Eliot’s “Love Song of J.Alfred Prufrock” presents a world that is motionless, as “Prufrock” describes a life where individuals are paralysed to act and consumed by indecisiveness defying a real existence. The dramatic monologue of the poem becomes “the voice of a generation” conveying their inability to fully live life. As the domination of extending modern industrialisation and the outbreak of WW1 had dampened the morale of individuals in the modernist era, as they are left socially paralysed and unable to face the real world . Also the poetic formal features of irony and imagery allows Eliot to relay his message of damnation and interiority to the audience of any context, unravelling retrospectively through irony a defiance to the true meaning …show more content…
Mark Tadourian explains the notion of time standing still stating “time exist only in mind, and if time exist only subjectively than the person is not objective of being one does not experience eternal values as reality becomes an argument of the minds as Eliot elaborates the individuals hangs in a state of indecisiveness and hesitancy.” Eliot as “the voice of generation” declares that they are strained to move forward, stuck because of their own indecisiveness confining themselves to their routine dull lifestyles where there is a complete loss of hope. As in Part II of Preludes Eliot writes “With the other masquerades That time resumes” Eliot uses the poetic form of irony, as times resumes only for the masquerades but not the individuals who are still paralysed dealing in their routine drudgerous life inflicted by the outbreak of WW1. Similar to “The Love Song of J.Alfred Prufrock” as the ‘etherised patient’ represents metaphorically social paralysis and lifelessness, Eliot again raises this questions in Part IV of Preludes “His soul stretched tight across the skies That fade behind a city block” Like Mark suggest ‘time exist in mind’ as the individuals of the modernist era are socially paralysed, frozen in time as the imagery expresses the significance of inner self which is diminished into the same state of the ‘etherised patient’ as the ‘city block’ becomes symbolic of the oppression of industrialisation showing the degradation of self worth and hope as individuals are confined to their dull routine lifestyles. Eliot uses the poetic forms of irony and imagery to express the helplessness that dominantes the people of the modernist world, transpiring as ‘the voice of a generation’ by describing the continuing effects of their context that led to
Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.
T.S. Eliot’s poem, “The Love Song of J. Alfred Prufrock,” illustrates the poet’s fear of the fragmentation of modern society. In the poem, Eliot creates the persona of his speaker, J. Alfred Prufrock. Prufrock is speaking to an unknown listener. The persona of Prufrock is Eliot’s interpretation of Western society and its impotency at the beginning of the Twentieth Century. His views are modernistic, which idolize the classical forms while incorporating new ideas about psychology and the subconscious. Eliot illustrates his contempt for the faithlessness of modern society by illustrating its fragmentation with synecdoche, characterization of Prufrock, and allusions to literary traditions throughout the narrative. In his poem, Eliot illustrates his view of a great tradition that he is witnessing as it falls apart.
“You and I” who are these two entities? Are they different from one another? It is obvious that ‘I’ is the speaker, and if so, then who ‘you’ would be? Since the poem is deemed to be an interior monologue, so “you” would be the inner self. The speaker talks loudly to himself. The conversation doesn’t exceed the limits of the one sided monologue. Such environment can contribute to the state of uneasiness and timidity on the account of the personality of the hero of the poem. Besides, the tone of the poem is a pathetic, murky and reveals the odds as the modern urban life.
In T.S. Eliot’s “The Love Song of J. Alfred Prufrock”, the speaker, Prufrock feels alienated
T.S. Eliot was an outstanding author and an exemplary representation of the ideas of modernism. "The Love Song of J. Alfred Prufrock," despite being one of T.S Eliot 's earliest publications, still manages to remain one of the most famous. He uses this poem to not only draw out the psychological aspect of members of modern society, but also to draw out the aspect of the time that he lived in. The speaker of this poem is a modern man who feels alone, isolated, and incapable of making decisive actions for himself. Prufrock desires to speak to a woman about his love for her, but he hesitates the entire way there. In this poem, the theme I have chosen is fragmentation, which we can see throughout the entire structure of the work. It 's evidenced by not only his writing style, but the use of space and time and the personality of Prufrock.
American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that
When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
In "The Love Song of J. Alfred Prufrock," T. S. Eliot reveals the silent insecurity of a man, for whom the passing of time indicates the loss of virility and confidence. Throughout the poem, Prufrock struggles with his fear of inadequacy, which surfaces socially, physically and romantically. The desire to ask some "overwhelming question," of the one he wants is outweighed by his diffidence, reinforcing his belief in his shortcomings. Ultimately, this poem is the internal soliloquy of someone who attempts to know what he wants and how to get it, but whose social paralysis and lack of self-assuredness prevents either of these possibilities.
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is not a love song at all—but an insight into the mind of an extremely self-conscious, middle-aged man. Prufrock struggles in coping with the world he is living in—a world where his differences make him feel lonely and alienated. Eliot uses allusions and imagery, characterization, and the society Prufrock lives in to present how Prufrock partly contributes to his own alienation. Our ability of self-awareness separates us from other species, making humans more intelligent and giving people the upper hand in social settings, but, like Prufrock, it can sometimes cause us to feel alienated.
T.S Eliot encapsulates a existential isolation and subsequent attentiveness to the world around him, this is expressed through a discipline of words which creates a door into the mind of an infinitely suffering soul. The Love Song of J. Alfred Prufrock and Preludes are two of Eliot’s poems that heavily represent his understanding and perspective on the world, though his life may seem to be reflected in these poems, they only capture a single moment in his life. These experiences are formed by the intense feeling of isolation and rejection, Eliot’s movement away from society subsequently shifted his focus into a more attentive and detailed realm. The textual integrity of his poems are found through the personal meaning and words, and though
Eliot is not solely criticising modern life in the poem, it also serves as a reflection of Eliot’s social context and his own life, a product of its time.
The poem with enduring value. The fragmented structure and irregular rhyme scheme describes the fractured reality of metropolitan life. The opening images, personification of ‘winter evening settl[ing] down’ presents an impersonal city, as the melancholic connotation of ‘winter’ reveal the alienation and vacancy of its residents. This is reinforced through the use of enjambment ‘gusty showers/grimy craps/lonely cab-horse,’ illustrating the confused and tangled city that the persona inhabits. The ‘newspapers from vacant lots’ symbolically reflect upon the vacancy of the society to which Critic Jon Hanrahan adds Eliot’s protagnists struggle with spiritual insufficiency and a failure to make authentic connections with others’ An absence of affection and love bonds between humans is shown through the use of heavy sexual imagery and connoatations of a courtesan awating her clents as she laid upon her back and waited,’ reflecting on the ‘thosand sordid imges/of which her sol is constituted,’ the hyperbole reducing her soul into n entity of lust, sybollicallt manifesting her loneliness. As the pem concludes the revolving warth is compared to ‘ancient women’ metaphorically’ gathering fuel in cacant lots’, the paradoxical statement conveying the persuit for human warmth. Therefore my personal perception and
Eliot’s earliest work, “The Love Song of J. Alfred Prufrock”, set the bar for Modernisms exemplification of Man and his Modern Masculinity. This was done by incorporating Symbolism, and Imagism along with looking past the profound facts, and into the subconscious (Freud).
The Love Song of J. Alfred Prufrock is a uniquely styled piece of literature. In this poem Eliot employs a literary method of writing called "stream of consciousness." This is a difficult method to grasp outside of the literary genre to attempt to understand it within the context of the higher language of poetry can further confuse readers.