Sir Gawain And The Green Knight Literary Analysis Essay

Many years ago, knights were expected to form a certain type of relationship with their king, this relationship was otherwise known as fealty. Fealty is a knight’s sworn loyalty to their king (in other words a loyal relationship should be formed between the two). The use of this relationship is shown in the poem called “Sir Gawain and the Green Knight” ( the author is unknown). This poem has a classic quest type of formula, with a knight receiving a challenge and then going out on a journey to pursue that challenge, leading to a return home to report the results of his quest. This story begins at Christmas time when a knight (who is completely green) rides into King Arthur 's hall. The Green Knight proposes a game to those who are around him which is that “Any knight brave enough to strike off the Green Knight 's head may do so, but that man must accept a return stroke in approximately one year’s time”. Gawain accepts the challenge because he will not allow King Arthur to accept this. Gawain manages to then cut off the Green Knight 's head. The knight then picks up his severed head and leaves, telling Gawain to look for the Green Chapel when it is time for Gawain to fulfill the other half of the challenge that he has accepted. Near the end of the chosen year, Gawain sets out in search of the Green Chapel because he must complete the given challenge. On his journey in search of the Green knight, he finds a castle in the wilderness. The

In Sir Gawain and the Green Knight, after Gawain ventures “into a forest fastness, fearsome and wild” (Norton, 311), he prays that he will be able to find “harborage” on Christmas Eve (Norton, 312). It is the middle of winter, and Gawain has been traveling in search of the Green Knight whose head he has cut off. After he prays and signs himself three times, Gawain finds a magical castle in the midst of a winter forest. He rides to the castle and is granted permission to enter by the lord. Gawain is attended to in a fashion befitting kings, and he meets the lord who tells his identity to all in the court. There are many significant implications and foreshadowings which occur during Gawain’s

The Green Knight agrees if Gawain will come to wherever he thinks the Green Knight will be. Of course, Gawain has no clue where he would find him, so the Green Knight says that he will tell him if Gawain can hit him square on the neck. Then Sir Gawain strikes him directly on his neck, and the Green Knights head rolls off. The Green Knight proceeds to pick up his head and leave, while bleeding terribly from the neck as if he were unharmed. Before he leaves, he tells Sir Gawain to come to the Green Chapel when they agreed. So then a year passes before Gawain comes across his second trial. It occurs while Gawain stays in the castle of a hospitable lord before he is to meet again with the Green Knight. During his stay, the lord and Sir Gawain agree to "exchange what each has won during the day" (Ponsor 128). For three days the lord brings back what he has hunted, and Gawain gives him the kisses he has received from the lady of the castle. However, he also received a magical green scarf from the lady on the third day, but fails to exchange it for it is a token of good luck. When Sir Gawain finally meets with the Green Knight, he prepares to be struck with a scythe, but the Green Knight ends up only giving him a minor scratch on the neck. This is because the knight was testing his honor, and he scratched him because he did not maintain his honor on that third day. He was supposed to hand over

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

Sir Gawain and the Green Knight, a poem written in the late 1300s, represents the values and beliefs of the time;

The Green Knight declines his offer and goes on to say that he is in search of a challenge. All the king’s knights hear the challenge but no one speaks up to accept it. The Green Knight goes on and calls them all cowards and that this can’t be the place he has heard of. This begins to anger King Arthur so he gets up

The mysterious Green Knight is one figure that sticks out as morally ambiguous in the Gawain Poet passage, “Sir Gawain and the Green Knight.” In the narrative, the Green Knight challenges the knights of King Arthur’s court to a game in which they must behead him with an ax in exchange for the chance to get back at him a day and a year later. This bold and fearless challenge raises concerns about the Green Knight’s true mortality and intentions, paving the way for an in-depth investigation of moral ambiguity. The morally ambiguous character of the Green Knight is important when compared to Sir Gawain’s shown morality, which is frequently portrayed to be faithful and unwavering. The honorable knight of the Round Table, Sir Gawain, is presented as a model of chivalry, embodying the codes

Sir Gawain decide to take the challenge instead of King Arthur. When Green Knight came uninvited he was disrespectful. Green Knight came to fight King Arthur ,but got whoever took the axe and cut his head off , besides all this happened on King Arthur court. Green Knight arrived up on christmas day when everyone was enjoying the celebration.

In literature, insights into characters, places, and events are often communicated to the reader through the use of imagery within the text. Thus is the case with "Sir Gawain and the Green Knight". The Pearl Poet's use of imagery runs rampant within the work culminating to set forth the theme of mysticism and/or the supernatural. In this Medieval romance, the types of imagery used are that of the season or climate, the colors and textures of fabrics and jewelry, and that of the introduction of the Green Knight himself.

The character of the Green Knight, Sir Bertilak, wholly opposes the Christian, honorable characterization of Gawain. When Gawain comes to meet the Green Knight, he exclaims: “‘Can this be the Chapel Green?/Alack!’ ...Here might/The devil himself be seen/Saying matins at black midnight” (2185-2188). The Green Knight is a fairy, who resides in a parody of a church. His pagan figure contrasts sharply with this characterization of Gawain, who is strongly connected with his Christian faith. Gawain is also a foil to the Green Knight in that Gawain epitomizes courtly manners, whereas the Green Knight lacks courtesy. He traipses into Camelot and acts as though he cannot tell Arthur is king (224-231), and later refers to the courtiers as “beardless children” (280), showing a great lack of manners. Later, as Sir Bertilak is hosting Gawain, it seems that the Green Knight does actually possess courtesy. However, boarding Gawain is revealed to be a part of a grand scheme to shame prideful knights of the Round Table (2456-2459). The illegitimacy of his courtesy toward Gawain shows that the Green Knight lacks the honesty attributed to truly courteous knights. The Green Knight, a pagan figure that shuns the manners of the court, is inverted by the character of Gawain, who epitomizes honorable knighthood in this

As Sir Gawain presses on in his search for the Green Chapel, he faces numerous physical challenges. Yet he overcomes them all to the point that "to tell but the tenth part would tax my wits" (1719) as he has countless battles with serpents, wolves, and the like. The true challenges come after he arrives at Bercilak's castle. There, he is tempted three times by Lady Bercilak's advances--yet he does not give in to her advances, nor spurn her completely in an uncourtly manner. Further, he does not accept her gift of the ring which she offers as a remembrance. However, when she offers her green girdle, proclaiming its properties of protection:

Literature during the medieval period is where magic and the supernatural are constantly present: in otherworldly encounters such as when the knight Lanval meets the lady who becomes his love, in the strange adventures experienced by knights on quests as Sir Gawain does, and in mystical objects such as the green girdle given to Sir Gawain by Lady Bertilak. Without the magic and otherworldly circumstances that exist in these stories, none of them would have been interesting and they probably wouldn’t have survived the test of time, and would not exist today for us to read. Having an element as fantastic as the supernatural being used in poems like Marie de France’s Lanval and the anonymously written Sir Gawain and the Green Knight, can be explained in different ways, including illogical manifestations being brought to life in order to carry the plot of a story, and to illustrate lessons about medieval society through magical and supernatural elements. Examples from Lanval and Sir Gawain and the Green Knight can be used as demonstrations to support these claims of how the supernatural serves its purpose in medieval literature.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

The events of the poem begin with a feast in the court of King Arthur at New Year which the Green Knight interrupts to offer his challenge. King Arthur’s custom is to not sit down to eat until either someone has told a story about “sum aduenturus þyng”(l. 93) or if such an event actually occurs, which follows the Gawain-poet’s source of the First Continuation of Chrétien de Troyes’ Perceval . King Arthur thus symbolically invites the Green Knight into the court as providing the adventure he was waiting for, so that the Green Knight “does not disrupt the courtly ceremonial so much as complete it.” However, the Gawain-poet deviates from his source by having King Arthur accept the Green Knight’s challenge, and then Gawain interrupt the King just before he is able to do so, as opposed to the rash Caradoc who leaps forth to take up the challenge immediately. As Benson writes, by making this change from the source, Gawain “is thus no longer a free agent.” As demonstrated even by the seating in the hall , it is inevitable that Gawain should take the place of King Arthur, since for King Arthur to take the challenge is “not semly”(l. 348), and since Gawain is the second after his uncle. Gawain, introduced in the poem as “gode Gawan”(l. 109), and it is precisely on the reputation of Arthur’s knights that the