Richard Flanagan’s novel The Narrow Road to the Deep North and Jonathan Teplitzky’s film The Railway Man are two different texts that tell a similar tale on their respective male protagonist’s experiences of the Thai-Burma railway as POWs. The authors of the texts have used the experiences from the POW camp to provide context to then explore different variations on the idea of conflict. Flanagan’s Dorrigo Evans experiences moral conflict throughout the novel, first as he is pushed into a leadership role and then later as he commits various acts of adultery. By contrast, the character Eric Lomax does not struggle with a sense of morality but rather is trapped in the war and struggles to separate past from present.
The centre of the
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Patti’s exclusion demonstrates the modern ideas Eric missed due to his involvement in the war and thus provide context as to why Eric found it incredibly difficult to move from his past into an unrecognisably modern present. Comparably, Dorrigo is also seen to struggle to leave the war behind him although this is more due to his reluctance to return to a life of sedentary with Ella rather than live a more controversial life with Amy.
“All that came later seemed to condone the sense of meaningless he was to find in civilian life…her [Ella’s] lips seemed disappointing… he could not stop think of Amy.” (Flanagan, Richard)
Ella and Amy represent for Dorrigo his continual moral struggle between right and wrong. Ella is a convenient and socially acceptable choice for Dorrigo to make and yet he remains unattracted to her as he is unable to let go of Amy. Amy meanwhile represents the morally wrong choice, she is the wife of his uncle and yet he still is unable to stop loving her. Ultimately, he chooses to stay with Ella as she is the ‘good’ choice, this choice likely coming from his earlier conflict during the war as he struggled with his sense of morality.
“He did not think of himself as a strong man who knew he was strong… Dorrigo Evans understood himself as a weak man… whom the thousand
Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.
Fifteen thousand men. One thousand- two hundred dead. Twenty thousand pounds of bones. One thousand, seven hundred and fifty- six miles of railways. The creation of the transcontinental railroad began in 1863. It originated in the northern states and made its way to the west. Nobody knew that one day this new technology would lead to the future that we live today. During the time that the railroad was in the process of being created, many things were escalating in the US, all for the best. The Transcontinental Railroad transformed the United States more economically by creating new opportunities, improving transportation, and boosting imports and exports.
In the fictional novel The Things They Carried, Tim O’Brien vividly explains the fear and trauma the soldiers encountered during the Vietnam War. Many of these soldiers are very young and inexperienced. They begin to witness their acquaintances’ tragic demise, and kill other innocent lives on their own. Many people have a background knowledge on the basis of what soldiers face each day, but they don’t have a clear understanding of what goes through these individual’s minds when they’re at war. O’Brien gives descriptive details on the soldiers’ true character by appealing to emotions, using antithesis and imagery.
Throughout the 1800’s there were more and more Americans that had moved onto the frontier of the West coast. The people of the United States believed they were destined to have their land stretched from the Pacific Ocean (the west) to the Atlantic Ocean (the east); from sea to shining sea. This settlement came from the fact that the west not only had an abundance of fertile land for farming, but it had such a great abundance of gold and mineral mining available. The Americans also believed that this was a way (and chance) to spread their beliefs! Many people saw the West as a new beginning, so they decided to head West and begin this journey. This is what the Americans believed they were destined to do… The rapid settlement of the West was caused by the great desire of the American
Two northern boys in the novels, “Soldier’s Heart,” and “The Red Badge of Courage,” suffer through the journey and hardships, loss of loved ones, and war. The contrasts in these works are few, however the variances in stories minister support in helping each book to stand out, and separate from the other. The similarities between books are uncanny, so similar, in fact that throughout the duration of the novels differentiating the novels becomes increasingly problematic for the reader. Also, the similarities concerning the two books “Soldier’s Heart” and “The Red Badge of Courage” aid the reader in understanding the mind-set of a soldier during a war. The comparisons and differences of the
The Viet Nam War has been the most reviled conflict in United States history for many reasons, but it has produced some great literature. For some reason the emotion and depredation of war kindle in some people the ability to express themselves in a way that they may not have been able to do otherwise. Movies of the time period are great, but they are not able to elicit, seeing the extremely limited time crunch, the same images and charge that a well-written book can. In writing of this war, Tim O'Brien put himself and his memories in the forefront of the experiences his characters go through, and his writing is better for it. He produced a great work of art not only because he experienced the war first hand, but because he is able to convey the lives around him in such vivid detail. He writes a group of fictional works that have a great deal of truth mixed in with them. This style of writing and certain aspects of the book are the topics of this reflective paper.
Following orders, digging a foxhole, carrying a twenty-three pound M-60 assault weapon, or chasing Charlie does not erase the virtues previously programmed. Typically related to ethics and the distinction between right and wrong, morality exists throughout The Things They Carried in many forms. In the book, even the most deranged characters manage to be kind to one another. When dealing with death, characters experiment with ways to respect and remember the dead. In foreign Vietnam, the soldiers deal with cultural differences and work to find a middle ground. In the book, Tim O’Brien illustrates how morality manages to survive amidst the gore of the Vietnam War.
Bao Ninh’s The Sorrow of War is a novel that is a personal view of the Vietnam War from the perspective of a Vietnamese soldier. Like the American novel “The things they carried”, this novel brings about the effects of war on people, and especially how it defeats the human capacity for things such as love and hope. Bao Ninh offers this realistic picture of the Vietnam War’s impact on the individual Vietnamese soldier through use of a series of reminiscences or flashbacks, jumping backwards and forwards in time between the events most salient in memory, events which take on a different theme each time they are examined. His main protagonist Kien, who is basically Bao himself, looks back not just at his ten years at
The glorified act of war is often staged in historical literature by idolizing the soldiers who partake in the event. Soldiers are made to seem intrepid, ruthless and muscular, each with a ceaseless desire to fight valiantly for their countries. Timothy Findley and Kurt Vonnegut discard this typical hero archetype in their anti-war novels by portraying the soldiers who fight in the war as the men they are, not as the templates of heroes they are expected to fit, in furtherance of strengthening their anti-war stances. Findley and Vonnegut illustrate their protagonists as a tragic hero and an anti-hero, respectively, in order to juxtapose the atrocities of war with the flawed humanness of man and to challenge the stereotypical image of a
A national identity is important to have as it characterizes an enormous population and land mass. Canadian identity is bound by our differences such as embracing our racial, political, religious and gender diversity. Canadians have a unique culture and many symbols and expressions that prove Canada is different from other people, countries and cultures of the world. There are many symbols that represent Canadian identity. Items such as, the national flag of Canada, the maple leaf and the national anthem. Important people such as Louis Riel, Sir John A MacDonald and Jackie Robinson. One of the main symbols which play a huge role in the Identity of Canada, is the Underground Railway. “Between 1840 and 1860, more than 30,000 American slaves came
In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.
The text, The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war
The topic of war is hard to imagine from the perspective of one who hasn't experienced it. Literature makes it accessible for the reader to explore the themes of war. Owen and Remarque both dipcik what war was like for one who has never gone through it. Men in both All Quiet on the Western Front and “Dulce Et Decorum” experience betrayal of youth, horrors of war and feelings of camaraderie.
The story “The Things They Carried” by Tim O’Brien is an enormously detailed fictional account of a wartime scenario in which jimmy Cross (the story’s main character) grows as a person, and the emotional and physical baggage of wartime are brought to light. The most obvious and prominent feature of O’Brien’s writing is a repetition of detail. O’brien also passively analyzes the effects of wartime on the underdeveloped psyche by giving the reader close up insight into common tribulations of war, but not in a necessarily expositorial sense.. He takes us into the minds of mere kids as they cope with the unbelievable and under-talked-about effects or rationalizing
As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.