Baroque music

Due to the fact that Baroque keyboards generally lack the ability to make crescendos and diminuendos, music played on these instruments sound very boring and straight forward unless elements are added to the performance. For organ and harpsichord, the player cannot change dynamics once the registration is chosen. A decent performance of Baroque music, no matter on a Baroque or a modern day keyboard, relies very much on the variety of touch to sound interesting. I would therefore like to discuss some

According to the Columbia Electronic Encyclopedia, “the baroque period was thus one of stylistic duality.” It was an era that displayed emotional extremes through art and architecture. One of the ways art was expressed was through music. During the early baroque era, music became more appealing to the people of Italy. It was a way of how people can voice their emotions and feelings in different forms through other senses besides their eyes. Unlike the other kinds of arts such as paintings and sculptures

CHAPTER I INTRODUCTION Music of any period reflects, in its own way, some of the same influences, tendencies, and generative impulses that are found in the other arts of that time (Donna, 2005). Thus the word "baroque," usually used despairingly by eighteenth-century art critics to describe the art and architecture of the seventeenth and early eighteenth centuries, came to be applied also to the music of the seventeenth and early eighteenth centuries. After some years after the death of Johann

would associate automatically with music. Yet oddly-shaped pearl is exactly where the word baroque comes from. Baroque is derived from the Portuguese word barroco. This meaning is almost a foretelling of the unique music style of this period. Ranging from 1600 to 1750, a new style emerged. This one unlike the Renaissance period prior. The oddly-shaped pearl stormed Europe with musical style, instruments, composers, and life. First to have a new period of music, the ebb and flow of the sound had

first love: music. Antonio Vivaldi’s father, a barber-turned-professional-violinist in Venice, taught him to play the violin at a very young age. At ten years old, Vivaldi became his father’s substitute at St. Mark’s Orchestra (Getzinger). Thus, at an early age, he showed extraordinary promise. Years later, that promise came to fruition as he revolutionized Baroque music. Because Antonio Vivaldi’s compositions added warmth and a rhythmically textured sound to a rather ornamental Baroque style, his

Unit 3 – Music of the Baroque 1. Name two important visual artists (such as painters) and also two important writers of literature (such as poets) from the Baroque Period. Do not name musicians. (Visual Artists) - Peter Paul Rubens & Artemisia Gentileschi / (Writers)- John Fletcher and Francis Beaumont 2. Write a paragraph about “The Baroque Style”. The baroque style was very well suited to the wishes of the aristocracy, who were enormously rich and powerful during the seventeenth and eighteenth

influenced music, there are two that have stood out. The Baroque Era and Classical Era have generated artists that are well known. Both eras play an important part of history with artists who have influenced artists of today. In this essay, there will be a discussion on both types of music and differences of each. This discussion will also include a discussion on artists of this era. Baroque is a musical era that falls between two other important eras in music. These two eras of music are the Renaissance

Music during the Baroque era was regarded as a powerful form of communication that could invoke emotions in the listeners. This philosophical belief was derived from a revival of the ideas of the Greco-Roman culture, and as a result, composers believed that they could also affect their listeners through the power of melody, harmony, rhythm, and stylistic details. The emphasis on communication was reflected in the major styles and components that were used throughout Baroque compositions. Baroque

Baroque music generally has certain elements in common across the board, including but not limited to: basso continuo, ornamentation, decisive rhythms, melodiousness, and use of several textures. Of course, different countries in Western Europe had different styles and sub-genres within this. Theorists and composers, such as Jean Philippe Rameau with his treatise on harmony, began defining characteristics of harmony by studying works of his contemporaries. Although the Baroque music as a whole sounds

The baroque era was full of influential composers, who would travel all over Europe, hear each-others music, and be influenced from all over the globe. Though music was suddenly more global, differences in nations where still audible in the music (most obviously between France and Italy). One of the era’s most famous composers was Johann Sebastian Bach (1685-1750), a German composer, organist, harpsichordist, violist and violinist (far left picture below). Born into one of the greatest musical families