If you believe in the real underground of Rock 'N' Roll, then now is the time to do something about it. The time is now to overthrow the current situations and declare war on the record companies, radio stations, publications, clubs, and anyone who promotes the whole so called "scene" as it now stands. We need to destroy it all and take it back from the corporate phonies and conformist. But action must be taken now and blood must be spilled. First let me tell you who I am. I was born Jesus Christ Allin in 1956 in Lancaster, NH. The Jesus Christ they preach about in the Bible is a phony imposter - just a crutch for the cripples to lean on. Fuck that weak shit! I am the man to deal with. I created myself inside the womb from the fires of Hell. …show more content…
So called cutting edge radio stations as fucking lame as the stations they oppose. Censorship publications kissing the monkey suits asses, who in turn, are kissing someone else's ass. Even so called "underground" publications have no fucking desire to get blood on their hands. They are too busy crying about how we can make the world a more wonderful place and how politically correct they can be. Talk is fucking cheap. It's time to fight. It's time for revenge. We need to overthrow Rock 'N' Roll as it now stands. We must bring down record companies by not buying their products. A boycot. If you have to have a record, steal it. That way they wont get your money. We've got to stop feeding them. Your support must now go to me - GG Allin, the commanding leader and terrorist of Rock 'N' Roll. Why do you think I am in prison right now? Because they know who I am and they fear my reality. Our society wants to stop my mission. They want to brain wash you and keep you locked into MTV, and their stagnating, safe worlds. It's a plot to kill Rock 'N' Roll. I am the savior. Thats why I am considered a threat to society. This is what you should do: Go to your record store and buy all the GG ALLIN recordings you can find. If they dont have any in
Throughout the 1950’s and 1960’s, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators and owners, and in the turbulent journey through their successes and failures. The first emergence was fueled by multiple factors: competitive economic circumstances, up-and-coming local musical talent in conjunction with the independent labels and studio owners, and the commercially viable musical interest and curiosity of consumers in these local artists. An article poses another causative factor that makes sense: when rock and roll
Throughout the years, music has evolved and transformed in many ways. However, there are restrictions in today’s music, otherwise known as, censorships. A crisis has emerged concerning the issue of censorship. This argument consists of two possible stances: one, supporting the continuation of censorship, and two, eliminating the status quo of censorships in the music industry. There have been countless debates and arguments regarding the issues of censorship ever since the U.S. Congress passed the Radio Act in 1927 (The History). The time has arrived for censorship to be brought to an end. The government should release their grip on the censorship of music for the following reasons: it obstructs the public’s freedom of choice, it
Both the radio and records have had significant impact on the development on rock n’ roll. Similarly, the radio and records gave musical artists an extended ability to stretch their audiences. Strongly intertwined, while they both gave listeners the ability to find artists they like, there are some clear differences between each the developments of the radio and that of records. In the years prior, the music industry was built on the “Tin Pan Alley” system that strictly controlled musicians and popular music (Schloss, Starr, and Waterman, p. 2-7). And much like the spirit of rock n’ roll itself, people within the industry eventually grew tired of conformity and no longer felt the need to follow the rules. Radio stations started forming separate licensing companies (BMI), which allowed them to play what they want (Schloss, Starr, and Waterman, p. 7). With an “open door” policy that allowed broadcasters to play music they wanted, radio stations had the important job of sharing a variety of music that could be heard all across the country. The radio began to function as a way of transporting records and genres of music all over the country from the traditional cultures they formed, which includes R&B, blues, and country. This reshaped the music industry by expanding its reach to new audiences. This, “allowed songwriters working outside of mainstream pop to claim royalties on the use of their songs on broadcasted
“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.
In hindsight, all of these artists were the foundation of what lies on the horizon, a revolution that would evolve into a dynasty that hasn't been seen since the Renaissance and one unlikely to be repeated. Just as these artists were influencing me, they were influencing others ─ others with vastly better skills than I could ever fathom. On the smaller stages of the Los Angeles club scene, a band was mixing the sound, style, and showmanship into a cacophonous stew, gently boiling and carefully molding all the elements and preparing to unleash it on the unsuspecting music consumer. Although they didn’t know it at the time, it would be something which would change the very face of rock music and the artistic journey of guitar players everywhere.
The music industry is an oligopoly. Since the late 1800’s people like Thomas Edison have been buying up patents in communication technology, forming monopolies, leading to a non-competitive entertainment industry. With only a handful of corporations controlling all aspects of acquisition, distribution and marketing of music, harsh business principles create an exploitative industry that takes the best of what artists have to offer and leaves many of them unable to support themselves. Beginning in the 1950’s with payola and white cover music and ultimately evolving into iTunes and Spotify, the music industry has grown into a billion dollar industry with far-reaching influence and control. Contracts rarely serve the artists’ best interest and many are left out to dry when their usefulness has expired.
The genre of rock and roll has been and will continue to be a genre fueled by rebellion. Even the King, as hometown sweet and charming as he was, had a flare for the raucous. Elvis Presley’s gyrating hips and drug addiction had set the standard; the old saying is, in fact, sex, drugs and rock and roll. From then on, this genre was all about pushing the boundaries of what could be done. For some, it meant being shirtless on stage; for others, it meant they had to eat a bat on stage. Regardless of the stunts pulled, rock and roll was their drive. What began as a mesmerizing combination of R&B and country, became a catalyst for change and the heart and soul of generations.
Rock and roll is a touchy music genre for some people, mostly older and middle-aged. Younger kids and adults loved it a lot and always listened to it. Older people did not like and see people who listen to rock music as bad people or in other words “associated with drugs” – or something along the lines of that phrase or just simply up to no good. Other older adults also see it as a threat or
Although the decades have passed, and the times have changed rock ‘n’ roll holds a legacy that will forever impact the lives of people as a whole. Foundations Of Rock n’ Roll After World War 2, the world was faced with a bipolar world of the two winners: the USSR and the US (Scaruffi, 2005). The world was left with international bitterness and resentment and unlike other wars, a war on ideology. The war changed almost every aspect of life, because ideologies and morals began to shift and change. The post-War era had brought along with it many new technologies such as the boom of cars, computers and even
Censorship has long been an issue in Rock and Roll music. Although our American society celebrates “classic” rock that emerged in the 60’s and 70’s, today, artists such as: The Rolling Stones, The Beatles, The Doors, The Sex Pistols, and Bob Dylan were harshly judged for their music and image they projected because some members of society feared they were too suggestive, or just completely inappropriate. These rebellious artists fought against their music being censored in the best ways for their bands.
Although Classic Rock is beloved by a lot of people, some people think that Classic Rock is dead or isn’t what it used to be. This statement is untrue because classic rock is getting introduced to younger and younger generations, it’s being put on clothing, and it is being played on radio stations. This statement is untrue because classic rock is getting introduced to younger and younger generations and its being carried on through clothing and radio stations. When the radio stations stop playing classic rock and clothing companies stop producing classic rock symbol on their products, than classic rock will be dead, but until then it is safe to say that the genre of Classic Rock is going nowhere. Radio stations WDRV (97.1 FM) and WLUP
“Rock music is important to people, because it allows them to escape this crazy world. It allows them not to run away from the problems that are there, but to face up to them, but at the same time sort of DANCE ALL OVER THEM. That 's what rock and roll is about” (Pete Townshend). The concept of rock and roll music had eased into the music industry in a time after a crippling war and a great depression. The mid to late 20th century was home to innovation, rebellious teens, and a devastating war..The introduction of rock music has influenced our country and molded it in many ways as the genre progressed and has found a place in our culture.
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from. According to Albert
My resurrection is spiritual and its ascension is cosmic and divine not terrestrial. Ancient Kemetic Christianity predates modern Christianity and Messianic Judaism and all that modern Christianity teaches, we the kings of Egypt had for thousands of years before the birth of Abraham. I am the most powerful Mage and high priest of Kemet. I was born on the winter solstice, December 25th, when the sun is dying in the heavens, it descend into the world to become incarnated in the life of one of the sons of Geb.
Believe it or not, on January 1st of 1962, the group known as The Beatles flunked their audition at Decca Records in London, England. The label’s executive, Dick Rowe, brushed them off like they were nothing. He simply stated that “guitar groups are on the way out.” Little did Rowe know, The Beatles would soon conquer modern society and alter the course of pop and rock music. There have been no other entertainers in the history of music that has been so popular, influential, or as groundbreaking as The Beatles. In the early 1960’s, their popularity was often called “Beatlemania,” as thousands of screaming fans would crowd their concerts and sing-along with the Fab Four. They sold over 600 million albums internationally and had 20 Number One hit singles – a Billboard record that has yet to be broken. The band took over the entertainment media with music videos and films, but also influenced sociocultural, political, and fashion movements throughout the sixties and seventies. From experimenting with several different genres to incorporating classical elements into their melodies, The Beatles still reigns as one of the most creative and successful bands several decades later. Today, fifty years later, The Beatles and their music are still engraved in the hearts of many.