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Punk Rock Research Papers

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I am a person with many layers. These layers are ways that I like to describe myself. These layers include titles, such as: volleyball, light designer, make up artist, choreographer, and rock and roller. Now when most people think about rock and roll a lot them picture the glam rock artists of the early 70s or the 90s punk rock artists. However, rock and roll goes deeper and starts way earlier with development. Before we delve into these aspects of rock, I need you to understand where I come from and why different types of rock are important to me. I am going to take this in backwards chronological order, starting with how I get my music now. I have a question for you. What’s handheld, bright, rectangular, and has people’s eyes glued to them …show more content…

The majority of these bands fall under the punk rock genre, however, they have several genres under rock that they fall under as well. Some of these sub-genres include: pop rock, screamo, metalcore, hard rock, and rap rock. Punk rock was important to me because of the raw emotions and stylistic guitar solos that hit my heart strings. In the 1970s, the music genre’s incarnation was said to be “simple, against the increasing complexity of other rock and pop forms” and that “the noise of punk cames as much from the amateurish or calculatedly dissonant musicianship as from brandishing the usual rock tools of volume and distortion”. In other words, its simplicity and development, without formal training, made it easier to fit into the mainstream music scene. However, in my household, this music form wasn’t really accepted amongst my peers and family …show more content…

Jon Savage said it best when he said, “Any fascist ambiguity in Punk was fueled by the way that the style had bled Rock dry of all black influences; one way to overcome any taint of white supremacy was to affirm visible links with Reggae.” With Reggae and punk coming together, RAR was enacting its mission: to claim punk and reggae for the left to allow progressive tendencies to flourish. Racitial unity was their end goal and they would not let anyone stand in their way. Although the skinheads tried to fight back by plastering Nazi iconography and chanting “Sieg Heil” at one of RAR’s concerts, RAR fought back by “pairing Sham with a Southall reggae outfit called Misty, forcing skinheads to attend a biracial benefit to see their favorite group,”. The reggae train doesn’t just stop their folks, Bob Marley’s influence in the reggae scene helped to keep this train

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