Art wraps itself in the darkest aspects of humanity. Things Fall Apart by Chinua Achebe and The Poisonwood Bible by Barbara Kingsolver survey colonialism with the lense of tragedy, representing its pain in similar manners. Both novels revolve around the perpetration of destruction, showing how each tragic hero encourages the growth of suffering in the world around them. This growth of suffering adds to the tragic vision of colonialism as shown in both novels. Both novels examine colonialism via a portrayal of tragic heroes — Okonkwo, the colonized, and Nathan Price, the colonizer — who both perpetuate tragedy with shared inabilities to compromise. Okonkwo and Price share similar flaws, largely driven by a need to escape their pasts; an …show more content…
Okonkwo’s adherence to a tradition of cruelty that harms large groups of minorities leads to a pronounced division once Western missionaries establish their church: a church which allows for aspects of life that tribal law did not. His adherence to traditional law and inability to compromise — rigidity in a culture of flexibility — alienates family members, members of his community, and furthers an internal pressure which ultimately helps the pressures of colonialism. Okonkwo’s inflexible interpretation of tribal law, borne of a need to escape his father’s seemingly feminine weakness, leads to morally bankrupt decisions. Unable to settle on a compromise between law and morality, he murders Ikemefuna: although correct in the eyes of law, the action lacks morals, is purely driven by a need for social power and fear of seeming weak. Such personal conflict culminates in intense inner pressure on both Okonkwo’s part and on the part of the community as a whole, leading to a collapse of long standing unity when faced with the external pressure of missionaries, providing a “way out”. This culminates in a scene in which tribal leaders call for an attack on colonialist forces, including other tribal members which have joined the
1. Barbara Kingsolver explores a quest in her novel “The Poisonwood Bible”. The criteria of a quest consist of a quester, a destination, a purpose, challenges, and reasons for the quest. In this instance the quester is Orlenna Price whom demonstrate guilt consistently. Orlenna is going there to accompany her husband, who is seeking to convert others. She feels guilty due to the death of her daughter and now that guilt remains as one of the challenges she faces. This is mostly transparent when she says “How do we aim to live with it?” (Kingsolver 9). Her guilt revolves around the destination to the Congo. Due to the Congo her one of her children survives. Now she has to deal with that challenge which is her guilt.
Okonkwo and Walter may or may not have achieved it, but while their eyes are fixated on their end goals for success and what they are gaining, they overlook their losses. Because of Okonkwo’s fear of being regarded weak, he often acts overly aggressive to demonstrate his masculinity. Examples of his acting aggressive and cruel fills the entire novel. The first incident is his beating of his wife Ojiugo during the week of peace. No violence is permitted during this week, but Okonkwo breaks the laws only to establish his dominance in the house. Afterall, he cannot be “like the man in the song who had ten and one wives and not enough soup for his foo-foo” (Achebe 57). This incident is an indication of Okonkwo’s disregard for tribal laws because of how less they weigh than his masculinity does in his heart. After already losing respect for the Igbo cultures and customs, Okonkwo continues on losing a dear son. Ikemefuna is captured from
The novel The Poisonwood Bible by Barbara Kingsolver centered around a missionary family in the Congo. The patriarch of the family, Nathan Price tries to convert the villagers living in Kilanga while his family struggles with the culture shock of moving from Georgia to Africa. Kingsolver’s use of different narrators--cycling through the four daughters and the mother--made the story more nuanced and fully developed the characterization of the Price family. Nathan’s obsession and ultimate downfall was a highlight of the book, especially as it was seen from a variety of perspectives. The reader first discovers Nathan’s erratic behavior through the eyes of the second eldest daughter Adah who never had a good relationship with
Barbara Kingsolver is the author of many well-written pieces of literature including The Poisonwood Bible. This novel explores the beauty and hardships that exist in the Belgian Congo in 1959. Told by the wife and four daughters of a fierce Baptist, Nathan Price, Kingsolver clearly captures the realities this family and mission went through during their move to the Congo. The four daughters were raised in Atlanta Georgia in the 1950’s therefore entering the Congo with preconceived racial beliefs, and a very different way of life than they would soon experience. Throughout The Poisonwood Bible Kingsolver explores the importance and impact of faith, and a religion based on your own private beliefs.
The Poisonwood Bible is a book about a man named Nathan Price who takes his wife and four daughters on a mission into the Congo. All of their ups and downs are documented throughout the story. This novel was written by Barbara Kingsolver in 1998. This story was inspired from her own personal trip that her father took her on, to the Congo, where they lived without and water, electricity, and many other necessities. During the time period that this book was being written, a lot of feminist and post-colonial literature was being acknowledged. Feminist literature is both nonfiction and fiction that supports women by defending political, economic and social rights for women. Many works of feminist literature depict strong willed women who
Throughout a lifetime, many things are gained; experience, wisdom, knowledge, as well as a sure sense of self. But along with all these great things come regret, guilt, and shame of past events. Everyone deals with these in different ways, sometimes turning to religion and denial as coping mechanisms. In the novel The Poisonwood Bible, By Barbara Kingsolver, each member of the Price family deals with a personal guilt either gained while on their mission in the Congo or long before. This novel exemplifies the different types of guilt the Price family experienced throughout their stay in the Congo, and shows various means of reconciliation and forgiveness as the guilt is absolved.
The white man's burden is the idea that saving those who are considered less than is a burden that has been placed on the white “superior” race. The Poisonwood bible shows this burden through a Baptist family who goes on a mission trip to the Congo to save the unsaved. The author, Barbara Kingsolver, presents the idea of the white man's burden through the missionary trip that the price family is on. The father, Nathan, has different views towards the saving of the Congolese people than the wife and daughter, while he believes that his journey to please God should be prioritised, his family soon begins to question their views on all things God.
For all of his desire to be strong, Okonkwo is caught up by the constant fear of being perceived as weak. He is afraid of failure and afraid of being considered weak. This fear drives him to do whatever he can to not become a failure like his father which ironically contributes to his death. While Okonkwo was a strong and important figure in his tribe, he had to keep his reputation that way by making some hard decisions. One of them was when he had to kill Ikemefuna, a young boy from the neighboring tribe. Okonkwo started accepting the decision to kill Ikemefuna because he started to call Okonkwo father. He had to keep his own valor intact and kill the boy to prevent himself from showing any weakness, but deep down, Okonkwo was really upset because of what he did which was ironic, “’When did you become a shivering old woman,' Okonkwo asked himself, 'you, who are known in all the nine villages for your valor in war? How can a man who has killed five men in battle fall to pieces because he has added a boy to their number? Okonkwo, you have become a woman indeed.'" (Achebe 65). He continued to roll downhill when the white man comes to try and convert Okonkwo’s tribe. Okonkwo responds by killing one of the messengers that were sent. This cause Okonkwo's own tribe to question his actions. “"Okonkwo stood looking at the dead man. He knew that Umuofia would not go to war. He knew because they had let the other messengers escape.
This unexpected shift in Okonkwo’s behavior and leads the reader and to question what Okonkwo will do with this conflict. Will Okonkwo demonstrate his strengths and slay his adopted son or will he save Ikemefuna from getting killed? This relates to what Biblical style brings according to Erich Auerbach, as we see suspense on what Okonkwo will do with the situation of choosing either tradition or family.
When Okonkwo returns to the village, he finds that the white man has moved in, bringing Christianity with him. This is a struggle that shows Okonkwo’s inflexibility and objection to change from tradition. Eventually, Okonkwo slay’s a man working for the British and ends up hanging himself as a result of his actions. Suicide is forbidden by the clan,
Even though the novel depicts a societal conflict between colonizers who attempt to impose change and tribesmen who reject that change, Achebe avoids stereotyping the colonizers as “bad” and the tribesmen as “good.” The protagonist, Okonkwo, is portrayed with little sympathy. An angry, callous man, he is shown to act outwardly only in violence. Growing up, his father was a weak, effeminate man, and Okonkwo aspired to be everything his father was not: “He was ruled by one passion—to hate everything his father had loved, one of these was gentleness” (13). Even though his motives are established, Achebe does not attempt to justify the selfish and detrimental actions of Okonkwo. On the contrary, Okonkwo’s uncle Uchendu is rendered as a selfless, compassionate, and wise old man. When Okonkwo is banished from his tribe, Uchendu receives his nephew with open arms and helps him re-establish his life. “As soon as Uchendu saw him with his sad and weary company, he guessed what had happened, and asked no questions” (129). By showing both undesirable and appealing characters, Achebe offers a reputable and non-biased portrayal of his native people to unfamiliar American audiences.
The missionaries conflict with everything Okonkwo believes or values. The missionaries are so outlandish to Okonkwo that his first reaction is just to laugh at them. This is shown on page 147, paragraph 4, “ At the end of it Okonkwo was fully convinced that the man was mad. He shrugged his shoulders and went away.” Okonkwo later begins to understand the threat the missionaries pose to his society and passionately speaks for forcing the missionaries out of Umuofia. However when his people will not listen to him, he feels like he is forced to take matters into his own hands. This is shown on page 204, paragraph 7,” Okonkwo’s machete descended twice and the man’s head lay beside his uniformed body”. The Ibo people do not join in on the violence as Okonkwo had hoped, which contradicted with Okonkwo belief that the Ibo were warrior people. This final loss of Okonkwo’s core beliefs is what shatters Okonkwo’s final sense of identity as a man. As Okonkwo is no longer any of the things he has come to identify himself as, and Okonkwo blames the missionaries for this, his final response to the missionaries is to take his own life. Okonkwo's death is shown on page 207, paragraph 3 “ Then they came to the tree from which Okonkwo’s body was dangling, and they stopped dead.” When Okonkwo identity was ripped from him he no longer saw a point in living and his fight with the
Heart of Darkness by Joseph Conrad and Things Fall Apart by Chinua Achebe are two novellas written to make a statement about the struggles of early societies. Both stories stir up moments of hope, anger, disappointment, despair, and enlightenment in an attempt to inform the reader of the injustices and societal differences during the 1800’s. Heart of Darkness tells the story from a European Colonist perspective while Things Fall Apart illustrates the outlook of the African tribe member being colonized. Throughout this piece I will investigate these unique texts in hopes of revealing the symbolism behind the trying stories. I will compare and contrast the narratives and decipher the outlooks so that the reader can learn to appreciate and
Following Okonkwo’s seven year exile, the village Okonkwo once knew has changed due to the influence of Christianity and the influence of the British missionaries and officers. Okonkwo’s initial reaction is to arm the clan against the Colonisers and drive the British people out of Igbo.
Okonkwo’s participation in the slaying of his adopted son, Ikemefuna is a pivotal moment in Things Fall Apart. It is a moment of horror that cannot please Ani, the great earth goddess, the center of community, the ultimate judge of morality for the clan. It is a moment that changes the course of events, a moment eerily paralleled in the death of Ezeudu’s son. It is a moment that ultimately causes Okonkwo’s son, Nwoye’s to abandon his ancestors and become a Christian. It is a moment when the center of community life, the need to honor blood ties and the need to respect the earth goddess, can no longer hold. It is a moment when things fall apart.