Alex Heywood
Professor McMullen
11/14/2017
The Return of Nocturne
Music has always had a time and place throughout history. Performances, concerts, and parties are all match with music that is meant to be played in that setting. For example, music that’s played at a church in the morning is very different than the music played in the evening. Professional performances are meant to be played in a style that makes it easiest for the audience to be engulfed by the music. Night music or Nocturne refers to music that is usually “a work of art dealing with evening or night; especially: a dreamy pensive composition for the piano” When musicians hear the word nocturne today, most would first think of Frederick Chopin. Chopin did write an
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This creates some ambiguity as to what John Field was actually expressing with music and whether he was intentionally creating a movement of sorts.
When Chopin began writing is own Nocturnes, it is unclear whether John Field had a direct impact on the elements of Chopin’s music. “Scholars and commentators have diverged in deciding upon which were the salient features that Chopin adopted from the Fieldian ‘model’ into his own Nocturne style.” These scholars and commentators have identified that Field’s Nocturnes do not have a “constant form” that shows his intentions of creating the new genre. Some even seem more like etudes then specifically Nocturnes. But Chopin is guilty of the same transitional period to Nocturnes. His works were not like Field’s etude form, but they lacked a clear Nocturne “structure and mood”. Field was known for having his Nocturnes sound static which when compared to Chopin where his “Opus 9 pieces alone one finds six fortissimo markings”. Chopin made his nocturnes stand out more to an audience using the flare of dynamics and expression. Chopin shows that just because Nocturnes are night time music there is no reason why they can’t be just as dramatic and intense as any other piece.
The competition within the field of music is perhaps the most strenuous and brutal of all fields throughout history. John Field and
Edna seeks occupational freedom in art, but lacks sufficient courage to become a true artist. As Edna awakens to her selfhood and sensuality, she also awakens to art. Originally, Edna “dabbled” with sketching “in an unprofessional way” (Chopin 543). She could only imitate, although poorly (Dyer 89). She attempts to sketch Adèle Ratignolle, but the picture “bore no resemblance” to its subject. After her awakening experience in Grand Isle, Edna begins to view her art as an occupation (Dyer 85). She tells Mademoiselle Reisz that she is “becoming an artist” (Chopin 584). Women traditionally viewed art as a hobby, but to Edna, it was much more important than that. Painting symbolizes Edna’s independence; through art, she breaks free from her
In Nocturne in D flat Major, Frederic Chopin (1810-1849) creates a complex work that consists of complicated harmonies and rhythmic motives. These two components are interwoven to build elaborate themes which lead to a melodic design that Chopin is known for. The piece has multiple key elements that combine to form this expressive work for piano, such as thematic growth. Various themes are introduced in the work and as Chopin develops them, they are barely recognizable. Other important elements in the creation of the nocturne are register and pitch. Register provides support for the harmonies which in turn serve as the foundation on which the piece is built.
career in music. Music presents the highest degree of difficulty in quantifying success, a piece
Richard Taruskin is one of the many American musicologists and historians whose interest is in the theory of music performance. The author of many literary works such as No Ear for Music: The Scary Purity of John Cage is mainly interested in Russian folk literature where he analyzes the historical trends behind every story. The American author is also well-renowned for his famous articles written in The New York Times, for instance, ‘The Danger of Music and other Anti-Utopian Essays’ and others with a strong relation to social, cultural and political issues in the essays. This essay is a response to Taruskin’s No Ear for Music: The Scary Purity of John Cage. The essay will focus on analyzing its critical argument in an attempt to really
“Trouble in the Music World.” Musical America, March 1990, 20-24. An article Bolcom wrote about the challenge he faced in the new American Music world.
As a comment on the resolution to Kate Chopin’s The Awakening, an anonymous figure once stated, “A defeat and a regression, rooted in a self-annihilating instinct, in a romantic incapacity to accommodate to the limits of reality.” The main protagonist of The Awakening, Edna Pontellier, is initially met with joy and excitement with her transition from complacency and dissatisfaction to newfound independence and self-expression. However, as the anonymously declared statement implies, signs that appear throughout the story point towards a sort of self-annihilation to come, which in fact did come in the form of Edna’s implied death. Three main factors foreshadow a premature end to Edna’s ecstatic behavior and newly awakened persona:
Desiree's Baby by Kate Chopin Desiree's Baby is a short story written by Kate Chopin. It is set in 19th century Louisiana. The story starts with Madame Valmondé going to visit Desirée and her baby. She thinks back on her memories of Dé
Frederic Chopin, the Polish composer and pianist, was born on March 1,1810, according to the statements of the artist himself and his family, but according to his baptismal certificate, which was written several weeks after his birth, the date was 22 February. His birthplace was the village of Zelazowa Wola, part of the Duchy of Warsaw.
Before hearing this lecture, I had no concept of the types of music in concentration camps, much less a sense of the music within World War II. The lecture taught me how music and the arts are something that can’t ever be stopped. Even though it’s not mandatory for human life or a lucrative career it has permanently etched a place inside of culture and the continuation of history.
Holmes came to he conclusion that doctors make the best criminals is because doctors have prescriptions and the know the symptoms of what the medication can do you if you take it. Even though the doctors may not get a way with they sometimes do and even if they don't they might not get caught right way they will soon get caught. Doctors have plenty advantages of getting their hands on things and just giving them to people to harm them.
Traditionally, the transition should segue way into the second theme. However, this transition leads to another idea, which is characterized by majestic chords (mm. 17 – 18).
In the article, “Kate Chopin’s The Awakening: Struggle against Society and Nature, Megan P. Kaplon criticizes the outspoken fiction novel, The Awakening by expressing and analyzing the Protagonist, Edna Pontellier’s actions towards her role in society. Throughout the novel Edna pursues to fulfill herself thus causing tension between family and friends. The novel takes place in the nineteenth century and disappointed many women because women were expected to obtain social roles during this time period. Women were to attain chores and take care of their families at home but instead Edna was different. She was only caught up in her own desire to make herself happy. Edna was a wife of Leonce Pontellier and mother of Raoul and Etienne Pontellier
My first impression was that I was listening to a rock star. I had a notable physical reaction to the music; I felt a rush of adrenaline and my heart rate increased. The music was fast-paced and intense—undoubtedly physically and mentally demanding on Garrett. I am a pianist myself, and I felt a sense of empathy. I was exhausted on his behalf by simply hearing his talented performance. The music would slow down in some parts, only to pick back up with even more intensity and speed. The music aroused a familiar sense of pressure, such as the pressure to complete a difficult yet important task in a short period of time. The pressure and difficulty build to near unbearable proportions until the work is finally finished, and dissipates into the euphoria of accomplishment. If that scenario had a theme song, it could be Paganini’s “Caprice No. 24”. The music was passionate, chaotic, and ultimately satisfying. I felt that I had witnessed true mastery of the art of the violin in both Paganini’s written work and Garrett’s performance.
Cannabis which is more commonly known as marijuana is considered a psychoactive drug and is used as a medicine and is also used for religious and spiritual reasons. Cannabis or “marijuana” is usually taken to heighten moods, euphoria, relaxation, and an increase in desire for food. The earliest recorded use of cannabis was as early as the 3rd millennium BC and was used for rituals. Much evidence was found near various locations in the world that exhibit cannabis was used for consumption and for medicinal purposes, smoke for rituals and trances for meditation.
Already rising up to becoming a great icon, Chopin played a major role in the art of composing piano pieces. Chopin created his own original technique that made his music so ingenious. He composed the “Trois Nouvelles Etudes”, the three new studies. These studies showed his various new techniques that later influenced the keyboard, and music itself (Hueneker 140). Chopin also constructed his own original pieces by including different genres of music into one composition. For example, he would combine a polonaise and a mazurka, two different Polish dances, one being slow while the other is lively. Frederic Chopin also influenced composition with his genius use of the piano. He used the instrument to its fullest effect to create a beautiful and expressive piece (Politoske, Daniel T.). His creativity was prominently brought out this way as he was able to produce melody and harmony (Samson 4). As a matter of fact, Chopin reached fame for his various piano compositions rather than his orchestral pieces (Politoske, Daniel T.). His arrangements utilized the piano in the most unique way which is why other musicians and his audiences admired his music. Arthur Rubinstein stated that, “…all possible expressions are found in his compositions and are all sung by him upon his instrument,” (Hueneker 91). Even