Hooking the Audience:Bell Hooks use of Rhetoric. Bell hooks, a cultural critic and social activist argues in her essay Seeing and Making Culture: Representing the Poor,” that the poor are portrayed terribly in modern America. Having grown up in a poor household, she has personal knowledge and experience of the prejudices faced by the poor and uses it to craft a compelling argument. Hooks’ most powerful tools for her argument are her honorable character and firsthand experience with her subject. Before she states her claim, she spends the first third of her essay solidifying her trustworthiness of the subject. In her childhood, despite the negative stigma the poor face, she was taught and states several times that despite her lack of wealth, …show more content…
She relates to her audience through using numerous examples from pop culture to support her claim. She uses inductive reasoning and a pathos appeal talking about why impoverished teenagers steal expensive trappings. Her claims wind together to create an argument with a solid foundation Using powerful, interesting vocabulary in an easy to understand manner is another way bell hooks strengthens her argument and persuades her readers. Minor use of hyperbole in her essay by using the term “no one” a few times challenges the reader to change what she states nobody does. There is a clear lack of fussy, confusing language in her work that allows her audience to easily read and understand her argument. Her tone aids in keeping the audience interested and aware of her passion on the topic, instead of muddying her voice with complex, sterile language. Through the careful use of these components, bell hooks leaves a convincing argument for her audience to consider. Though the topic of the poor is still rare to see in major media, there has been at least a little progress made in twenty-three
Sitting on the porch with her sisters, hooks saw that “next to the white drivers in the front would be the dog and in the back seat the black worker.” This subtle image taught hooks the “interconnectedness of race and class,” and a demeaning message that white people placed animals ahead of African-Americans. Taking the high road, hooks attempted to spark conversation with her white neighbors; however, she was turned down and ridiculed. While trying to be friendly, hooks was told that “they came to this side of town to be rid of lazy blacks.” Time and time again racial and sexist tensions worked against Hooks, but instead of letting injustice get the best of her she made her porch a place of “antiracist resistance.” Hooks’ porch was an oasis in the male/white desert that dried up her life. On hooks’ porch she could experience the peace and joy she had as a child sitting on her porch with her sisters before her father came home. Hooks could have talked back to the white people that mocked her, but instead she chose the high road and conquered race with peace.
Shorris wanted to explore on poverty in America and write a book based on opinions on what keeps people poor. Therefore, as results of varied conversations with special people in prison, Shorris came to support the prisoner, Viniece Walker’s, argument that destitute students are those most in need of a liberal education. Viniece introduced
The purpose of this essay is to inform the reader of a real problem, media misrepresentation, and to try to have the reader change the way the think, feel, and perceive the poor. She gives examples of encounters she has had that are a result of the damaging depiction and conveys to the reader why those thoughts are wrong by using her own personal experiences. She mentions that before entering college she never thought about social class. However, the comments from both other students and her professors about poverty were alarming to her. Other people viewed the poor as, “shiftless, mindless, lazy, dishonest, and unworthy” indigents. Hook opposes that stereotypical image of the poor, referring back to being taught in a “culture of poverty,” the values to be intelligent, honest, and hard-working. She uses these personal experiences to her advantage by showing she has had an inside look at poverty.
Persuasion is a key focus in many essays, stories, commercials, and other forms of media. There are many methods to this, one of which is rhetorical devices. Bell hooks, the author of Feminism is for Everybody, writes to persuade the reader to her own cause: feminism. She uses rhetorical devices, which can be used to persuade—or dissuade—readers in comparison to the writer’s own point of view.
Hooks writes that today she would be considered a well-paid member of the “Professional-managerial class” she rarely thinks of herself in relations to that class. She explains how she was taught at an early age, by her grandparents and parents, to assume that
Ethos, pathos, and logos are all devices that Barbara Ehrenreich effectively uses throughout her novel Nickel and Dimed to prove that America needs to address the commonly overlooked issue of poverty within every community. It is important that she uses all three devices because they help support her argument by increasing her credibility, connecting to the readers’ emotions, and appealing to their sense of logic. The combination of these devices puts a sense of urgency on the problem Ehrenreich is addressing and therefore creates an effective argument.
Because it is very credible, emotionally appealing, and slightly academically based, bell hooks's essay "Keeping Close to Home: Class and Education" is an essay that I consider to be very touching. While arguing in her essay that the rich class and the working-class should come to respect and understand each other, bell hooks employs three elements of argument: ethos, pathos, and logos. With her usage of ethos, hooks relates her experience as an undergraduate at Stanford. Providing an experience from a time before she went to Stanford, hooks uses pathos to inspire the audience. However, hooks uses logos by appealing to the readers' logic. These readers are the working-class and the privileged, the audience of her book: "Ain't I
In the article, Hooks focuses on the issue involving lower and higher class and comparing them in poverty by giving her own personal experiences to illustrate her argument. While addressing the assumptions made about the poor and the view in America culture in the U.S. usually portrays the poor in ways that radiate negative stereotypes according to Hooks. The way that the poor are being represented on television. Hooks clarifies that the misinterpretations of those in poverty can affect their daily lives. Popular culture in the U.S. usually portrays the poor in ways that radiate
bell hooks, renowned black feminist and cultural critic criticizes the lack of racial awareness in her essay, Representing Whiteness in the Black Imagination (1992). ‘bell hooks’ is written in lower case to convey that the substance of her work reigns more important than the writer. From a marginalized perspective, hooks argues that sites of dominance, not otherness is problematic and critiques the lack of attention that white scholars pay to the representation of whiteness in the black imagination. Critical feminist scholars Peggy McIntosh and Ruth Frankenberg identify their own whiteness as a dominant discourse, but share a critical departure from hooks with the notion of whiteness as terror. hooks aim is not to reverse racism, but discuss her position to authentically inform readers about how she experiences racism. Furthermore, systems of oppression are manufactured by human thought and thus the site of the Other is always produced as a site of difference. Gender, race, sex, class, disability, and geography are situated differently in social structure, but dominant groups assume they share the same reality though they cannot experience it. In consequence, the Other cannot hold a singularized identity of their own and the binary structure succeeds in containing racialized bodies in place. What happens to those bodies when they cross boundaries of the binary? hooks recounts being routinely disciplined back into place when crossing the border; however, dominant white
In professor and editor Diana George’s article, “Changing the Face of Poverty: Nonprofits and the Problem of Representation,” published in the printed book Popular Literacy: Studies in Cultural Practices and Poetics, in 2001, she insists that representations of poverty in the media, only reveal of a small percentile of everyone impoverished, which makes them counterproductive. Opening with a brief anecdote about donation appeals made by nonprofit organizations, George directs her article towards the organizations themselves offering a suggestion to maximize the impact of their work. That suggestion is that representing poverty in a wider light, helping to display the more complex ways individuals are considered to be in poverty. The examples that George provides, become a pillar for her thesis that these current representations of poverty, while emotionally capturing, work against themselves.
What is your perception of the poor and less fortunate in society? Would you say that you have a low perception of them or do you regard them in the highest? Would you do your social duty to reach out to the poor and impoverished to assist them, or help assist, in establishing programs that would aid in leading them to a brighter future? These are the questions that I ask of myself as I read, “Seeing and Making Culture: Representing the Poor,” by bell hooks. My paper examines the perception that pop culture, society, and media have of the poor, as well as, the expectations and responsibilities of society to ensure a response to
In Bell Hooks’, “Seeing and Making Culture: Representing the Poor”, Hooks introduces the reader to the state of poverty of many individuals that have to suffer because they are unable to live a normal life due to them being extremely poor and uneducated. She stresses about comparing the higher class people to the poor and how different their lives are in terms of survival rates and healthiness. The higher class people tend to be way healthier and survive longer due to them having many ways of treating their problems, while the poor have absolutely no way of paying their medical bills due to their low income. She makes many valid points referring back and forth to different stereotypes of people (mainly black people) and how each of those
I liked bell hook’s essay “Seeing and Making Culture: Representing the Poor”. Bell assesses the light in which higher class people view the poor or lower class. Bell hooks, also known as Gloria Watkins grew up in a small Kentucky town where her father worked as a janitor for the local post office. As one of seven children she was taught that money and material possessions did not make her a better person but hard-work honesty and selflessness determined character. Her hard work landed her acceptance into Stanford University. Although she received various scholarships and loans, her parents worried that she would not have enough for books and supplies or emergency funds. Regardless of this, belle went on to earn a Ph.D. Her experiences and education earned her a very good reputation and even an authority writing critiques on popular culture and diversity (hooks 431-432). She uses ideas in her essay “Seeing and Making Culture: Representing the Poor”, that stem from her own personal experiences with poverty to add credibility to her writing, as well as examples from pop culture and mass media to demonstrate how these representations portray the lower class in ways that radiate negative stereotypes. She wrote the essay because she saw how the poor had many assumptions made about them. It wasn’t until college thought that she made that discovery. She discovered how unjustly they were represented due to the
Every conflict in Bell’s life can be traced back to her childhood, and her mother’s parenting methods. If Bell was told to strive for what she did not have, then she may have been accepted by her peers. It is clear that she wanted to be accepted by her classmates, because otherwise she would not have been hurt by how they treated her. If Bell was taught to strive for what she did not already possess, whether it was friends or material objects, she would have had a completely different school experience.
The circumstance surrounding her addresses concerning poverty is where the author makes an appeal to pathos. She states,“the poor