Society Vs Beauty : A Girl Like Me, The Director Of The Film

Commonly referred to as a classic by millennials, Mean Girls, directed by Mark Waters in 2004, allows an interesting critique of racism when viewed through a sociological lens. The story follows Cady Herron, a normal teenager- except for the fact that she grew up in Africa, homeschooled by her scientist parents- as she is forced to integrate into the public-school system in Illinois. Never having been in an institution like a public school, Cady quickly learns what not to do and who to hang out with. Through trial and error, Cady assimilates and becomes a ‘normal’ American teenager who is part of the ‘popular’ crowd, befriending “The Plastics”; Karen Smith, Gretchen Wieners, and their leader, Regina George. The story of Mean Girls is not as superficial as it seems. This film illustrates the perils of not only teenage life, but current life in America, and accurately depicts the struggles that minorities face. Looking at this movie through Functionalist theory, the racial aggressions present are part of a larger institution of the public school system; insinuating that the micro and macro-aggressions directed towards minorities are part of developing the future generation and teaching them to perpetuate racial inequality in America, allowing white people to remain the majority race and to reap the benefits that come with it. The complexity of the movie lies within an interesting discourse that examines the effects and functions behind the racist

The stereotypical misrepresentations of African-American women and men in popular culture have influenced societal views of Blacks for centuries. The typical stereotypes about Black women range from the smiling, a sexual and often obese Mammy to the promiscuous Jezebel who lures men with her sexual charms. However, the loud, smart mouthed, neck-rolling Black welfare mother is the popular image on reality television. These images portrayed in media and popular culture create powerful ideology about race and gender, which affects daily experiences of Black women in America. With few healthy relationships portrayed in the media, Black women are left to make decisions based on the options

As stated above, African-American women have been subjected to measure themselves against white women. White women are viewed, in this society and since the beginning of the concept of race, as the epitome of beauty. Logically, African-American women attempt to emulate the white standard. This creates an inferiority complex, because the epitome of beauty is white woman, than any other race can be deemed as inferior; this deteriorates African-American women’s self-worth. To remedy worthlessness, many body modification techniques have been made to fully mimic white women in terms of beauty. This emulation still is being done and it is continuous, because of the psychological ‘white fantasization .

When a black woman lowers her life standard, she invites outsiders to pose judgement on the entire group. These unethical behaviors of black women is capitalized off of by mainstream media. Shows such as VH1’s Love and Hip Hop keeps the negative stereotypes of a black woman alive. The black woman who rises above all adversity gains value and respect amongst the

The stereotypical misrepresentations of African-American women and men in popular culture have influenced societal views of Blacks for centuries. The typical stereotypes about Black women range from the smiling, asexual and often obese Mammy to the promiscuous Jezebel who lures men with her sexual charms. However, the loud, smart mouthed, neck-rolling Black welfare mother is the popular image on reality television. The typical stereotype about Black men is the violent, misogynistic thug, and the ever-enduring pimp. These images portrayed in media and popular culture createpowerful ideology about race and gender, which affects daily experiences of Black women in America. With few healthy relationships portrayed in the media, Black women

The way entertainment in the media portrays us has greatly affected how others identify us. Movies and shows like; Madea’s family Reunion, Bringing down the House, Love and Hip Hop, and Basketball Wives all portray us in a degrading way. People sometimes find it comical of course, but the fact that it is comical does not justify it being debasing. This image of us has evolved from things in the media, and its’ power to shape people’s idea of us. We as a race must stop living up to our stereotypes. As soon as we take action in not succumbing to our own stereotype, people will not think we are “Ghetto” or any other undignified term they think of us; therefore in the media we won’t be perceived in that way. As Colin Powell once said, “Fit no stereotypes. Don't chase the latest management fads. The situation dictates which approach best accomplishes the team's mission.” Although African American stereotyping is prevalent in the media now because of its’ entertaining quality; it perpetuates a cycle of harmful stereotypes. As long as this cycle continues, our culture will always be illustrated negatively.

When you look at the amount of African American stars on television, it is easy to tell that stereotypes of African Americans are being portrayed negatively. Since the 1960s, black television has thrived in many different ways. From “Different Matters” to “Insecure”, African Americans have tried to get rid of this stigma. African Americans are constantly shown as. However, with the increase of representation comes an increase in misrepresentation. The amount of discrimination has risen exponentially in the United States. This is due to the increased hatred and miscommunication of black struggle and black problems in the world, causing an inhumane belief and standard of regular African Americans in the world.

What does it mean to you to be a black girl? If you aren’t one, what do you see when you visualize a black girl? If your imagination limits you to just an afro-centric featured, loud and slang-loving, uneducated woman, then this piece is addressed to you. The persistence of the stereotypes concerning average black girls have chained us all to the earlier listed attributes. One side effect of this dangerous connection is the wide opening for a new form of discrimination it creates. Whether it is depicted through slave owners allocating the preferable duties to lighter-skinned black woman, or in modern times where a dislike in rap music categorizes you as not really black, segregation within black communities occur. Tracing all the way back to elementary school, my education on the subject of racial segregation has been constricted to just the injustices routed by dissimilarities between racial groups. What failed to be discussed was the intragroup discrimination occurring in the black society from both outside observers and inside members. Unfortunately, our differences in the level of education, in physical appearance, and in our social factors such as our behaviour, personality or what we believe in have been pitted against each other to deny the variety of unique identities that we as black individuals carry.

The 1991 movie My Girl tells the story of 11-year-old Vada Sultenfuss who, having lost her mother at birth , lives with her dementia-ridden grandmother and her job-oriented father in the funeral parlour that he owns and operates. The story follows Vada, an extreme hypochondriac who has many strange misconceptions about death, through a variety of life-changing experiences, including the engagement of her father and the devastating loss of her best friend, Thomas Jay. Through these experiences, the audience witnesses Vada’s social, emotional, and intellectual growth, as well as her changing views of death.

“Oh my gosh! you’re so pretty for a black girl.” “You’re black so I know you can twerk.” In society these phrases may be considered as compliments for black women even though they are not. However, people only know what the media portrays black women to be. It emphasizes them as ghetto, loud, angry, and ignorant. Black women are more than the negative stigma that the media portrays. In our society, the media reinforces the plague of African American women by stereotypes and falsities originating from slavery. For young African American women, the majority of media portrayal, especially in music and film, is of a bulumpcious, sexually hyperactive golddigger. This negative image of a black women is damaging to the black community by implying

As I sit here and think about what it is to be Black in America. I realize how there are so many factors that affect African American people daily. One of the most damaging forces tearing at young black people in America today is the popular culture's image of what an "authentic" black person is supposed to look like and how that person is supposed to act. People assume all black males where raised in a single parent home. People assume that if you are a black male, that you sale drugs or you are really great in some type of sport. If you are a black female, they assume you will have kids by different men, referred to as “baby daddy” or they may not even know who the fathers of their children are. This same society expects African

Throughout many decades, African American women have been able to set their own standards of beauty. Lonnae Parker, a writer for The Washington Post, states in her article Black women heavier and happier with their bodies than white women, poll finds, that “Freed from that high-powered media gaze, generations of black women have fashioned their own definitions of beauty with major assists from literature, music, and help from their friends” (Parker, 2012). The importance of this quote is that they were getting help from their culture, the music and literature is essentially the culture that helped them to define their own standards of beauty. By being isolated

She argues that black female spectators neither wish to identify with a white woman subject objectified by the “male gaze” nor identify with a black male perpetrator of this “male gaze”. hooks asserts that black men, unconcerned with gender, were able to “repudiate the reproduction of racism in cinema…even as they could feel as though they were rebelling against white supremacy by daring to look”, specifically at white women (118). By being allowed to look at white women, black male spectators were able to ignore inherent racism in cinema in order to participate in a form of the “male gaze”, hooks states. Because black female spectators were unwilling or unable to ignore both the racism and sexism of this “gaze”, hooks states that “black female spectators construct a theory of looking relations where cinematic visual delight is the pleasure of interrogation” (126). While black female viewers may not take pleasure in the film narrative, hooks argues that through the “oppositional gaze” they are able to take pleasure in resisting this narrative

Gates highlights that For colored girls is a film that makes a strong message of empowerment to the humanity of women. No matter how bad things could get in life and no matter how many times you’ve been brought down, always know you are strong enough to get back up and not let darkness conquer your life. This essay will explore how a person can overcome any kind of tragedy, hardship or struggle whether or not they are affected emotionally,

American Beauty, a film that was written by Allan Ball and directed by Sam Mendes in 1999 is a unique piece that demonstrates many sociological themes throughout the development of the plot. The characters strive to portray themselves as the All American Family. They live in a nice house, drive nice cars and seem perfectly normal to the general public, but the audience is allowed to view the deep set issues that plague the main characters; Lester Burnham (Kevin Spacey), Carolyn Burnham (Annette Bening), Jane Burnham (Thora Birch), and Jane's best friend Angela Hayes (Mena Suvari). As the plot develops there are many obvious parallels relating the lives of the characters to Merton's Strain