Patrice Tseh
E1o1
Professor Jones
10/11/2017
Journal Entry #2
David Sedaris’s “Remembering My Childhood on the Continent of
Africa” Journal Response In the comparison and contrast essay, “Remembering My Childhood on the Continent of Africa,” by David Sedaris, the author talks about the jealousy he feels towards the excitement present in his friend Hugh’s life. David Sedaris explores the contrast in the dullness of his own childhood with the adventurous lifestyle of his friend’s childhood. Using descriptions, personal experiences of his friend and himself, and language, Sedaris explains why he takes satisfaction in passing his friend’s stories as though they were his own since the stories were more interesting. The field trips, environment, and activities all contribute in the development of the difference in lifestyle between them. The subject of Sedaris’s comparison and contrast in this essay is to show the aspects of both Hugh and the author’s childhood, that would cause the author to feel proud using his friend’s stories as his own. For instance, the author states that, “When I was young I went to the theater at the nearby shopping center and watched a movie about a talking Volkswagen… Like me, Hugh saw the movie by himself on a weekend afternoon. Unlike me, he left the theater two hours later, to find a dead man hanging from a telephone pole at the far end of the unpaved parking lot” (Sedaris 182). The quote above indicates that the author is being naïve and childish. No boy or child who is as young as he was should feel pleasure in seeing a dead person. The thesis of this essay is as follows, “Certain events are parallel, but compared with Hugh’s, my childhood was unspeakably dull. When I was seven years old, my family moved to North Carolina. We had a collie and a house cat. When he was seven years old, Hugh’s family moved to the Congo. They had a monkey and two horses named Charlie and Satan. I threw stones at stop signs. Hugh threw stones at crocodiles” (Sedaris 181). This clearly informs the reader that the author is envious of Hugh’s childhood since his was extremely boring. Additionally, the thesis is stated and not implied because the author openly asserts that, “When I’m told such stories,
For some, coming of age is a time of obstacles and success in a young youth's life. It involves a number of trials that is needed to overcome to become mature. Although, obstacles are not the only features that a young adolescents will encounter. The journey will happen beginning with successes and triumphs that will come to the shaping of who they are to become. One can simply presume that the occurrence taking place in the world would have a strong impact on how an adolescent comes of age. The tale Old Chief Mshlanga focuses on the main character, the protagonist known as “she” or little Nkosikaas her encounter with an African chieftain that causes her to see the differences between her people and the natives of the land they reside. The author, Doris Lessing, uses the protagonist to show radically changing attitudes towards the Old Chief Mshlanga.
David Sedaris is a popular comedic autobiographer who delivers intelligent and slightly embellished satirical content inspired from his memoirs and personal experiences. Sedaris’s short story “Giant Dreams, Midget Abilities”, is a magnificent mastery of his humorous writing style. The story is about David’s experience of him and his sisters being forced to take music lessons because of their father’s maniacal obsession to start a family jazz band. David eventually finds himself taking guitar lessons with the unique individual, Mr. Mancini, a midget. David and his teacher have a unique dialogue and references towards his guitar, which makes David feel like an outsider and uncomfortable, keeping secret “screwball” thoughts to himself. His guitar teacher’s disdain for him coupled with lack passion and interest ended his brief uninterested flings with the guitar regardless of how his father felt. People will honor an individual’s interest if the person means that much to them, however, there is always an end to the humor if the interest is not reciprocated. Sometimes an obliged imposition can create situations that make the imposed feel like an outsider in their own way. Personal interest and identity may not be the standard or acceptable in the positions they were forced into therefore, as a response, a superficial persona is created to camouflage true feelings. If the passion for a subject is nonexistent to someone,
People of the early African kingdoms were able to create successful trade routes with Europe and Asia, become very wealthy from conquering and gaining land, and were able to have a strong central government. All of this was done before the Europeans had reached Africa. Trade flourished on the East African coast, especially when trading was established with India and Arabia. African kingdoms were prosperous, because of their success with not only trading but also with their ability to conquer land. A governmental structure is key to allowing any kingdom to thrive, and the African people were able to achieve this.
Focusing on micro examples in order to explain a macro concept is the basis of what Donald Wright wanted to do with his book “The World and a Very Small Place in Africa”. In this text, Wright explores the concept of globalization in the small country of Niumi, a country in West Africa with the Gambia river flowing through it’s land. With it’s position in Northern West Africa, Niumi was a major part in the expansion of Europeans for a great part of world history. This expansion impacted the civilization of Niumi during the European Colonial era, and after the colonial era. Globalization, a major theme in our lectures, was a controlling theme and major concept Mr. Wright discusses throughout this book. His micro connection with Niumi & globalization can apply to other
To show first hand to the whites the inequality’s and hardships that the blacks face, the entire first section is in a narrative and a descriptive format. The use of these types of essays lets the readers feel more involved in the story and feel things for themselves. Split into two sections within itself, this first paragraph juxtaposes two stories — one about a “young Negro boy” living in Harlem, and the other about a “young Negro girl” living in Birmingham. The parallelism in the sentence structures of introducing the children likens them even more — despite the differences between them — whether it be their far away location, or their differing, yet still awful, situations. Since this section is focused more towards his white audience, King goes into a description of what it was like living as an African American in those times— a situation the black audience knew all too well. His intense word choice of describing the boy’s house as “vermin-infested” provokes a very negative reaction due to the bad
Most times, anything abnormal or odd tend to be pushed under the rug. Edgar Allan Poe subtly brings attention to topics the are typically ignored. E. A. Poe had far from a perfect childhood. His father left when he was young and his mother died when he was three. Poe also seemed to have a lonely childhood after his parents were gone. He was separated from his relatives and didn’t appear to have many friends. He attended the army and after went into West Point. His academics there were well but he was eventually kicked out because of poor handlings of his duties. Before Poe died, he struggled with depression and a drinking problem. Some believe Poe’s tragic lifetime was the inspiration for some of his stories. Such as, “The Fall of the House of Usher”. A possible theory about this story is that Roderick and the Narrator were one in the same. This essay will discuss the possibility of them being the same through plot, characterization, and personification.
Mr. Mdeouze influenced Jose to write that incredible story. He told him enough stories to open up his imagination and produce a beautiful paper. Mr. M taught Jose the power of language. For extra credit for this class, I listened to an interesting lecture about African Storytelling. This is what Mr. M reminded me of. Traditional storytelling is usually told by adults and spoken to children about life, rewards, and consequences. The fables are usually metaphorical stories that have to do with lessons children will learn in their daily lives. While Jose listened to Mr. M’s
Question one is what is the African diaspora? (Who should be considered in the African diaspora? How is this like the black Atlantic and how is it different?). Students should use the Colin Palmer piece to answer this question.
World famous poet, Edgar Allan Poe, once wrote in one of his poems, “From childhood’s hour I have not been. As others were, I have not seen. As others saw, I could not awaken. My heart to joy at the same tone. And all I loved, I loved alone.” In those lines, Poe demonstrates his love for being alone because his childhood was full of isolation, meaning that the writer grew used to the feeling. Since boyhood throughout his adult life, Edgar Allan Poe endured through a series of unfortunate events. From his parents dying, his animosity with his foster father, his consecutive poverty, to facing rejection from the public, the man’s life was as ominous as his fiction. This essay will discuss the reason behind the writing of one of Edgar Allan
In simple terms, the Diaspora as a concept, describes groups of people who currently live or reside outside the original homelands. We will approach the Diaspora from the lenses of migration; that the migration of people through out of the African continent has different points of origin, different patterns and results in different identity formations. Yet, all of these patterns of dispersion and germination/ assimilation represent formations of the Diaspora. My paper will focus on the complexities of the question of whether or not Africans in the Diaspora should return to Africa. This will be focused through the lenses of the different phases in the Diaspora.
The stories incorporated in the book, Hot Days Long Nights, which also comprises the two stories to be studied, relate different scenarios and pictures of the African continent. They are compact and precise, giving the readers an insight to the customary laws and traditions of its people. Some of them depict the painful collective memory of wars, while the others narrate the story of an individual or the encounter between different people, even on the level of the colonized and the colonizer. At the same time, every story is pervaded with a sense of pain and longing, a justification of Chinua Achebe’s assertion in
This story also shows evidence of a young boy trying to find his way throughout life with the skin he was in. Society, at that time, made it extremely difficult for Sedaris to be himself and to feel comfortable expressing his sexuality. Homosexuality was not accepted by any means during the time of Sedaris' youth, which made it difficult for him to express himself as a normal
Living in constant fear with his family and siblings in South Africa since young, he has grown comfortable in his own setting and his house without education. Mathabane’s parents hide from the police if they do not have their pass book and is force to do labor work for months. Without food supply, he and siblings suffers without food and plays in the yard each day, occasionally finding food with their mother. “Each day we spent without food drove us closer and closer to starvation” (Mathabane, 37). He lives in the neighborhood with rascal boys that have a bad influence on him. “Since staying at home meant hunger and chores, I began attaching myself to gangs of five-, six- and seven-year-old neighborhood boys who daily roamed the filthy streets of Alexandra in search of food and adventure” (Mathabane, 53). His mother realizes that he needs schooling so that he does not choose the same lifestyle of his parent. “I want you to go to school, because I believe that an education is the key you need to open up a new world and a new life for yourself, a world and life different from that of either your father’s or mine” (Mathabane, 133). Excelling through education will give them knowledge and know more about the world.
“African Perspectives on Colonialism” is a book written by A. Adu Boahen. This book classifies the African responses to European colonialism in the 19th century. Boahen begins with the status of Africa in the last quarter of the 19th century and follows through the first years of African independence. This book deals with a twenty year time period between 1880 and 1900. Boahen talks about when Africa was seized and occupied by the Imperial Powers of Europe. Eurocentric points of view dominated the study of this era but Boahen gives us the African perspective. There are always two sides of the story and Boehen tells us the side less talked about informing us of what he knows.
The scramble for Africa represents the most thorough and systematic process of colonialism in world history. The European colonial powers managed to conquer and control almost the entire continent of Africa in a short, twenty-five year period from about 1875 to 1900. Some of the European states involved were already well-established global powers; the others were up and coming nations that desired to emulate and compete with the dominant imperial states. Various factors allowed for and contributed to the conquering of the whole of Africa by European states. The slow, but ever-growing European presence on the perimeter and the completion for dominance between the major European states acted as the platform for the inevitable quest for