Sherman Alexie's Use Of Figurative Language

(Well, most of them.)”, also contains many different language styles and rhetorical devices. Imagery is very evident in this passage. By using very descriptive adjectives in his writing, like “handsome, blue-eyed”, “impossibly pale neck”, “splattered with Day-Glo Hollywood war paint”, and “greasy popcorn, flat soda pop, fossilized licorice rope”, Alexie paints a vivid image in the mind of the reader. Any writer can describe something, but he takes it one step higher with adjectives that appeal to the senses, especially sight. This imagery adds intensity and value to the piece that otherwise would not have been there. Much like in “Indian Education”, “I Hated Tonto (Still Do)” contains repetition. In the last section of the essay, Alexie discusses cinematic Indians and how he was so different from them, which really discouraged him as a child. He explains, “A cinematic Indian is supposed to climb mountains. I am afraid of heights. A cinematic Indian is supposed to wade into streams and sing songs. I don’t know how to swim. A cinematic Indian is supposed to be a warrior. I haven’t been in a fistfight since sixth grade and she beat the crap out of me.” The repetition of the phrase, “A cinematic Indian is supposed to”, in contrast to what Alexie was like emphasizes how he would often feel that his dreams were unattainable. Overall,

In a Bill Moyer’s interview “Sherman Alexie on Living Outside Borders”, Moyer’s interviews Native American author and poet Sherman Alexie. In the Moyer’s and Company interview, Alexie shares his story about the struggles that he endured during his time on a Native American reservation located at Wellpinit, Washington. During the interview, Alexie goes in-depth about his conflicts that plagued the reservation. In an award-winning book by Sherman Alexie called “The Absolutely True Diary of a Part-Time Indian”, Alexie writes semi-autobiography that reveals his harsh life on the reservation through a fictional character named Arnold Spirit Junior. In Alexie’s semi-autobiography, Alexie shares his struggles of a poor and alcoholic family, the

Music has always been regarded as an art of high importance. The word itself originates from the Greek word mousike meaning “of the muses”, the group of nine Greek Goddesses who regulate the arts and sciences. It has often been used as a way to heal mental and emotional pain; “music speaks directly to the body through intuitive channels that are accessed at entirely different levels of consciousness from those associated with cognition” (The Music Effect.24). In Jan Johnson’s Soul Wound, Johnson discusses the historical trauma of Native Americans and the rage that is associated with it. This rage, as she later states, “is generally turned inward and expressed through depression, anxiety, substance abuse, and suicide, and manifested externally within families and communities through domestic and other forms of violence” (Johnson.226-227). In Wabanaki Blues by Melissa Tantaquidgeon Zobel we see this rage internalized and portrayed in the depression of both Mona and her mother and depicted in their family dynamic through the neglect of Mona’s mother towards Mona. Mona, as well as other characters in the book, utilize music as a form of therapy to heal the soul. The characters in Wabanaki Blues utilize music to heal in ways that parallels Bob Marley’s Redemption Song and the Rastafarian religion.

Although stories are a universal art form, they hold a more significant role in Native American culture, and literature. This occurs due to the millennia spent in isolation from the rest of the world, and having stories as the main source of entertainment. Thomas King’s statement, “stories can control our lives,” is an important notion, because it embarks on the idea of molding the diseased into more interesting versions of themselves. The statement is prevalent in many pieces of literature which fuse reality into the imagination, and cause people to lose themselves in the fictitious realm. Native literature is all closely related, and they all hold messages within their stories that show their great culture; both the good and the bad. Story

Alexie’s narrator describes a story of assumption and discrimination through not only the thoughts of the narrator and his life, but also how the narrator explains his thoughts and the diction he uses as he recalls certain moments. Throughout the passage, the narrator demonstrates how isolated he is, not only in the country where hia people are shunned, but also with others that are in a situation similar to his. Not only is there a feeling of loneliness and isolation, but also guilt of relation to how Indians are being treated today. Through stories of realistic fiction, Alexie addresses serious issues that others fail to.

From the creation of harmonies to singing to instruments, music has been an abstract form of human expression. Although an auditory collection of pitches and volumes, musicians can manipulate the same notes and bring them alive for their audiences. The true emotion and energy that’s felt in music really comes from the player as feelings are transferred to and through the listener. This interaction between performer and the house is catharsis, the complete release of strong repressed emotions. Thanks to the musician, music has the ability to grasp people and cause them to sense emotions and feelings without lyrics or images even being necessary. Although it’s believed we can only hear with our ears, something about music makes it emotionally if not physically tangible. In James Baldwin’s short story “Sonny’s Blues,” a narrator certainly unaware of the impact of music invites himself to experience jazz for the first time. Baldwin uses the final scene of his story to argue that music has an effect on those who are able to experience it. Baldwin does this in one single moment by letting the fixed, practical minded, “well-intentioned” narrator experience catharsis from jazz as his growing, free-spirited brother communicates with him through jazz.

“We loaded dirty Joe into the last car and checked his pockets for anything potentially lethal. Nothing. Sadie and I stood there watched dirty Joe ride…” “I looked around and saw a crowd had gathered and joined in on the laughter” (56). This shows how caught between the two world these characters are and how they see themselves in white society. “Twenty or thirty white faces, open mouths grown large and deafening wide eyes turned toward Sadie and me. They were jury and judge for the twentieth-century fancydance of these court jesters who would pour Thunderbird wine into the Holy Grail” (56).

Sherman J. Alexie, is a short story written in the first person focusing on two Native American Men who grew up together on a Reservation for Native Americans but have been estranged from each other since they were teenagers. Victor who is the narrator of this story is a young man who lost faith in his culture and its traditions, while Thomas our second main character is a deeply rooted traditional storyteller. In the beginning of the story Victor, our Native American narrator learns the death of his father. Jobless and penniless, his only wish is to go to Phoenix, Arizona and bring back his father’s ashes and belongings to the reservation in Spokane. The death of Victor’s father leads him and Thomas to a journey filled with childhood

It has always been assumed that races have a certain look; a person can always tell what a person is by their mannerisms, their speech and the overall way they carried themselves even if they looked a certain way. However, this is mainly due to stereotypes that have long plagued our society and what one “expects” someone to look like just based on the negative connotations that are associated with skin complexion. When we read certain literature, the description of the character is the first thing that we look for as it is a way for us to somewhat bond with the character and attempt to see the story through their eyes. Toni Morrison’s Recitatif explores how the author describes each character not expressing their race leaving a bit of mysery to the reader and attempts to breaks down the stereotypes that exist for each race. Through a literary analysis, the reader is able to see those stereotypical assumptions about the color of one’s skin and how they should cease to exist in any world whether it is literal or figurative.

In Charles Frazier’s Cold Mountain, the theme of music is one of the novel’s most powerful themes. From symbolizing character growth to the healing of physical wounds, music plays an integral part in this novel. While many critics will point out that music has little effect on the human psyche, Charles Frazier shows his belief that music does indeed have a profound effect on the human mind throughout Cold Mountain. Throughout the novel, Inman, Ada, Ruby, Stobrod, and many other characters experience music that allows them to keep faith against the odds or even heal their wounds! There are three major types of music used in this novel; hymn music, folk music, and “natural music”. It is through these types of music that

This white fantasization begins with the comparison of the African-American woman to the white woman in countenance who have pale complexions and finer hair, which is directly contrasted with African-American women’s more curly-coiled hair and varying complexions that are darker than those who have mostly a European racial background. To achieve this

Native American authors often share common themes that stem from life on reservations; these include poverty, violence, abuse, and alcoholism. Sherman Alexie, a Native American from Spokane, Washington, is not only one of these authors, but she may be the most successful and well-known Native American writer who contributes these themes. Alexie often made strong attempts to portray life as a Native American in her short stories in novels. For her, it was about depicting the Native American experience. she does just that in her short story collection, “The Lone Ranger and Tonto Fistfight in Heaven.” Alexie uses literary elements, such as themes, symbolism, and imagery to further aid her overall message of what life is like growing up and living on a reservation. These experiences, as she demonstrates, contrast sharply with those of white society, as they cannot fathom a similar culture.

In “A Drug Called Tradition,” Alexie’s humor efficaciously shows the bitter reality on the reservation. For example, at the beginning of the story, Alexie uses humor to reflect poverty on the reservation. After Junior shouts at Thomas, questioning “[h]ow come your fridge is always fucking empty,” Thomas goes inside the refrigerator and sits down, replying Junior “[t]here…It ain’t empty no more” (Alexie 12). As seen in this example, having Thomas sit inside the refrigerator and reply in a humorous tone, Alexie is successful in mirroring the issue of poverty, or the bitter reality, on the reservation. This point can also be supported by Stephen F. Evans’s essay, "'Open containers': Sherman Alexie's Drunken Indians,” in which Evans discusses Alexie’s use of satire and irony in his stories and poems. As Evans claims that “[c]onsidered as a whole, the best artistic moments in Alexie's poems, stories, and novels lie in his construction of a satiric mirror that reflects the painful reality of lives,” this further verifies the argument that humor in Alexie’s stories helps reflect the bitter actuality on the reservation (49).

America truly is the salad bowl of cultures from around the whole world. However, there is often times a dominating cultural structure that makes it difficult to attain peace among the diverse cultural groups of America. Sherman Alexie’s short story, Because my Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play ‘The Star-Spangled Banner’ at Woodstock, displays the difficulty of the Native American people having to cope with the dominating culture that they are inevitably being shoved into. The main character Victor, a young boy who reflects much of Alexie’s personal traits, tells the story and struggle of his people through the

Growing up as a Native American boy on a reservation, Sherman Alexie was not expected to succeed outside of his reservation home. The expectations for Native American children were not very high, but Alexie burst out of the stereotype and expectations put by white men. Young Native Americans were not expected to overcome their stereotypes and were forced to succumb to low levels of reading and writing “he was expected to fail in a non-Indian world” (Alexie 3), but Alexie was born with a passion for reading and writing, so much so that he taught himself to read at age three by simply looking at images in Marvel comics and piecing the words and pictures together. No young Native American had made it out of his reservation to become a successful writer like he did. This fabricates a clear ethos for Alexie, he is a perfect underdog in an imperfect world.