The Masculinized World: An Analysis of the Historical Construction of Domestic Servitude in Simone de Beauvoir’s “The Existential Paralysis of Women” and in Jane Austen’s Sense and Sensibility
This literary study will define the historical construction of submissive female gender roles in the domestic sphere in Simone de Beauvoir’s “The Existential Paralysis of Women” and in Jane Austen’s Sense and Sensibility. Beauvoir’s article defines the suffering that women endure as servants in the home due to the overarching construction of submissive gender roles in the “masculine world.” This construction of gender role relies on male-based institutions that have educated women to believe that are inferior as an innate biological fact, yet these
…show more content…
This gender role construct is what often makes women feel powerless/paralyzed to change their role in the domestic sphere due to overriding authority of the “masculine world.” In a literary point of view, the role of the mediocre woman in Jane Austen’s Sense and Sensibility can describe how women, such as Lady Middleton and Lucy Steel conform to these submissive gender roles in the 19th century patriarchal institution of marriage. In Austen’s novel, the patriarchal institution of marriage is a strong example of the “masculinized world” that forces women into submissive gender roles in the domestic sphere. The main character of story, Elinor Dashwood, is a young women with logic, good sense, and a strong sense of her own identity as a woman. However, Elinor is contrasted by submissive women that simply follow the orders of their husbands. For instance, Lady Middleton is a woman of the upper classes that Elinor encounters, which describes the slavery of domestic servitude in the “mediocre” woman: “Her manners had all the elegance which her husband's wanted. But they would have been improved by some share of his frankness and warmth” (Austen 31). This is how de Beauvoir defines he submissive power of the “masculine world” as being a
De Beauvoir’s notion of liberation and freedom called on women to reclaim the category of womanhood to create an autonomous and working woman who can break out of the master-slave dynamic created by the
Fay Weldon’s ‘Letters to Alice on First Reading Jane Austen’ (1984) through the form of an epistolic novel, serves to enrich a heightened understanding of the contemporary issues of Jane Austen’s cultural context. In doing so, the responder is inspired to adopt a more holistic appreciation of the roles of women inherent in Austen’s ‘Pride and Prejudice’ (1813). Due to the examination of the shift of attitudes and values between the Regency era and the 1980s, the reader comes to better understanding of the conventions of marriage for a women and the role education had in increasing one’s marriage prospects. Weldon’s critical discussion of these issues transforms a modern responder’s understanding of the role of a woman during the 19th century.
Jane Austen’s Pride and Prejudice was first published in 1813(Gary vii) a time when women had “few legal and economic rights or even receiving little respect, women can be seen as oppressed victims of a patriarchal society, subordinate first to their fathers and, then, to their husbands who had, of course, been selected by their fathers” (Swords, 76-82). At first glance one might think that Pride and Prejudice reinforces sexist stereotypes, however upon further examination of Jane Austen and her heroine Elizabeth it is clear that Pride and Prejudice in fact erodes the sexist stereotypes of women.
In Jane Austen’s Sense & Sensibility, the themes sense, and sensibility critically capture women in the 18th century. In the novel we can see two main characters portray themselves on opposite ends of the spectrum. To understand the ideologies, present in the woman sex one can use Simone de Beauvoir’s ‘The Existential Paralysis of Women” that outline how women are controlled in society. In “Sense & Sensibility” we can see how gender is shaped by social constructs and how it determines one’s disposition like mentioned by Simone de Beauvoir.
In Jane Austen’s Persuasion, it may appear to some readers that Austen writes from a conservative perspective that reinforces women’s submissive and inferior roles in society. Many of the female characters seem to perpetuate traditional and oppressive gender roles, and a central plot line for most of the female characters involves finding a man to marry as a means of attaining ultimate happiness. However, while there are many examples of Austen’s adherence to the social standards of her time, upon closer inspection it becomes clear that Austen also challenges many ideas of the time, which suggests that she wrote Persuasion from a proto-feminist point of view. In fact, Austen provides the reader with many nontraditional voices that empower characteristics and behaviors in females that were looked down on during her lifetime. Although Austen holds onto some beliefs of her time that contemporary feminists may consider anti-feminist, through the development of her female protagonist, Anne Elliot, Austen re-examines what it means to be a woman in society and asserts her
Jane Austen and WIlliam Shakespeare are writers that challenged traditional ways of literature and created various tales of perseverance through lead characters and important themes that are still studied to this day. Although the two authors are from different centuries, both examined the art of challenging gender roles in literature in order to achieve something greater. Back in the time periods of Shakespeare and Austen, the role that women were supposed to play were gentle and thought to have kept to their work in the house. Never were the women supposed to engage in work “designed for men.” Most of the time, the women grew up and were wed to a husband of the father’s choosing, usually in some form of an agreement or deal between two families. However, Jane Austen and William Shakespeare wrote about two very important females who challenged the ideas of what a woman should be, all in order to advance themselves without judgement that they were female. The two female characters portrayed in William Shakespeare’s Twelfth Night and in Jane Austen’s Pride and Prejudice challenged gender roles and social expectations amidst great personal struggle, however were not able to gain independence to the benefit of their gender.
Pride and Prejudice tells a story of a young girl in the midst of a very materialistic society. Jane Austen uses the setting to dramatize the restraints women had to endure in society. As the novel develops, we see how women have to act in a way according to their gender, social class, and family lineage. Elizabeth Bennet’s sisters represent the proper societal lady while Lizzy is the rebel. Through her characters Austen shows how a women’s happiness came second to the comfort of wealth. As the plot develops, events are laid out to illustrate how true love is unattainable when women marry for intentions of wealth. Women have very specific and limited roles in a society where men are the superior. In Pride and Prejudice, Jane Austen
“Pride and Prejudice”, a novel written by Jane Austen represents eighteenth century English women as illogical, domestic individuals who economically depend on male members in their household. Major decisions in their life are decided by their fathers and brothers. They perform subordinate roles, and are considered inferior to men. This novel reinforces the sexist stereotypes of women.The female characters in the novel possess these virtues in varying degrees depending on their role. Marriage is considered essential to secure a woman’s future ,they are expected to behave in a certain manner to earn the respect of the society, and are treated unfairly by the social and justice
Austen’s novels have always been lauded for their social commentary and critique. The most common issue they depict is the dependency of women in society upon men, specifically their reliance on marriage as a source of income. The characters of Marianne and Elinor in Sense and Sensibility are two such characters, who due to their estate and income being inherited by their stepbrother, are left to their own devices of securing a favorable marriage. The two sisters, so different in character, mirror the contrast of the depictions of interiors and nature in the novel. The free-spirited
Jane Austen’s novel is commanded by women; Pride and Prejudice explores the expectations of women in a society that is set at the turn of the 19th century. Throughout the plot, Austen’s female characters are all influenced by their peers, pressures from their family, and their own desires. The social struggle of men and women is seen throughout the novel. Characters, like Elizabeth, are examples of females not acting as proper as women were supposed to, while other women like Mrs. Bennett allow themselves to be controlled by men and society. Mr. Collins is a representation of the struggles males deal with in a novel dominated by women. The theme of marriage is prominent during Jane Austen’s Pride and Prejudice. Marriage can be examined in
In Jane Austen’s novel “Pride and Prejudice,” the author traces portrait of women’s role during the Regency period: they were expected to get married, to be accomplished and to self-scarify.
Pride and Prejudice, a Jane Austen novel, is one of the most classical pieces of literature in history. It has been evaluated and critiqued a countless number of times, and has been adapted into several films. It can be argued that there is a lot to be retained by readers from this literary work, an important message that can be passed down from generation to generation. During Jane Austen’s time, in the early 1800’s, women were around to be married off, bear children, and cater to their man. Men were meant to work and instruct their women, and the more money you had, the more respected you were. A woman’s goal in life was to marry
The analysis will cover three aspects. First of all, in her book, Jane Austen expresses the view that both genders possess equal creative and intellectual qualities, and thus women are born to be equal to men. Second, she expresses her skepticism towards the degree of rationality and justice of the common social norms about female behavior. The third aspect is that Austen also insists that women should act for themselves in a rational way rather than merely trying to impress or to please the other sex.
This article analyzes the way Austen portrays women in her novels. Kruger mentions that Jane Austen’s work is often deprived by the
Men and women during the nineteenth century were thought to have completely different natural behaviors with men featuring characteristics ideal for the public world while women were suited for a private world. Women were generalized as being weak, emotional subordinates that were in all respects dependent on men (Radek). It’s important to recognize that women and men were expected to demonstrate, “traits [that] are generally polar opposites,” to one another in order for a marriage to function properly (Radek). Any woman that expressed a desire to break free from these expectations was ostracized for their defiance. The main protagonist, Jane Eyre, embodies a spirit destined to defy the social expectations of her time in a multitude of ways. Not only does Jane represent the strength and wisdom that women can display, she takes action striving for her own personal happiness. Despite a powerful love affair, she refuses to ever allow her desires to become, “completely controlled by the men,” in her life as society informed her to, but rather pursues what she believes will be the most beneficial for her own journey (Smith). A woman with the audacity to make decisions with this mindset is unheard of during this time which emphasizes the complexity of Jane as a character. Bronte utilizes this evolving character to contest the common stereotypes that modified the perception of women and created a society that provoked limitations upon