A Comparison of Shakespeare's Sonnets 116 and 130

William Shakespeare’s “Sonnet 116” and Edna St. Vincent Millay’s “Love Is Not All” both attempt to define love, by telling what love is and what it is not. Shakespeare’s sonnet praises love and speaks of love in its most ideal form, while Millay’s poem begins by giving the impression that the speaker feels that love is not all, but during the unfolding of the poem we find the ironic truth that love is all. Shakespeare, on the other hand, depicts love as perfect and necessary from the beginning to the end of his poem. Although these two authors have taken two completely different approaches, both have worked to show the importance of love and to define it. However, Shakespeare is most confident of his definition of love, while Millay seems

The ideas of love being expressed in Shakespeare’s Much Ado About Nothing and Sonnet 130 are genuinely contrasting. In Much Ado About Nothing, one of the many focal points are Beatrice and Benedick’s foolish relationship, also the most captivating, whereas in Sonnet 130, Shakespeare is talking about the misrepresentation of the “Dark Lady”, who he refers to as his mistress. Regardless of a person’s flaws disfigurements, the stress they cause, and the bickering that occurs, love can withstand time, and under the circumstances love doesn’t change for anyone, that it does not substitute itself when it finds differences in the loved one.

“Sonnet 116” written by William Shakespeare is focusing on the strength and true power of love. Love is a feeling that sustainable to alterations, that take place at certain points in life, and love is even stronger than a breakup because separation cannot eliminate feelings. The writer makes use of metaphors expressing love as a feeling of mind not just heart as young readers may see it. To Shakespeare love is an immortal felling that is similar to a mark on a person’s life.

Shakespeare expresses his love for his mistress through metaphors, typical of sonnets about love. However, those comparisons describe his poor mistress in unpleasant ways, in distinct to typical love sonnets. Poets usually describe the beauty of their lover through embellished comparisons and through the usage of romantic language. Shakespeare pokes fun at the fact that these comparisons are too

Within sonnet 116, Shakespeare personifies the abstract noun of love when he states ‘Whose worth’s unknown’. Through personifying his ideology of true love, it makes it increasingly

     During the Renaissance, it was common for poets to employ Petrarchan conceit to praise their lovers. Applying this type of metaphor, an author makes elaborate comparisons of his beloved to one or more very dissimilar things. Such hyperbole was often used to idolize a mistress while lamenting her cruelty. Shakespeare, in Sonnet 18, conforms somewhat to this custom of love poetry, but later breaks out of the mold entirely, writing his clearly anti-Petrarchan work, Sonnet 130.

Most of the major characters in Shakespeare’s Twelfth Night experience some form of love or marriage. Whether it’s unrequited like with Antonio and Malvolio, or it is something seemingly unattainable like with Duke Orsino. Regardless, it is clear that love is prevalent as one of the central themes Shakespeare seems to emphasize in Twelfth Night. With that, we see him communicate different interpretations and feelings regarding the subject. He does this with the medium of melodramatic characters. In this essay, I will elaborate on the opinions of love that Shakespeare communicates through one of the leading characters:

This sonnet serves to invoke a strong sense of realism in love, arguing that as strong an intensity of emotion as may be held, may be held, without the need for delusions of grandeur, taking the view that trying to reconcile two essentially different and diverse things as equal is to do true justice to neither. The beloved in this case thus represents more the need for a character developed to challenge stereotype than an actual real-life woman,

Light/Dark. Comfort/Despair. Love/Hate. These three pairs of words manage to sum up William Shakespeare's "Sonnet 116" and "Sonnet 147," while also demonstrating the duality of Shakespeare's heart. "Sonnet 116" reveals to a careful reader the aspects of Shakespeare's concept of what ideal love is. However, "Sonnet 147" shows the danger of believing in this ideal form of love. These two sonnets perfectly complement and clarify each other while also giving the reader insight into William Shakespeare's life.

‘Sonnet 116’ by William Shakespeare and ‘What Lips My Lips Have Kissed, And Where, And Why” by Edna St. Vincent Millay are both sonnets that discuss companionship and a glimpse of each poet’s experiences. In ‘Sonnet 116’, Shakespeare illustrates how capability is weakened by its metaphysical stereotype and ideals such as, love, while on the contrary, in ‘What Lips My Lips Have Kissed, And Where, And Why” Millay feeds on the chaos between the ideal of love and its harsh reality, heartbreak. Both poets seem to be love struck but there is a significant difference in the two. I will compare and contrast ‘Sonnet 116’ by William Shakespeare and ‘What Lips My Lips Have Kissed, And Where, And Why” by Edna St. Vincent Millay. I will also inquire and analyze why this particular form of poetry established different effects.

The title of the poem “My mistress eyes are nothing like the sun” suggests that the speaker is not in love with his ‘mistress’. However, this is not the case. Shakespeare uses figurative language by using criticizing hyperboles to mock the traditional love sonnet. Thus, showing not only that the ideal woman is not always a ‘goddess’, but mocking the way others write about love. Shakespeare proves that love can be written about and accomplished without the artificial and exuberant. The speaker’s tone is ironic, sarcastic, and comical turning the traditional conceit around using satire. The traditional iambic pentameter rhyming scheme of the sonnet makes the diction fall into place as relaxed, truthful, and with elegance in the easy flowing verse. In turn, making this sonnet one of parody and real love.

“False love, desire, and beauty frail, adieu! Dead is the root whence all these fancies grew,” (Sir Walter Raleigh). Raleigh portrays the love of poets as false love, which is similar to the way William Shakespeare describes it in Sonnet 130, where he mocks the way other poets exaggerate their muses’ beauty. Though one would assume Shakespeare wrote this sonnet to give to his mistress, he did not, as he was smart enough to know she would never talk to him again if he did. He in fact wrote it to mock Petrarchan sonnets which exaggerated beauty to the point where it was no longer real and it was obvious the poet's love went no deeper than the skin of their mistress. In the sonnet Shakespeare first appears harsh in criticizing his mistress’ beauty, but as the sonnet progresses, he subtly reveals that his love for her is unconditional to ultimately challenge society’s cliched beliefs of love.

“Sonnet 130” written by William Shakespeare, is one of his most well known poems and can be analyzed and broken apart in great depth. The poem is written in fourteen lines which makes it a sonnet. Like all of Shakespeare’s sonnets the meter is iambic pentameter. The rhyme scheme for “Sonnet 130” is ABAB CDCD EFEF GG. An overlaying theme for “Sonnet 130” is, “True love is based on how beautiful you find someone on the inside.” Shakespeare proves to have a great view on true love in this sonnet. He cares more about what’s on the inside rather than what’s on the outside. “Sonnet 130’s” theme can be proven by Shakespeare's use of poetic and literary devices, the tone and mood of the sonnet, and the motif of true love.

He accepts her essentially, because of her mediocracy. At times, he is outraged by her additional lovers, but he still is wrapped around her finger. He blames himself for staying with her even though the relationship is toxic and copes with her infidelity. Shakespeare turns the traditional feeling of a love sonnet to that of hatred, resentment, and lust. It seems more in line with the reality and harshness of falling in love, as opposed to the traditional googly-eyed admiration of a lover. Since Shakespeare avoids this fictional theme, he gives readers a good reason to believe his Sonnets may actually be true.

Shakespeare, who wrote the sonnets in 1609, expresses his own feelings through his greatest work of literature. The theme of love in the poems reflect thoughts from the Renaissance period. Love is one of many components of Shakespeare’s life shown in the sonnets. Love can be defined in many ways other than a strong affection for a lover. In Shakespeare’s sonnets, the concept of love can be seen through many uncommon means such as the love of life before death in “Sonnet 73,” love in marriage in “Sonnet 116,” love through sexual desire in “Sonnet 129,” and love through nature in “Sonnet 130,” proving that love can be expressed through many different feelings and emotions.