A Feminist Reading of The Yellow Wallpaper
In the late nineteenth century, after the American social and economic shift commonly referred to as the "Industrial Revolution" had changed the very fabric of American society, increased attention was paid to the psychological disorders that apparently had steamed up out of the new smokestacks and skyscrapers in urban populations (Bauer, 131). These disorders were presumed to have been born out of the exhaustion and "wear and tear" of industrial society (Bauer, 131-132). An obvious effect of these new disorders was a slew of physicians and psychiatrists advocating one sort of cure or another, although the "rest cure" popularized by the physician S. Weir Mitchell was the most
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As a result, the illness of the woman in "The Yellow Wallpaper" ceased to represent an account of Gilman's own illness and became a representation of the illness that afflicted all women at the time: the illness of oppression.
Before beginning to analyze "The Yellow Wallpaper" from a feminist viewpoint, one must consider first how women were perceived in late-nineteenth century America. A common knowledge of history reveals that they were legally and socially second class citizens, not even earning the right to vote until 1920. One of Gilman's chief complaints was that "...women had long been competing over men in a system of oppression that had its roots in a precapitalist culture. Only men could promise economic security in a world which would not employ women" (Bauer, 132). In a world where men forced women to depend upon them in order to keep women in an inferior and powerless role, it is not surprising that so many women developed "neurasthenia." In his short story "Old Doc Rivers," William C. Williams explains neurasthenia as a label that arose where "...they never did discover what was the matter with the patient," perhaps because nothing really was "the matter," only what happens to any person deprived of exercise, freedom, and the ability to think for one's self (Williams,
The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways. Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society. The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia. A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..." (Gilman, 669). She lived by these guidelines for three months until she came close to suffering from a nervous breakdown. Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.
“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, is a first-person narration of madness experienced by an unnamed woman in the Victorian era. The madness is exposed through a “nervous condition” diagnosed by the writer’s husband, a physician, who believes the only cure is prohibiting all intellectual thought and to remain in solitude for a “rest-cure”. The act of confinement propels the narrator into an internal spiral of defiance against patriarchal discourse. Through characterization and symbolism, “The Yellow Wallpaper” exhibits an inventive parallel between the narrator’s mental deterioration and her internal struggle to break free from female oppression imposed on her through her husband and society.
It was commonly casted that women during the 19th century were not to go beyond their domestic spheres. If a woman were to go beyond the norms and partake in a “male” activity and not assign to “womanly” duties, it were to take an ill effect on her, because she was designed to act merely as a mother, wife, and homemaker. The short story “The Yellow Wallpaper”, by Charlotte Perkins Gilman, demonstrates the status of women in the 19th century within society, revealing that madness in this story stems from the oppressive control of gender on woman. A woman who is trying to escape from confinement may result in madness. The use of madness characterizes women as victims of society, suffering the effects of isolation brought on by oppression driving
Medicine and science were male-dominated practices in the Victorian era; women were seen as intellectually inferior, leaving domestic roles as their sole purpose. Women were enchained by the gendered presumption that nervous disorders were the root of unrest and discontent that plagued women. In a stifling society, pathology became a means to further repress and control women. The “rest cure,” a Victorian idea, was used to treat the increasingly diagnosed nervous disorder. Charlotte Perkins Gilman, the author of The Yellow Wallpaper, battled with clinical depression most of her life.
Today, women have more freedoms than we did in the early nineteenth century. We have the right to vote, seek positions that are normally meant for men, and most of all, the right to use our minds. However, for women in the late 1800’s, they were brought up to be submissive housewives who were not allowed to express their own interests. In the story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, a woman is isolated from the world and her family because she is suffering from a temporary illness. Under her husband’s care, she undergoes a treatment called “rest cure” prescribed by her doctor, Dr. Weir Mitchell. It includes bed rest, no emotional or physical stimulus, and
and "gates that lock". At the top of the stairs is a gate that keeps
In the 1950’s, women weren’t respected for doing anything besides being an outstanding wife and mother. Women and men weren’t on the same level when it came to rights in the eyes of the law. Also during this time, mental illnesses were not accurately researched, and since doctors weren’t fully aware of all the information about mental illnesses, patients did not always get the best treatment and were treated as freaks. In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman 's believes that there really was no difference in means of way of thinking between men or women is strongly. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband 's lack of belief. The story appears to happen during a time period where women were mistreated. Women were treated as second rate people in community during this time period. Charlotte Perkins Gilman shows the thought process of the community during the time period in which “The Yellow Wallpaper” is written. Using knowledge on equal rights between women and men, one can carefully study “The Yellow Wallpaper” by
In The Yellow Wallpaper, Charlotte Perkins Gilman discusses the oppression men have towards women through the story of a nameless narrator during the 19th century. In the story, the unknown narrator, a woman, is telling her struggle for freedom and her fight to escape from the subordination in her marriage with a physician. In the story, the narrator suffers an illness that prevents her from doing things she likes such as writing. Throughout her illness, the narrator slowly becomes aware of her situation and then starts to fight to change her living condition with her husband. Through the use of two major symbols established throughout the text, Gilman brings awareness of women’s struggle to end their oppression by men and their fight to change the way society is dominated by men. In addition, the symbols used by Gilman underline the way women suffrage awareness slowly began to spread during the 19th century.
"The Yellow Wallpaper" is about a creative woman whose talents are suppressed by her dominant husband. His efforts to oppress her in order to keep her within society's norms of what a wife is supposed to act like, only lead to her mental destruction. He is more concerned with societal norms than the mental health of his wife. In trying to become independent and overcome her own suppressed thoughts, and her husbands false diagnosis of her; she loses her sanity. One way the story illustrates his dominance is by the way he, a well-know and
“In 1887, Perkins Gilman went to a specialist in hope of curing her ailment. She had some nervous breakdown (BASSUK). The specialist advised her “rest cure” treatment. It consists of lying on the bed all day and indulging oneself in any intellectual activity for two hours a day. After the three months treatment, Gillman said that she was close to marginal of utter psychological ruin. At the start of the first few decades, readers of “the yellow wallpaper” assumed it as a horror fiction story positioned in the Gothic category. Since 1960s, it has been considered as women’s movement demonstrating 19th era attitudes to women’s physical and spiritual health.” After the introduction, analysis of story is being done which is followed by analysis of one major character. At the end, symbolic point of view of the story is being told.
The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not. She eats almost nothing all day and when it is suppertime she eats a normal meal. John sees this and proclaims her appetite is improving. Later in the story, the woman creates something of an imaginary friend trapped behind the horrible looking yellow wallpaper in
Neurasthenia was first described in 1869 as a disease characterized by extreme anxiety, depression, and fatigue. But in the 18th and 19th century, a temporary nervous depression, which is what the narrator in “The Yellow Paper” is diagnosed with, was the illness most common among women due to their perceived fragility and weak emotions. This nervous disease was associated with numerous symptoms, such as pale urine, a visible swelling of the stomach, headaches, fainting, palpitations of the heart, wind in the stomach and intestines, frequent sighing, giddiness, convulsive crying, convulsive laughing, despair, and melancholy (T. Wayne, C. Vincent). In “The Yellow Wallpaper”, by Charlotte Perkins Gilman, the narrator, a woman who has recently given birth, has been diagnosed with neurasthenia, and imprisoned in a summer home as a result of the times period’s patriarchal and industrial society.
“The Yellow Wallpaper” by Charlotte Gilman involves an unidentified woman who suffers from society’s way of curing her, as she gets trapped in a nursery due to the “inappropriate” ways she does not fulfill her duties as a women, demonstrating the lack of gender rights and equality present back in the days. This short story aided significantly in helping achieve gender equality rights and finally allowing people to understand that everyone is equal. The way the story portrays the way of curing someone is extremely negative since the “rest cure” is actually seen to make people a lot worse as opposed to better or cured. "Wear and Tear", a short book written by S.Weir Mitchell, M.D, as well as the short story “Why I Wrote The Yellow Wallpaper”
The short story, the Yellow Wallpaper by Charlotte Perkins Gilman can be analyzed in depth by both the psycho-analytic theory and the feminist theory. On one hand the reader witnesses the mind of a woman who travels the road from sanity to insanity to suicide “caused” by the wallpaper she grows to despise in her bedroom. On the other hand, the reader gets a vivid picture of a woman’s place in 1911 and how she was treated when dealing what we now term as post-partum depression. The woman I met in this story was constantly watched and controlled by her husband to such an extreme that she eventually becomes pychootic and plots to make her escape.
Charlotte Perkins Gilman once said, ‘’There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver’’. Gilman’s belief that there’s no difference in means of mentality between men or women demonstrated through ‘’The Yellow Wallpaper’’. Gilman symbolically portrays that women suffer from psychological disorders caused by lack of love, care, and a constant pressure of secondary roles and personal unimportance in social life. The Yellow Wallpaper is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time frame where women were oppressed. The short story can be analyzed in depth by both the psycho-analytic theory and