The Cask Of Amontillado Analysis

People have been debating over this topic for a long time. There are two good sides with reasons if the United States should have joined the World War II. In my opinion, the United States should have joined the World War II because the United States was being invaded by the Nazi because they were mad at America. The Nazi were also trying to rule all of Germany and we couldn't let that go and let them win right after they bombed the United States. This is why we should of joined World War II.

In “The Cask of Amontillado”, Montresor is not the only character who displays an overwhelming and ultimately detrimental sense of pride. Fortunato is also a very prideful man who is willing to go to great lengths to maintain his honor and reputation. For him, it is his reputation as a fine wine expert that he must defend. Fortunato’s pride overrides his common sense and is the driving force of the deadly decisions he makes throughout the story. Montresor claims to possess a bottle of the expensive and highly regarded Amontillado wine. He tells Fortunato that he has called an expert, Luchresi, to inspect the wine. Fortunato forces Montresor to take him to the vaults because he is certain that “‘[Montresor has] been imposed upon. And as for Luchresi, he cannot

The Cask of Amontillado is the story of and envious man by the name of Montresor who has devised a plan to kill one of his long term friends Fortunato. Montresor devised this plan in the beginning of the story after Fortunato had pulled one joke to many while at a party surrounded by many of their close friends. Montresor while at the party remained calm however while still laughing and cheering with Fortunato he started to develop his plot to get his revenge on Fortunato. In the story Montresor while plotting his crime says, “I had to keep my true feelings to myself for not only must I punish but punish with impunity” (Poe). While Montresor plans the murder of Fortunato, Fortunato is simply enjoying life and his wealth. During carnival Montresor sees a drunk Fortunato and ceases his opportunity. A drunk Fortunato walks over to Montresor and gives him a friendly greeting. Montresor sees this as an opportunity to take Fortunato away from the festivities by using both his weakness for wine and his pride against him. Montresor does this by tricking Fortunato into thinking that he had recently brought a cask of Amontillado and he needed Luchesi to distinguish if it was actually Amontillado. Fortunato, who feels that he is the best wine tester in all of Italy quickly replies, “Luchesi cannot tell Amontillado from Sherry” (Poe) . Montresor knowing the pride and arrogance of Fortunato then says, “"And yet some fools will have it that his taste is a match for your own." (Poe) . That

Within Edgar Allen Poe’s work “The Cask of Amontillado” a man essentially murders his friend over jokes that were more or less aimed towards him. We as readers were never completely told what Fortunato did to warrant his untimely death, but we do know whoever the narrator was retelling this ‘account’ to, they steadily become aware that what Montresor was taking as insults most likely were fallacious and erroneous claims and most likely were small jests. From the very beginning, we know that Fortunato did not of his ‘wrongdoings’ which makes the happy jingling bells on his cap even more sorrowful and the story continuation from that point is even darker. The way the narrator tells this story is not in the least bit reliable, but his style

Allusions to well known characters are often found in artistic expression to describe universal traits. These implicit references, often Biblical, Shakespearean, or Greek, rely on the viewers’ previous knowledge to understand the main theme of a piece. Allusions are able to convey underlying messages in a more relatable manner because of shared classical ideas. One popular Biblical reference, that of Judas, one of the original twelve apostles of Jesus, signifies betrayal and greed in a friend. Whether 700 years ago or 70 years ago, this allusion can be seen in both literature and art alike in the role of a traitor to the protagonist.

The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled — but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.

Hop-Frog strategizes his plan of letting the king and his ministers to play “ourang-outangs” with the purpose of degrading the supremacy trait of the king and the ministers. In the beginning of the story, the king and his ministers demean Hop-Frog deformities, as well as physically humiliate him and Trippetta. The ultimate scheme that Poe desires to express is if the king and the ministers have the right to humiliate Hop-Frog, then Hop-Frog has the right to exact revenge by doing the same thing. Hop-Frog represents an audacious individual that would disregard blockades in order to resist the destabilized authoritative system.

In “The Cask of Amontillado”, Montresor is guilty of the cold-blooded murder of Fortunato and should go to jail for his crime. Montresor speaks of the “thousand injuries” Fortunato caused him and, more recently, the “insult” that Montresor cannot forgive. Vowing to seek retribution, Montresor comments on the importance of ensuring his own innocence throughout the process of revenge. He goes out of his way to be friendly to Fortunato. Other evidence that supports the crime as being preconceived includes Montresor preying on Fortunato’s weakness, his love of wine and his conceited nature. He praises Fortunato on his knowledge of wine and taunts him with the full barrel that he just purchased asking him for his expert opinion. In preparation

In Poe’s story, The Cask of Amontillado, Montresor is plotting to get his revenge on Fortunato. There is no exact reason why he wants his revenge, other than he states he has been insulted and he would not let this get away without Fortunato being punished for his wrongdoing (par. 1). He thoroughly thought his scheme well through because a good plan takes time to sketch out, and it also has goals that need to be achieved by the end of it. He decided that in order to have a successful revenge he would have to punish Fortunato and get away with it, he would have to make sure he would not turn back from his revenge, and Fortunato has to know who is doing the punishing. Therefore, Montresor seeks to find Fortunato’s weakness, which is wine, and confront him about a type of wine that he

Vengeance and murder infects the minds of Montresor and Fortunato upon an exchange of insult in Edgar Allan Poe’s "The Cask of Amontillado”. This is the story of pure revenge after Forturano disrespects Montresor. The story follows the characters meeting up at a carnival and eventually the disguised Montresor lures Fortunato into the catacombs of his home by convincing him that he acquired something that could pass for Amontillado, a light Spanish sherry. Fortunato grows eager to taste this wine and to determine for Montresor whether or not it is truly Amontillado. He leads him back to the catacombs of his home and carries out his plot to bury him alive. Edgar Allan Poe writes from a mysterious first person perspective, uses colorful symbolism and situational irony to present the man's inner self, in turn revealing that revenge is fundamentally infeasible.

Poe also specifies similarities between Montresor and Fortunato. For instance, to take revenge from Fortunato, Montresor is using Amontillado. Because Amontillado is Fortunato’s strength and he thinks himself to be a wine expertise. “He pride himself upon his connoisseurship in wine” (Poe 116). Curiously, Montresor sees Fortunato’s pride as a shortcoming (he sees his own as a quality), and like the cunning men he is, Montresor praise upon this point, making a nonexistent container of Amontillado that he knows Fortunato effectively taste. To guarantee that, Montresor goes even above and beyond and pokes Fortunato’s pride by saying that he wants to have Luchresi taste the wine on the grounds that “if anyone has a critical turn, it is he” (Poe 116). Fortunato pride can’t acknowledge that anybody is preferable at wine sampling over he is, so Fortunato affronts both Montresor and Luchresi by saying that “you have been imposed upon; and as for Luchresi, he cannot distinguish Sherry from Amontillado “(Poe 116). So awesome is Fortunato’s pride that he does not see the impact of his abuse have upon Montresor; he trust that he can state and do anything as a result of his prevalent aptitudes. As a result, his pride makes him fall into Montresor’s trap. Fortunato and Montresor had same skills in identifying Italian vintages. Montresor says that “I did not differ from him materially;-I was skillful in Italian vintages myself, and I can bought largely

The Cask of Amontillado is an 1846 short story by Edgar Allan Poe, which gives an account of Montresor, a man who executes a plan of vengeance against his friend, whom he claims insulted him. As the narrator in the story, Montresor provides a vivid image of his plan to lure Fortunato to his death, which ends in the eventual live burial of Fortunato. The theme of revenge is the most prominent element of this story, which enables the reader follow the narrator’s character, thus gaining a comprehensive understanding of the story. Similarly, the development of William Shakespeare’s play, Hamlet, is founded on the theme of revenge. From the onset of the play, the ghost of Hamlet’s father appears to him and asks that he carries

Edgar Allan Poe’s The Cask of Amontillado is thought to be one of his most popular vengeful short novels. The two main characters, Montresor and Fortunato are re-acquainted friends who meet each other at The Carnival. Montresor has intentionally planned to lure Fortunato to his own death by deceiving him to believe that Fortunato is coming to Montresor's family catacombs to taste a fine wine “Amontillado”. After Montresor leads Fortunato into the crypts, Montresor eventually chains Fortunato up in a secluded section and mortars him behind a brick wall while he is still alive. The story ends with Montresor throwing a flaming torch into the small opening while he continues to put the last brick in place, essentially burning Fortunato alive. Edgar Allan Poe creates conflict between characters Montresor and Fortunato which primarily creates the major theme of revenge in this story. Edgar Allan Poe depicts setting in this novel by portraying death by illustrating human bones, within a cold and damp crypt to contribute to the eerie theme of revenge. Montresor's characterization is expressed through the betrayal of his friend, which adds another element to the theme of revenge in this story. In Edgar Allan Poe’s The Cask of Amontillado, Edgar Allan Poe utilizes conflict, setting, and characterization to create a theme of revenge.

Revenge can bring out many people’s inner evil. In Edgar Allan Poe’s “Cask of Amontillado”, the main character, Montresor carefully plans revenge against Fortunato. Montresor is a man who vows vengeance against a professional wine taster named Fortunato. The wine taster insults Montresor, and he had enough of it. The insult sets him off and he plans a deadly and successful revenge. Throughout the story, Montresor attentively plans his revenge against Fortunato just like an expert.

In the story, “The Cask of Amontillado” by Edgar Allen Poe, Montresor seeks revenge on Fortunato because he made fun of his family name. For years Montresor claims that Fortunato had, “hurt him”, so Montresor gets Fortunato drunk and tricks him into going to his house. When Fortunato arrives, they both go into Montresor’s basement and Montresor locks Fortunato up in addition to leaving him there to die. Montresor commits a crime by killing Fortunato in his own basement. Some people may argue that Montresor was a madman who only wanted to kill Fortunato because he made fun of Montresor’s family name; nevertheless, it is easy to see why one would believe that Montresor wasn’t a madman and that he had more motives rather than just that one reason to have killed Fortunato. What motivated Montresor to seek revenge on Fortunato was that he had made fun of Montresor’s Family name, had a drinking problem which causes him to lash out and say mean things to Montresor, and because Fortunato thought he knew more about fine wines than Montresor did. Theses motivations were also Fortunato’s weaknesses.