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Van Halen's Influence On Renaissance Music

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In hindsight, all of these artists were the foundation of what lies on the horizon, a revolution that would evolve into a dynasty that hasn't been seen since the Renaissance and one unlikely to be repeated. Just as these artists were influencing me, they were influencing others ─ others with vastly better skills than I could ever fathom. On the smaller stages of the Los Angeles club scene, a band was mixing the sound, style, and showmanship into a cacophonous stew, gently boiling and carefully molding all the elements and preparing to unleash it on the unsuspecting music consumer. Although they didn’t know it at the time, it would be something which would change the very face of rock music and the artistic journey of guitar players everywhere. …show more content…

Edward Van Halen's reckless abandon and absolute domination over the instrument left the entire music community slack-jawed and drooling. It was one of those moments in history when you remember exactly where you were and what you were doing when you first heard it. There isn't a guitar player today not influenced by the innovative playing techniques he brought to the table whether it was string tapping or his profound abuse of the double locking tremolo.

Countless players studied, analyzed, and outright copied what they heard, and there were just as many who threw their instrument to the ground in utter disdain.

This kid hones his chops in the depths of the West Hollywood club scene, gets discovered by Gene Simmons of "Kiss" fame and from virtually nowhere, changes the face of the modern rock guitar.

A dynasty was born, and it was led by a 21-year-old phenom who made his guitars out of cannibalized parts lifted from other instruments, carved them with a chainsaw and used a hardware-store eye-hook for a strap holder. Ed wasn't the soul of the operation; he brought his brother Alex along, who would become an equally profound influence in the drum …show more content…

He proclaimed he was content to stand in the shadows and ride the groove in front of his speakers having his teeth rattled.
In addition to their musical prowess, the four members of the band forged an underlying formula of acting and showmanship which wowed their fans.

After the initial shock wore off, detractors were minimizing Ed's techniques. No, he wasn't the first to tap notes or use pinch harmonics, Billy Gibbons from "ZZ Top" had been doing both for years. Also, electric guitars had trem bars since their earliest incarnations, so he wasn't the first to abuse one. Al Dimeola who successfully combined virtuosity and unfathomable speed was on his third album. So no, Eddie wasn't the fastest in the land either.

With these comparisons, interest went backward to either discover or re-discover Al DiMeola and Billy Gibbons. Both are incredible players in their respective genre's, and both had a subsequent surge of interest after the release. But out of the ensuing media interviews came a surprise, Ed revealed one of his primary influences leading us ─ amazingly ─ to jazz guitarist Allan Holdsworth. Wait,

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