Theme Of Blindness In Raymond Carver's Cathedral

In Cathedral, the unnamed narrator, husband, defines the character of Robert as an anomaly in which he doesn’t comprehend. “He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1983). The media has been able to lead people like the narrator to develop negative opinions towards those with disabilities creating a type of phobia. After hearing stories about Robert, told by his wife, he could not imagine this blind man having a good life, one worth living. He assumes that Robert’s wife, Beulah, had lived a very pitiful life as well, not having her husband ever knowing what she looked like or what subtle nuances her facial expressions could only show through sight.

In the beginning of Raymond Carver’s, “Cathedral” the protagonist, who was also the narrator, was not sympathetic towards the blind man. The main character had many preconceived notions about blind people and did not consider life inside their shoes. When they first met, the protagonist felt disgust and lack of empathy towards Robert, the blind man, but he restrained from showing his emotions. It is also very noticeable that the main character was continually jealous of the attention and admiration that his wife gave to her friend, Robert. “I waited in vain to hear my name on my wife’s sweet lips: ‘And then my dear husband came into my life’ -- something like that” (Carver 37). It was an immature mindset that was caused by an unsympathetic and uninterested thought

The idea of blindness in Carver’s Cathedral gains additional meaning throughout the story as we learn more about the character Robert and the blind man himself. The story begins in first person, depicting Roberts disdain for the blind and his smallness of character. As a juxtaposition we are introduced to the blind man who is evolved in character, and has a substantially important relationship with Roberts’s wife. As the story progresses and Robert has more interaction with the blind man, he himself begins to evolve through time spent while his wife is asleep. As the story comes to an end, the blind man has affected the character of Robert to the point that his inward blindness has been exposed. This story shows that blindness does not necessarily

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

Although, the narrator struggles with the misunderstandings behind his wife’s and the blind man’s relationship it becomes apparent that Robert was in fact married. The narrator is proven to have jealous thoughts and a biased opinion of what blind people are like, but he realizes that Robert was now widowed and has lost a woman that “never [saw] herself as she was seen in the eyes of her loved one” (Carver 458). Robert was the “husband [that] could never read the expression on her face, be it misery or something better” (458). These revelations are just a few that possibly help the narrator start to feel some comfort behind the upcoming visit.

Once Robert arrives some, of the narrators assumptions about blind people are broke down immediately like when he mentions "He didn't use a cane and he didn't

The story opens with the narrator giving a background of his wife and Robert. Immediately, it is easy for the audience to form a negative opinion about the narrator. Within the first paragraph of the story he says, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 33). This exemplifies his pre-formed opinion about Robert even though he hardly knows anything about him. He clearly is uncomfortable with the fact that Robert is blind, mainly based on his lack of exposure to people with disabilities. The narrator is very narrow-minded for most of this story, making it easy to initially dislike him.

His further ignorance about the blind are focused in on Robert since he is aware of his upcoming visit. Hearing the marriage stories about Robert from his wife the narrator cannot realize how a woman could love a blind man, "It was beyond my understanding. Hearing this, I felt sorry for the blind man for a little bit. And then I found myself thinking what a pitiful life this women must have led" (508). This ignorance and immature understanding of relationships overshadows his attitude toward Roberts visit, unwanted and condescending. His attitude toward the blind man seems to change though before and furtherly during the connection they make as they draw the cathedral together. Although there is no evidence that the narrator's overall ignorances and prejudices are gone from the experience, it is very clear however that he does come to some sort of revelation and enlightment, "My eyes were still closed. I was in my house. I knew that. But I didn't feel like I was inside anything" (515). Because what the narrator draws is a cathedral it is only assumable that this enlightment that the narrator experiences has to do with values of Christianity, in this case it would be a realization of equality and treating people with love, little is said about the effects this revelation has on him.

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

Through the author's use of diction, more aspects of the narrator's personality are revealed. Simply from word choice, we learn that the narrator is prejudicial towards others, and jealous of other men's relationships with his wife. When facing the situation of Robert coming to town to visit his wife, the narrator blatantly expresses that "a blind man in my house was not something I looked forward to" (Carver 209). This repeated substitution of "blind man"

The doubt the narrator had towards blind people his further evident when the blind man arrives at his house. On seeing the blind man for the first time in the parking lot, the narrator noticed that the blind man had a beard, but he thought that it was unusual. This is evident when the narrator remarks, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 4). The skeptical view, the narrator had towards blind people is further brought out when the narrator was being told about the death of the blind man’s wife.

In the beginning of the story, the husband, who is the narrator of “Cathedral,” seems to be a very ignorant, uncaring man. Nesset wrote “Walled in by his own insecurities and prejudices, this narrator is sadly out of touch with his world and with himself, buffered by drink and pot and by the sad reality, as his wife puts it, that he has no ‘friends’” (Nesset 124). The narrator has no connection to himself or the outside world. He has no friends, as his wife points out, which goes to show he keeps to himself, but he still doesn’t fully understand who “himself” is, because he doesn’t have that connection to himself, thus leading to the drinking and drugs. He wasn’t used to change, so having a visitor come over to his house bothered him. The moment he saw Robert, the narrator began to change. When his wife pulled up with the blind man in the car and they got out of the car, he saw that Robert had a beard and he thought to himself, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 35). The narrator had expected to see the blind man in the way they showed them in the movies, but now that his idea of who Robert was as a person was being challenged, the change started to appear. Robert, who is a static character, is very essential in the change of the narrator. It is because Robert is the way he is, his marrying of a colored woman, his travels around the

The beginning of the story presents the narrator’s wife working for a blind man one summer by reading, “stuff to him, case studies, reports, that sort of thing” (Carver, 34). She eventually extends an invitation for the blind man, Robert, to stay at their house after Robert’s wife had passed away. The narrator was not too happy about having a stranger stay in his home by stating, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 34). The narrator seems very timid about someone he had never met stay at his house who can see purely nothing. This gives off an impression that the narrator doesn’t want to have Robert stay with him because he will be a hassle to keep up with since blind people in the “movies” progress, “slowly and never

His jealousy of Robert does become clear when the after dinner conversation never turns to the husband:

First, Carver uses his non-sympathetic narrator effectively throughout the short story, by showing that the blind man can see more than him sometimes. The narrator says from the beginning that he does not like how this blind man is coming to visit him and his wife. He knows that that the blind man and his wife have had known each other longer than the two of them have known each other. Instead of welcoming his wife’s old friend, he categorizes her friend with her past. Showing the narrator is jealous and pity, which then makes you wonder if Robert, the blind man, was involved in her suicide attempt or her divorce. This explains how Robert would have a better