creative woman whose talents are suppressed by her dominant husband. His efforts to oppress her in order to keep her within society's norms of what a wife is supposed to act like, only lead to her mental destruction. He is more concerned with societal norms than the mental health of his wife. In trying to become independent and overcome her own suppressed thoughts, and her husbands false diagnosis of her; she loses her sanity. One way the story illustrates his dominance is by the way he, a well-know and
The Story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a great expression of women’s oppression in the 19th century. The story introduces readers to a woman frustrating in her life and suffering from a nervous depression and her marriage as the yellow wallpaper is causing her a real insanity. Having a background about the timing and the setting that the story is written in helps the reader to internalize the whole meaning of the story and understand its important details. The story is told by a narrator using an anxious tone, and she is being angry and sarcastic at the same time. The woman mentions that her husband has taken her to a summer vacation. So, the story takes
In the short story The Yellow Wallpaper, the author Charlotte Perkins Gilman, portrays the main character as a victim of oppression. Oppression is defined as being heavily burdened mentally or physically by troubles or adverse conditions. John’s wife along with other women during the 1800’s, were subject to the stricter laws of society. The narrator, known as the main character, was applied with less rights and privileges. An example on how the narrator was subjected to oppression is the husband, the wallpaper, and the mansion.
It was commonly casted that women during the 19th century were not to go beyond their domestic spheres. If a woman were to go beyond the norms and partake in a “male” activity and not assign to “womanly” duties, it were to take an ill effect on her, because she was designed to act merely as a mother, wife, and homemaker. The short story “The Yellow Wallpaper”, by Charlotte Perkins Gilman, demonstrates the status of women in the 19th century within society, revealing that madness in this story stems from the oppressive control of gender on woman. A woman who is trying to escape from confinement may result in madness. The use of madness characterizes women as victims of society, suffering the effects of isolation brought on by oppression driving
In the grips of depression and the restrictions prescribed by her physician husband a woman struggles with maintaining her sanity and purpose. As a new mother and a writer, and she is denied the responsibility and intellectual stimulation of these elements in her life as part of her rest cure. Her world is reduced to prison-like enforcement on her diet, exercise, sleep and intellectual activities until she is "well again". As she gives in to the restrictions and falls deeper into depression, she focuses on the wallpaper and slides towards insanity. The Yellow Wallpaper by Charlotte Perkins Gilman is a story written from a first-person perspective about a young woman's mental deterioration during the 1800's and
and "gates that lock". At the top of the stairs is a gate that keeps
The short story "The Yellow Wallpaper" by Charlotte Perkins Gilman gives a brilliant description of the plight of the Victorian woman, and the mental agony that her and many other women were put through as "treatment" for depression when they found that they were not satisfied by the life they had been given.
by Charlotte Perkins Gilman, is a story of a woman, her psychological difficulties and her
The Yellow Wallpaper by Charlotte Perkins Gilman is a story set in a 19th century colonial mansion, in which the narrator and her husband stay for the summer. The narrator, who is unnamed, is undergoing a rest cure for some kind of mental illness after giving birth. This mental illness is now known as postpartum depression. Rest cure involves doing absolutely nothing and this triggered the further deterioration of the narrator’s mental health. Her husband, John, monitors her condition while they stay in the mansion. She is confined in a room— supposedly a nursery room— with barred windows and scratches on the floor. The most noticeable feature of the room by the narrator is the yellow wallpaper. Each day, her description of the yellow wallpaper becomes more disturbing; from being just plain wallpaper to being a prison cell for trapped women, shaking the bars, wanting to be free from it. Instead of getting well from the rest cure, the narrator’s mental state worsened as what is depicted in her journal entries. She eventually goes mad and her husband fainted from the sight of her condition.
In the late nineteenth century, after the American social and economic shift commonly referred to as the "Industrial Revolution" had changed the very fabric of American society, increased attention was paid to the psychological disorders that apparently had steamed up out of the new smokestacks and skyscrapers in urban populations (Bauer, 131). These disorders were presumed to have been born out of the exhaustion and "wear and tear" of industrial society (Bauer, 131-132). An obvious effect of these new disorders was a slew of physicians and psychiatrists advocating one sort of cure or another, although the "rest cure" popularized by the physician S. Weir Mitchell was the most