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What Is Waiting For Tess Of The D Urbervilles?

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Chapter 1 Introduction Tess of the D’urbervilles is an extraordinarily beautiful book, as well as an extraordinarily moving one. Tess Durbeyfield, the daughter of a poor foolish peasant, who believes that he is the descendant of an ancient aristocratic family, first is seduced by Alec, the son of the neighboring family by the name of D’urbervilles. Then Tess encounters Angel Clare, a man of liberal mind and the son of a clergyman, and they fall in love with each other. On the evening of their wedding ceremony, Tess confesses to Angel her seduction by Alec, and then Angel abandons her and leaves for Brazil by himself. Subsequently Angel comes to understand his moral and intellectual arrogance and searches for Tess, only to find that the …show more content…

2.1.2 The death of the horse It’s unexpected but solid truth that the true life doesn’t include such hopeful “ifs” for Tess. What is waiting for Tess is the gloomy darkness and sorrow. They like fresh buds conceal themselves in the beautiful and lovely May, prying their chance and preparing for their complete appearance. With the development of the plot, we can feel that the darkness and tragedy is sucking the energy and growing gradually. So Tess’s duty and sufferings are also beginning to swell. When Tess helps her father deliver the beehives to the retailer, the Prince—her father’s horse dies on the road. The hue of the landscapes suddenly converts to sorrow. “The atmosphere turned pale, the birds shook themselves…the lane showed all its white features…Prince lay alongside still and stark” (ibid.: 37). “Pale” “white” and “stark” indicate Tess’s moods after her murder of Prince. They express what Tess is thinking and feeling; like a translation machine, they translate the invisible emotion and inner meaning of Tess and it is Tess herself that is really pale, stunned and disappointed in her body as well as her spirits. Then in her despair Tess “put[s] her hand upon the hole [Prince’s wound]”(ibid.) whereas “this gesture is as absurdly ineffectual as all her effort will be and the only result is that she becomes splashed with blood”(Van Ghent 1953: 430).

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