Summary Of The Mask Of Sanity By Bram Stoker

The setting of Bram Stoker’s Dracula is in the late nineteenth-century London, where the flourishing of technology is replacing people’s belief of the old superstitious ways. The characters in this novel experience contacts with the supernatural beings that is unable to be proven even by the most advanced technology at the time, which leads them to doubt their own sanity. However, the progression of the novel proves that peace is restored into the characters’ lives after their doubts and confusions about what is reality and who is really mad. Ultimately, the categorization of the sane against the mad is unnecessary since the distinguishing factors shown in the novel are ambiguous. Subsequently, no characters can

Are there still connections between Bram Stokers famous novel Dracula and modern day society? In Dracula, Stoker expands on many themes that indeed exist today. Not only does he touch on the most obvious theme, sex. He expands on gender division and good versus evil. Some say since times have changed the themes I introduced have changed as well, leaving connections between then and now irrelevant. However, I feel that although times have changed they still have roots from the time of the novel to now. In this essay I will expand on the themes of this novel while connecting them to modern day society, the critical texts I have chosen and will mention later on in the essay are a good representation of the commonalities between the chill, dark Victorian days in which the era that Dracula was written in and modern day.

In addition to his actions, much has previously been made of Dracula's physical appearance. However, as Stevenson so aptly puts it, Dracula's physical appearance is only "a convenient metaphor to describe the undeniable human tendency to separate 'us' from 'them' " (140).

    Perhaps no work of literature has ever been composed without being a product of its era, mainly because the human being responsible for writing it develops their worldview within a particular era.  Thus, with Bram Stoker's Dracula, though we have a vampire myth novel filled with terror, horror, and evil, the story is a thinly veiled disguise of the repressed sexual mores of the Victorian era.  If we look to critical interpretation and commentary to win support for such a thesis, we find it aplenty "For erotic Dracula certainly is.  'Quasi-pornography' one critic labels it.  Another describes it as a 'kind of incestuous, necrophilious, oral-anal-sadistic all-in-wrestling matching'.  A

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

Bram Stoker creates a well written novel that engages the reader. He designs this novel to contain several techniques which bring character and originality to his writing. Bram Stoker refers to an abnormal character appearance in his work to convey his messages in a mysterious manner to the readers. Meanwhile, Stoker properly establishes the mythology of vampires to help readers appreciate, interpret and analyze the elements of vampirism more efficiently. Stoker writes his novel in such away that he can tie in present day, along with old-fashion victorian society. In his writing, Dracula, Stoker engages the reader in a mysterious story (Stoker). Stoker presents this by incorporating a shadowy appearance of Dracula, mythology and folklore of vampires, associating different era Victorian society, along with fostering growth in supernatural genre.

In contrast, there is a fear of becoming the “Other.” In Bram Stoker’s Dracula, the charismatic figure seems benevolent; however, his deceiving appearance turns out to be a creature that corrupts mankind – his attractiveness acts as a lure to display vice in people. Dracula targets virgins to become his lamias – so that innocent women

Bram Stoker 's Dracula is a staple of the Gothic Horror genre. It is a novel that has been scrutinized by countless readers since it was published in 1897. While Stoker 's novel is certainly not the first example of a piece of gothic horror, or even the first example of a gothic horror story focusing categorically on vampires, it still managed to plenarily capture the attention of the public. But not only did Dracula enthrall the readers of its time, but it perpetuated to be a mainstay of the gothic horror genre, and was continually discussed over the following years. The myriad of ways this novel has been interpreted over the years verbalizes both to the depth of the novel and its themes as well as to the fascination that the public has

Bram Stoker’s Dracula does not follow the norm of the nineteenth century novels, that is, it is not written in a straightforward narrative but instead comprises of a collection of letters, journal entries and diary scrawls. Apart from that, it also includes a ship's log, numberless clippings from newspaper and also, a "phonograph diary.” This form of writing invariably helps in developing the “mystery” aspect of this horror novel since it either gives us no information about a particular thing or gives us information from various points of view so that it is impossible for the readers to come to one conclusion and they keep playing with different possibilities in their minds.

Stoker uses the figure of the vampire as thin-veiled shorthand for many of the fears that haunted the Victorian fin de si?cle. Throughout the novel, scientific rationality is set against folklore and superstition; old Europe is set against modern London; and traditional notions of civilized restraint and duty are threatened at every turn by the spread of corruption and wanton depravity.? (Dracula: The Victorian Vampire) In this story, Jonathan Harker, a lawyer in London, was hired to find and purchase land in England for Count Dracula. As he travels to the Count?s Transylvanian castle, he is attacked by wolves, and it dawns on him shortly after arrival, that he is a prisoner of Dracula. It turns out Count Dracula is a vampire who?s survival depends

They’re distinctive traits include living a parasitic lifestyle, lack of responsibility for their actions, glibness, and a lack of realistic long term goals (“Psychopathic”). They do not learn from their experiences and cannot form meaningful relationships. They continuously engage in antisocial behavior, punishment does not have an affect on their behavior, and they are emotionally immature (Hare, Psychopathy 9). They find it hard to control their impulses and commonly hold many short-term relationships, often engaging in promiscuous sexual behavior. (“Psychopathic”). Frequently, they fail to plan ahead, have a low frustration acceptance, and have no problem lying blatantly to someone’s face. Psychopaths don’t feel remorseful if they mistreat or hurt someone, in fact, the person’s safety, as well as their own, is disregarded in order for the psychopath to get what they want (Hare, “Psychopath vs. Antisocial”). An easy way to describe a psychopath is a human who lives a predatory lifestyle (“Psychopathic”).

a person with a psychopathic personality, which manifests as amoral and antisocial behavior, lack of ability to love or establish meaningful personal relationships, extreme egocentricity, failure to learn from experience, etc. (dictionary.com)

Dracula is of mixed racial heritage and blood “in the whirlpool of European races,” a concept which would have been fearful to the novel’s white, upper-class English audience. This widespread xenophobia, a fear and hatred of foreigners, was a reaction by Victorian England to the perceived threat of outsiders to white genetic purity. Dracula’s real threat is not in the physical destruction of Western Europe, but in the assimilation, reproduction, and infestation caused by the literal and figurative mixing of his barbarian animal blood with that of the “superior” English race. The concept of eugenics, the “qualitative and quantitative improvement of the human genome” (Galton 99), gained widespread popularity during Stoker’s lifetime and became a prevalent theme in the works of many authors aiming to make a social commentary or criticism on the invasion of England by foreign peoples. Adolph Hitler would later adopt eugenic ideals in the intended creation of a “master race,” one which victimized many of the same groups and relied upon almost identical anti-Semitic imagery as the earlier Victorian proponents (Hauner 15).

The story of Dracula is well documented and has stood the test of time since it’s Victorian age creation. More times than not, literature writings are a reflection of the era from which they are produced. In the case of Dracula, Vampire literature expresses the fears of a society. Which leads me to the topic I chose to review: sexuality. The Victorian Era was viewed as a period diluted in intense sexual repression and I believe that Dracula effectively exploited this as the fear of sexuality was commonplace in the society. In this paper I will examine Bram Stoker’s Dracula and highlight his use of sexuality. I will analysis the female sexuality that is prevalent throughout the book, the complexities are at work within the text, and the

Bram Stoker’s ingenious piece of work on writing Dracula has set the expectation for gothic novels all over the world and time to come. The mindset of writing Dracula through the Victorian Era really sets the tone for the reader by creating a spine-tingling sensation right through the novel. With this in mind, Stoker wouldn’t have been able to succeed his masterpiece without the effective uses of symbolism, imagery, foreshadowing, and its overall theme.