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The Grand Budapest Hotel By Wes Anderson

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‘The Grand Budapest Hotel’ (Wes Anderson, 2014) combines a perfect mix of nostalgia and history. The film explores the themes of war as it recreates history through mise-en-scene. Anderson also incorporates other themes such as racism and elitism during pre-war Europe. The film widely explores Europe from many viewpoints, one of which is of Mr Moustafa. His nostalgia is seen through flashbacks of when he was a lobby boy that went by the name of Zero. As an audience the depth of his nostalgia is seen through mise-en-scene. With the help of cinematography and props we see can see the time and place that Moustafa acknowledges. Anderson shows how history is reimagined through ones nostalgia. Mr Moustafa recalls events, which he was not present in yet he explains them as if he were there. This also shows how one reimagines history from another due to emotions and personal attachment. Despite the outcome being the same there are many viewpoints it can be seen from.

“Nostalgia is commonly thought to be a longing for times of a simpler, more straightforward approach to life and its difficulties” (Le Sueur 189). The nostalgia of Mr Moustafa is a large aspect to how the film develops. Early into the narrative the audience is introduced to the Hotel’s owner Mr Moustafa. As the plot develops it is understood that he worked as a lobby boy before the Hotel was handed over to him due to Gustave’s, his boss and friend, death. Before ‘Part One’ the audience is shown the Hotel in the year

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