Blues is one of the most captivating genres of music. The genre was originated in the late 1800’s as a method used by African American slaves to express the circumstances as well as to put emphasis on their feelings and emotions. In order to create these feelings in this music, blues artists incorporate many of the same techniques used to write poetry. One of the most easily identifiable songs in which it is easy to see the relation between poetic elements and blues music is the song “Empty Bed Blues” by Bessie Smith.
The lyrics to “Empty Bed Blues”, when not being sung, appear to be a regular poem. But when performed, the lyrics are transformed into a powerful and meaningful blues song. Bessie Smith is one of the most well-known and
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The use of rhyming by Bessie in this song is extremely easy to identify; “head” and “bed”, “find” and “grind”, “wrong” and “long”, etc.
The words used by Bessie in this song set up a platform for her tone and the attitude of the story. The lines she uses are chalked full of images and other elements including phrases with double meanings. Some of the words in the lines she uses have literal meanings as well as more subtle referenced meanings. There were two particular examples of messages with an underlying tone dealing with intimacy. The first is when she says, “Bought me a coffee grinder that’s the best one I could find,” which implies finding a man that best serves her needs/desires. This line is followed by, “Oh he could grind my coffee, cause he had a brand new grind,” which the audience is led to believe refers to her being satisfied with the new man. The next example of her word choice creating a hint of a sexual tone begins with the line, “He’s a deep sea diver with a stroke that can’t go wrong,” and ends with her saying, “He can stay at the bottom and his wind holds out so long.” This is a pretty strong example of intimate innuendo. She uses words set up in a type of context that makes them mean something other than their literal meaning. Although what she’s saying doesn’t directly reflect it, this stanza refers to the intimate acts between her and her new lover, symbolized by the new grinder.
In the first stanza, the poem consists of alternate rhyme to help the poem have a pleasant pattern and get the reader's attention to expect what will happen next. In the poem, Frances uses “Wretchedness” in line 2, to describe their situation being at a slave auction and show the emotion the slaves are feeling
The conclusions that were drawn from the study of how the class biased study of Black Women’s literature left a gap in knowledge about Black Women’s sexual liberation in the 1920s and 1930s was that the woman blues singer served as a collective representation of social and sexual conflict. The songs created by women blues vocalists stood up against the ordinary perspectives of what a lady's part and place should be. It allowed black women to express their sexual desires for the same sex. Women soul music remade poetry, expression, works of fiction, and abstract craftsmanship inside of African American society by permitting black women scholars to free themselves from the repression of the women activist’s hypothesis and feel confident to express
Bessie Smith is an American Jazz musician in the genre of blues. She was born on the date of 15th April 1894. She is known to well for her dominance in the blues genre music in the span of around 1920s and 1930s. Bessie attributes her success, by working continuously with Louis Armstrong. Research indicates that Louis was a key inspiration when it comes to the perfection of jazz vocals. In her time, Bessie Smith proudly boasts as one of the best Blues musicians both in the US and the world as a whole. However, her life was cut short in 1937 on September 26th, in a fatal car accident. Regarding the above-mentioned information, this paper discusses more the life of Bessie Smith, collectively with the dominance in the Blue Music (Scott, 2008).
In Harlem you heard someone playing some type of jazz, telling their story, sharing their emotions. The first poem “The Weary Blues” in stanza one it says “Droning a drowsy syncopated tune, rocking back and forth to a mellow croon, I heard a Negro play.” The word syncopated means a displacement of beats or accents in music or a rhythm so that strong beats become weak and vice versa. It also tells a story from a black mans soul as stated in stanza 15. The next poem called Harlem says in stanza 10 “We remember”.
In “The Land Where The Blues Began” you see the hardships of Mississippi’s people and the every day challenges they were forcefully put through. Beatings and killings weren’t scarce and the payment for work was low. Through these times though, they were able to make light of the situation. In the works of handmade instruments and words that fully defined their feelings, these people found solace and comfort in the Blues.
Blues is defined as a feeling of sorrow, sadness, mournful, or depression. Jonathan Curiel, the author of the article states blues music were used by slaves to discuss the harsh treatment, sad times, and a yearning to escape to freedom. Sylviane Diouf plays two recordings, The Muslim call to prayer, and "Levee Camp Holler" in order to show the connection between Islam and American blues music. “Levee Camp Holler” is a product of ex- slaves who worked doing manual labor during the Post-Civil- War America. The version of the songs that he used in presentations has lyrics like the call to prayer which speak about a glorious God. “Levee Camp Holler” emphasizes the tone and words of the reciters vocal chords. Based on the article, these song shows
Jazz music is often associated with long, lazy melodies and ornate rhythmical patterns. The Blues, a type of jazz, also follows this similar style. Langston Hughes' poem, "The Weary Blues," is no exception. The sound qualities that make up Hughes' work are intricate, yet quite apparent. Hughes' use of consonance, assonance, onomatopoeia, and rhyme in "The Weary Blues" gives the poem a deep feeling of sorrow while, at the same time, allows the reader to feel as if he or she is actually listening to the blues sung by the poem's character.
The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of
Originating from the African-American community in the southern United States, blues music is a temporal folk tradition that possesses lyrics remarking life. Blues music emphasizes the emotions of individuals; the performers express their various feelings of sorrow, anger, joy, or lust through music and words. The realistic perspective on fundamental emotions of all human beings delivered by blues music produces the appeal of blues around the world. There is a variety of blues music; however, the subgenres in this discussion will be classic delta blues, Texas blues, Soul blues, Chicago blues, and British Blues Based Rock.
The sexual nature of the blues is an assertion of power. This music is a feeling that celebrates pleasure and success of being yourself. As a matter of fact, the lyrics deal with self-pity such as losing your job and personal misfortune like overcoming hardships. The blues is hypnotic; it bridges tragedy with comedy through sex. With this in mind, it was dangerous for African Americans to speak out so they use sexual lyrics to voice their thoughts, “therefore the writers found it easy to smuggle them into their songs and to invest them with passably respectable meanings” (Johnson, G. p. 19). By the same token, some songs with erotic tone lyrics real meaning often spoke out against racism and protest. “Hellhound on My Trail” emphasizes
Many writers and artist feel fold art would be the best to show racial pride. James Weldon Johnson used the seven Negro Sermons a Bible turns it into a poem. By the oral tradition this author shows the tradition, plus the culture of belief of what makes them African American. (Doc C) Another way of showing racial pride is through poems by Langston Hughes, he wrote “Home Sick Blues” and “Po’ Boy Blues”. Both of these poems have blues in common in the title. Blues is a musical form created by African American. The readers can feel a negative atmosphere in both of these poems “A terrible thing to have to keep from cryin’ “from “Home Sick Blues” and “I wish I’d never been born” from “PO’ Boy Blues”. It expresses racial pride by what they
Langston Hughes’ poem “Dream Boogie” dramatizes the double consciousness of an African-American. The poem shows that even during a time of relative happiness and prosperity, such as the Harlem Renaissance, an African-American still experiences pain and despair due to the negative impact of race relations. The poem also depicts the limitations faced by African-Americans that include the inability to accomplish one’s dream due to being treated like second class citizens. There are two speakers in the poem. The main speaker is well aware of his position in life as an African American. He tries to get the listener to understand the reality of being an African-American, but the listener struggles to understand the oppression that African-Americans
“The Weary Blues" is a poem by American poet Langston Hughes, written in 1926 which was during the Jazz age. The poem is a poet telling us about a piano player that is “the Negro”, he heard some time ago. This musician is singing about how, even though he's depressed, he's going to put his worries aside. But then as the poem evolves we gradually see that he loses hope and wishes that he was dead.
Nowadays the blues revolve around the meaning of sadness but doesn’t have a true message of fighting for survival or deprivation of freedom. In the process of searching for the modern day blues, it was discovered that the music is compiled by mostly Caucasian artist compared to the past where it was conceived by blacks to prompt their practices and beliefs.
This paper will examine the process of marginalization of the figure of blues woman in African-American literary domain during the 1960s by undertaking comparative assessment of her significance in black writing before and after the Black Arts Movement .The research paper will focus on the following texts for a comprehensive engagement: Not Without a Laughter(1930), Their Eyes Were Watching God (1937),Invisible Man(1952) and Sonny’s Blues(1957) .The research will also study the construction