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Romanticism In Sonnet 20

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Love is a common and frequent topic in the works of Renaissance poets, who followed the Petrarchan tradition of celebrating love to an unattainable beautiful mistress: up to William Shakespeare, all male sonneteers were structuring their poems around the image of a fair wealthy court lady. Shakespeare does not adapt his works to the established standard, but adjusts the very standard to his own needs, or as Sasha Roberts puts it, the poet writes against tradition (172). Basically, in his sonnets, William Shakespeare revolutionises the unwritten rules of the Petrarchan ideal of sonnet writing by modifying the category of love objects. This essay will focus on three major directions of this modification and will illustrate them on the basis of …show more content…

So, the fair youth ‘steals’ also the most important traits from the classical image of the female beloved in the Petrarchan tradition, embodying in such a way an ideal of a beloved and, naturally, taking over the central position in the sonnets. This assumption of the utmost importance of the image of the young man for Shakespeare’s sonnet sequence resonates in Clarke’s “Love, Beauty, and Sexuality”, where she mentions that in the sequence, “the primary love-object is the young man” (197). As an embodied perfection placed in the centre of the collection of love poems, the image of the fair youth cannot stay unequivocal: at least two literary critics mentioned in this essay have different viewpoints on the issue of the uniqueness of this male beloved. For example, Douglas Trevor argues that it is William Shakespeare who introduces the image into the sonnet tradition. Contrastingly, Sasha Roberts counters this theory by claiming that “Shake-speares Sonnets was not the first sonnet sequence to celebrate male beauty” (176). Taking into consideration both approaches, it is quite legitimate to acknowledge if not the uniqueness but at least the rarity of the unattainable male love object in the sonnet writing

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