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Snyder's 300 Hyperbole

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Film is a source of entertainment for thousands of people, however it can also be seen as modern poetry. Two examples of poetry in film is Snyder’s 300 (2006) and Weir’s Gallipoli (1981),
Both films have a theme of ‘War’ one that glorifies it and the other denounces it. Despite the films being different in genre and mood, both films have strong poetic devices such as hyperbole, symbolism and repetition.

During Snyder’s 300 many forms of hyperbole were used to portray the ‘Glory of War’ which is the main theme for the film. An example of hyperbole, which is noticeable throughout the entire film, is the enhanced colouring to make the figures and scenes appear like a graphic novel. This is because the original story line was based on Frank Millar’s 300 graphic novel series. The end half of the movie used exaggerated features more often, from the ‘beast-like’ features on Persia’s fighters to Leonidas’ war cry nearing the end of the final battle. The directors have used this poetic device to create a stronger sense of emotion for the film.
Weir’s Gallipoli had less hyperbole than Snyder’s 300, however still used many of the basic aspects to make the film a form of poetry. When hyperbole was used in the film is was usually before the main character Archie started running where he was …show more content…

A symbol constantly used throughout the film was the Spartans no mercy attitude. During the films introduction Leonidas was being taught how to fight and how glorious it was to die for the protection of Sparta, when he was being taught this lesson he was shown his father’s shield, which was then passed down to him. In the final battle Leonidas dropped his shield in order to through his spear at Xerces in order to prove his statement of “Even Gods can bleed.” Throughout the entire film the ‘no mercy’ attitude of the Spartans was displayed as a sign that these warriors would be far more brutal than any other fighting

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