Poetic Style Of Alexander Pushkin

In the beginning, there is very little light. It is almost dusk, and the speaker describes the smell as “dark” (7). Towards the middle and end there are various lights: lanterns, lamplight, fireflies, lamp (9, 11, 13, 20). This change over time depicts the storyteller’s significance to the speaker, because she brought enlightenment to his life. In this poem, light is a metaphor for knowledge, while darkness is a metaphor for ignorance. At the end, the old wise storyteller, who is the embodiment of wisdom, “was the lamplight” (20). In contrast, the two boys, who are young and ignorant, are “in one shadow” (21). The juxtaposition of light with darkness shows that the speaker and storyteller are opposites in their insight. Additionally, it is strange that she is a light before them, yet they are still shadowed. What is blocking the light from them? This metaphor illustrates that it takes time for people to become sage like their elders. As the speaker says, adulthood is “childhood’s aftermath,” which means that the knowledge people gain in childhood will lead them to be wise adults such as the storyteller

Ever lonely star I see above me, is like a lonely person waiting for another star to come along. As another star comes along it shines that bright that there isn’t no other to compare with. He was the brightest star in the night, others seemed dull by comparison. Non-stop conversations began, and I started losing sleep. I got excite,a feeling I haven’t felt for a long time. We had even given each other nicknames, Blancss and Nakss, who had shared adventures, and a song that was randomly picked, Counting Stars.

The last eight line of the poem, “Starlight,” by Philip Levine, paints a powerful and moving

Both Sun and Moon play significant roles in this old poem, in a symbolic and supernatural way, in order to reinforce the mood that Samuel Taylor Coleridge has attempted to create in his use of old legends and superstitions. The role that the sun and moon play in this tale of cursed sailors is an old one, retold over and over the years that Coleridge adapted for his own.

Poetry is the art of rhythmical composition written or spoken for exciting pleasure by beauty imaginative or elevated thought. It is also literary work in metrical form. By definition, a poet is a person how composes poetry. The relationship between poetry and the late Henry Charles Bukowski is equivalent to that of a professional ice skater and the ice that he skates on . By the same token, it compared to something a bit less governed, although a pro ice skater is free to graze the ice at his own expense, the root of professional ice skating is indeed restricted. For example, judges, rules, regulations, agreements, terms, and contracts that

Alexander Pushkin “Queen of Spades” is a story about a man’s greed causing damage in many lives. The man uses someone heart to find the supernatural secrete to several large jackpots. This story shows us the idea of many things but is the story to much for one moral of the story? What is the moral of the story? Is the message clear?

In the poem, “The Bronze Horseman,” Pushkin crafts the legend of Saint Petersburg in which he displays the city as an unnatural force. Although this poem consists of fantastical elements such as when the Bronze Horseman comes to life and chases the main character, Evgenii, the poem is not simply a story of magic and mayhem. As the poem progresses, it becomes clear that that the city of Saint Petersburg presence defies nature and leads to the unfortunate events that occur throughout the poem. Furthermore, Pushkin explores the role the government plays in the citizens’ lives.

It first stuck out to me as a glimmer a hope appearing, meaning they had almost made it through the night. That gave them the motivation to keep going. The morning star could also symbolize God as during the night, light was nowhere to be seen and hope was a thing of the past. The only thing they could see was their lives flashing before their eyes, but when the light appeared, they knew that they had done it. This made me realize how important of a role religion played back then and how people’s faith had to be stronger than ever before during that

Rodchenko overlaps planes of colour, form and texture in an architectural way. His design includes a large clock signifying the importance the Revolution placed on precision and efficiency, as well as a speaker’s rostrum, a huge billboard and a space to sell books and newspapers. Rodchenko became an indisputable supporter of the Bolsheviks after the revolution and held roles within the newly formed Fine Art Department of the People’s Commissariat of Enlightenment. El Lissitzky was a Suprematist and therefore his goal was to create work that embodied utopian ideals and values. His work was more transcendental and he sort to manipulate space and perspective to shape the new world. El Lissitzky developed Prouns (an abbreviation of Russian words meaning ‘project for the establishment of new art’). These images were meant to move and inspire the masses. El Lissitzky described the ‘Proun’s power is to create aims, this is the artists’ freedom, denied to the scientist’ (Margolin 1997, p. 33). He aimed to create works that would be clear to everyone in an attempt to build a classless society. Despite the isolation of Russia from the rest of the world as a result of the Revolution, El Lissitzky still believed in a utopian world. He chose to recreate form and space from scratch. The Proun brought together architecture and painting. Proun 1 E, The Town (see figure 2), closely models a town plan. There is volume to the shapes he uses which indicate the form of

The speaker refers to the night as his acquaintance. This implies that the speaker has a lot of experience with the night, but has not become friends with it. Thus, because even the night, which has been alongside the speaker in comparison to anything or anyone else, is not a companion to the speaker, the idea of loneliness is enhanced. In addition, “rain” (2) is used to symbolize the speaker’s feelings of gloom and grief, because there is continuous pouring of the rain, which is unlikely to stop. In line 3, “city light” is used to convey the emotional distance between the speaker and society. Although the speaker has walked extensively, he has not yet interacted with anyone – thus distancing himself even further from society. Moreover, the moon, in lines 11 to 12, is used as a metaphor of the speaker’s feelings. The speaker feels extremely distant from society that he feels “unearthly.” The idea of isolation and loneliness in this poem is used as the theme of the poem; and the use of the setting and metaphors underscores the idea that the speaker feels abandoned from society.

The poem is found in the book, “A Gentleman in Moscow” by Amor Towles. The book is placed after the Russian Revolution and the events happening is because the poem was suspected to be counter-revolutionary. The poem “Where is it now?” (line 1-19), Amor Towles personifies the revolution to give effect that revolutions behave and act like humans. Secondly, Towles compares the revolution to a melody, a positive cadence, and an animal.

In the second stanza I feel as though the speaker is praising and worshipping this “Aurora,” hence “Aurora hail” in the first line of the second stanza. The speaker then goes on to explain how “Aurora’s” wide extended rays (the sun) awake her. The speaker pays homage this way every morning and also touches base on a bird that is called a zephyr. The speaker states that this particular bird is playing a harmonious tune that she finds peaceful, calming and at ease with. The more I read this poem and think more deeply into it, I can only be amazed at the fact that Phillis Wheatley has written this. She truly expressed an immense amount of intellect and thought as well as painting a direct and symbolic picture of this particular poem.

All of Russia is our garden. The earth is great and beautiful; it is full of wonderful places. Think, Anya, your grandfather, your great-grandfather and all your ancestors were serf-owners, owners

The imagery in the poem, specifically natural imagery, helps use the reader’s senses to develop a vivid depiction of the speaker’s connection to nature and dissatisfaction with the surrounding reality. The speaker’s continued use of the “moon” reflects her attribution of feminine identity and idolistic character to the moon. As opposed to referencing herself and her personal insomnia, she uses the imagery of the moon “beyond sleep” to convey her internal struggles with insomnia and her reality. Throughout the poem, the speaker also refers to shining, reflective surfaces, such as “a body of water or a mirror”, to describe the inverted reality in which the speaker experiences reciprocated love. Reflective surfaces often invert the image that is projected into them, seemingly distorting the true nature and reality of the projected image. The speaker’s reference to this reflective imagery highlights her desire to escape the burden of a patriarchal society and assume an independent and free feminine identity. Specifically, the use of natural imagery from the references to the “moon” and “a body of water” convey the speaker’s desire to take refuge within the Earth or in the feminine identity of the Earth, Mother Earth. Feminine identities are often related and associated with aspects of nature due to the natural cycle of the menstrual period and the natural process of procreation. The speaker takes advantage of these connotations to suggest Earth and natural imagery as an escape from the man-made terrors of male dominated society. In the second stanza, the speaker uses extensive imagery to develop metaphors conveying the speaker’s experience of jealousy of the moon

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