Singin In The Rain Analysis

The film “Singin’ In the Rain” is directed by Gene Kelly and Stanley Donen premiered in 1952 with the lead as Gene Kelly himself as Don Lockwood, his counter part Debbie Reynolds as Kathy Selden, and best friend Donald O’Connor as Cosmo Brown. The film portrays the studio Monumental Pictures’ performers going through the transition of silent films to “talkies.” This musical comedy has many different aspects of mise-en scene regarding blocking, how the film was shot, and costumes. In the infamous Singin’ In the Rain number, Gene Kelly’s talented theatrical performance, the blocking of the other characters walking into the scene, and simple pattern of film shots that match the non-diegetic tempo resulted in continuity editing making this whole musical number flow perfectly.

The film, Singing In The Rain, directed by Stanely Donen and Gene Kelly, uses many themes, camera angles, and overall simple techniques to engage its audience within the movie and yet still manage to symbolize plentiful acts. The movie mainly focuses on the new era of ‘talking pictures’ and how it affected Cosmo’s career and film, The Dueling Cavalier. Within the many scenes, I chose to focus upon the famous, “ Good Morning,” scene/melody.

Jukebox musicals began in film and later shifted to theatre. They had begun to make theatre more popular with the public, which had begun to gravitate towards film and music. By combining the two, they gain some of the same as well as a whole new audience. I will discuss how this came to be by speaking of the shift that occurred.

Brass fanfares are used during the film to enhance and build upon the action scenes. The choruses of strings are used to create scenes of grace within each scene. Together, these two groups of instruments create the memorability that the film is known for. The film’s themes

The modern musical I watched in comparison to Singing in the Rain was Across the Universe. Seeing how the themes and technical aspects of Across the Universe are much different than those of Singing in the Rain, I was surprised to find out that there were various similarities in multiple musical numbers between the films. The musical number from Across the Universe that I chose was “I’ve Just Seen A Face,” because it’s style reminded me of the title song from Singing in the Rain. In “I’ve Just Seen A Face,” the character Jude spots his love interest, Lucy, for the first time and instantly falls for her.

The film “Singin’ in the Rain”, was directed by Gene Kelly and Stanley Donen in 1952. The film begins at a movie premier. Cosmo Brown shows up and the fans pay no attention to him as they are all anxiously waiting for the real movie stars. Moments after his arrival Don Lockwood and Lina Lamont arrive. The crowd goes crazy and as always the two young stars are questioned about their romance off the big screen. Don Lockwood than shares a story about the beginning of his career with his buddy Brown. During this scene he shows a flashback of the past and how Lina treated him before he was given the actual lead role in the films. This creates irony because it is showing us the audience how he truly feels about Lina. Lina truly believes they are

The motion picture of Singin’ in the Rain by Stanley Donen and Gene Kelly was significant in 1952 when the footage was released into the world. In the film, it explores the idea of showing a romance between an actor and an actress, who at first thought movie production was sort of a laughingstock. Additionally, seeing some of the transitions between a silent picture to voice recording picture. Including how Hollywood assembles some of their movies in the paramount studio.

Radiohead released “Idioteque” on the album Kid A as the eigth track in the year 2000. Missy Elliot released “The Rain (Supa Dupa Fly)” as the lead single of her debut album Supa Dupa Fly in 1997. Each of these songs use samples of other works in order to assist the transfer of the artists’ ideas to the listener. The samples used for each song add to the complexity of the sounds produced.

The musical film has always held a special place for me. From my time as a drama student in high school, my eyes have been opened to the amazing world of the musical and especially the musical film. The musical film is a film genre in which the characters sing songs that are integrated into the overall story. Since musicals first began in theaters, musical films usually contain similar elements. These elements often simulate that there is a live audience watching. In a sense, the film viewers become the audience members, at a theater production, as the actor performs directly to them. Due to the popularity of musicals in the theater, the style was quickly brought over into film. In 1927, the musical film genre began

“Singin in the rain” by Jerzy Cichecki is my imagination of the final piece of the theme “Art and emotions”. Rain is normally used to demonstrate depression or horror. However, it can possibly use to demonstrate happiness by using bright colours, curved lines or the movement of the people in the rain. In this piece, Jerzy Cichecki has succeeded in using art elements to demonstrate its effect on emotions. The bold red of the dress with the possibly careful walking of the woman lighten the rain.

Furthermore, the dynamics of the music changes during moments of heightened tension; the music increases in volume and pitch. This all creates suspense within the film and, consequently, engages the audience (Dinham,

The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.

A musical film is a genre of movie where songs sung by characters are added into the storyline, occasionally complemented by choreography. The musical numbers in these films do not always develop the plot and characters, but they do give the films a more exciting quality. The primary difference between musical theatre and film musicals is the use of extravagant scenery that would be extraordinarily unreasonable for a stage performance. While making movies, the individuals involved have the luxury of being able to shoot multiple takes and have the time to move backgrounds around or change their entire location. Stage performances, on the other hand, must have scenery that can be easily and efficiently moved on and offstage when it is needed. In order to be able to thoroughly comprehend this relatively recent- in the grand scheme of things- form of entertainment, one should understand the history behind these musical films, be aware of some of the “big names” that are well-known, and recognize major titles that revolutionized musical film forever (Scaruffi, P., 2005).

The musical score helped the movie have a more dramatic feel. The movie showed the life in France before and during the French Revolution. People from different walks of life were portrayed, each of them singing their own song. The songs and music in this film were instrumental in conveying the feelings and emotions of the characters to the

Victor Hugo’s novel Les Misérables contains various forceful story lines that jolt the audience’s curiosity. With scenes filled with pain and emotion, songs were used to bring them alive in the film version. From rebellious scenes to heart breaking ones, the music that played behind each one brought life, character, and emotion to the audience. "I Dreamed a Dream," "Empty Chairs and Empty Tables," and "Bring Him Home" make the scenes in the movie more powerful; in the novel, some of these scenes lack the power and emotion compared to the movie.