preview

Relationship In Tracy Chevalier's Girl With A Pearl Earring

Decent Essays

In “Girl with a Pearl Earring”, Tracy Chevalier tells the story of the creating of Vermeer’s famous painting titled “Girl with a Pearl Earring”. Chevalier explains the artist’s complicated relationship with both models and patrons. She also touches on how apprenticeships worked during this time period. There is also in depth descriptions of the mixing of paints and color application. Chevalier gives a realistic representation of what the process of art creation entails in the 17th century.
The patron and the artist often have a somewhat complicated relationship. The patron describes to the artist what they want in the painting, and it’s in the artist’s best interest to follow instructions carefully, or they might not be paid. At the same time, however, it would be best for the patron to give the artist some creative freedom, as they understand the elements of art best. The price of the art may be determined by any number of things. It could be set by characteristics of the painting, like the type of paint used, the materials, the size of the painting, or the number of people featured in the composition. For example, paintings containing ultramarine blue would be more expensive because it is made with lapis lazuli, a very expensive semi-precious stone.The prices could also be determined by the guild or another outside influence. Griet mentions in the book she suspected that Maria Thins struck up the deals for Vermeer. Depending on the severity of the discrepancy, a patron could find another artist, or an artist can simply solve the problem the patron has with the work. For example, if there was a small detail the patron was unhappy with, it could be fixed relatively quickly and easily. If the patron was unhappy with the piece in its entirety, and the artist was unwilling to comply with their requests, it would not be completely out of the question for the patron to find a different artist. Throughout the book, there is a wide range of type of models used. The models were typically chosen by the patron, like the patron’s wives or whoever may strike the fancy of the patron, like Griet, for example. Stereotypically, however, the models often had a special sort of relationship with the artist. After many hours

Get Access