Pocahontas
Introduction
[1] Disney’s Pocahontas has understandably received a lot of flak about the historically inaccurate story that is told about the legendary Pocahontas and Captain John Smith. There is a good reason for that. The movie does little that can be construed as historically accurate, yet Disney claims that was never their intent. Disney, in their previous movies, has been attacked for being racist and unsympathetic to racial minorities. Their answer was a movie whose sole purpose, as stated by Disney, was to promote racial tolerance. The question is, then can a movie promote racial tolerance when the issue is built on false history, history that if told accurately would depict the exact opposite?
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It is also about having respect for each other’s cultures” (Pocahontas 35). In a sense that is what the story of Pocahontas promotes, racial tolerance between two groups who are seen as “different” from one another. The problem that most people encounter is that Disney chose an actual person and an actual legend in which to display that theme.
[4] Disney even goes on further to suggest that their intentions have a modern relevance when they say that “It is an important message to a generation to stop fighting, stop killing each other because of the color of your skin” (Pocahontas 37). It is quite clear that Disney never intended to write or rewrite history, as they have been so viciously attacked for doing. They are writing about tolerance and understanding, while at the same time they are giving back some respect to the indigenous people of America. James Pentecost, the producer of the film, feels that “moviemakers shouldn’t be handcuffed when using real stories as jumping-off places for works of entertainment” (Kim 24). Disney simply liked the idea of Pocahontas; they liked the message that it conveyed, and they made it applicable to Hollywood.
[5] Gary Edgerton and Kathy Merlock Jackson, in their review of the movie, conveyed these same ideas about Pocahontas. They insist that “The filmmakers at Disney never really intended Pocahontas to be historically accurate, despite all the
In the production of the movie “Pocahontas”, Disney should have acknowledged that not all of the historical information included was completely true. Many people were angry with Disney that they had misportrayed the history of Pocahontas and her tribe. In the article, “Bias in Disney Movies: Pocahontas”, Tom Roderick states that “the film’s ‘pro-social’ messages about racial tolerance and talking out disagreements ring hollow” (Roderick 126). Throughout the film, there are many instances where Disney changed up the history a little bit. In their defense, Disney was just trying to entertain but they should have checked with the Powhatan tribe because they were beyond mad. In the novel, “The True Story of Pocahontas: The Other Side of History”,
It is said that there are many different versions to a story. There is one persons story, then there is an other person’s story, and then, there is the truth. “Our memories change each time they are recalled. What we recall is only a facsimile of things gone by.” Dobrin, Arthur. "Your Memory Isn't What You Think It Is." (online magazine). Psychology Today. July 16, 2013. http://www.psychologytoday.com/blog/am-i-right/201307/your-memory-isnt-what-you-think-it-is. Every time a story is told, it changes. From Disney movies to books, to what we tell our friends and colleagues. Sometimes the different sides to the story challenge the
This movie was made in 1953 when Indigenous people were being thrown into residential schools and having their land taken away from them. At the time of production, the producers felt that there was nothing wrong with film because during that period of time racism was a part of everyday life. In order to get a better understanding of these problems within the film I had to watch it. After watching the film, I was shocked at how much racism and sexism was a part of the film. Directors often degrade minority groups by portraying them a certain way so they are not put in the same category as the main characters. The imagery is in movie portrayed indigenous people in a negative manner. In one of the scenes, an Indian chief is shown yelling and making animal noises. This scene is unacceptable as it leads the audience to perceive Indigenous people as illiterate. Moreover, the scene dehumanizes the Indian Chief by portrayed him as an animal rather than a human. This contributes to the major problem of dehumanization because if the Chief is portrayed as an animal the audience is less connected with him therefore the racism did not seem that serious. When kids watch this movie, they take all of this in and it sticks with them so when they do see an Indigenous person in the outside world, they view them as animals instead of actual human beings.
By far the most questionable stereotype and misinterpretation in the film is the way Disney chose to portray Pocahontas, specifically her age, characteristics, and body image, which according to historical records and cultural belief, was completely inaccurate and therefor unauthentic. The article Using Critical Race Theory to Analyze How Disney Constructs Diversity, once again provides insight into the differences between the Disney film and the authentic native culture. It says, “When Compared to White Disney heroines, Pocahontas is portrayed as sexier, more sensual, and exotic, bare skin
Disney has faced a large amount of criticism from critics over the tropes and stereotypes that it portrays in its animated films. This is not a recent event however. One of Disney’s most notorious and controversial films, Song of The South, was released in 1946. Song of the South, set during the Reconstruction Era, focuses on a young boy named Johnny who learns that his parents will being living apart for an unknown amount of time, moves to a plantation in Georgia, while his father continues to live in Atlanta. Depressed and confused over the recent events Johnny decides to run away to Atlanta, but is drawn to the voices of Uncle Remus, an ex-slave living on the plantation, telling stories of Br’er Rabbit. Although it is implied that the African American workers are no longer Johnny’s family property, the black characters are still wholly subservient and are happy to be so. James Baskett plays Uncle Remus as a blissfully, happy companion ready to please. Due to this “magical negro” trope, the characters’ ridiculously stereotypical voices, and the unrealistic happy and joyful relationship between the white landowners and their black help, Song of The South, is one of Disney’s most offensive, racist, and fictitious film. Disney’s portrayal of Uncle Remus is his veiled justification of the mistreatment that minorities received before and after the Reconstruction Era.
John Smith's tales of the Indian princess, Pocahontas, have, over time, encouraged the evolution of a great American myth. According to this myth, which is common knowledge to most Americans, Pocahontas saved Smith from being killed by her father and his warriors and then fell in love with John Smith. Some versions of the myth popular among Americans include the marriage of Smith and Pocahontas. Although no one can be sure of exactly what happened almost four-hundred years ago, most historians agree that the myth is incorrect. Pocahontas did not save John Smith's life from "savages" and never showed any affection for him. The events of her life differ greatly from the myth Americans have created.
Many people believe the 1995 film, Pocahontas, to be the true story of a young Powhatan woman. However, the story lacks facts. Pocahontas isn’t even her real name. Matoaka, the real Pocahontas, faced mush more misery than the movie showed. Mataoka’s life in America, life in England, a comparison between the movie and real life, and how fictional portrayals of real people effect society today will show you that Disney’s inaccuracies could change history.
The animated Walt Disney movie Pocahontas is based on a true life story of a young Powhatan Indian girl named Pocahontas who falls in love with John Smith. In the making of the movie, Walt Disney, attempts to relate to the early 17th Century historic event of Europeans settling in Jamestown; however, Disney did not portrait the true story. Disney rewrote the story by making it a beautifully romantic and animated love story like a Cinderella fairytale.
[2] For films concerning slavery, the role of the filmmaker as educator is substantially heightened. All too often slavery films categorically vilify whites as oppressive forces, polarizing race and stereotyping the white
Pocahontas is a Walt Disney Pictures animation released in 1995 following the Disney Princess franchise. The movie is about Pocahontas, a native American lady whose home is invaded by Englishmen who wishes to exploit the land’s resources and to “civilize” the people living there. However, one of the Englishmen, John Smith, fell in love with Pocahontas. This essay studies the stereotypes of native American and them being essentialized in the media as being savages, sexism and also over romanticization, as represented in the movie.
During the last several decades, the media has become a strong agent in directing and controlling social beliefs and behaviors. Children, by nature, can be particularly susceptible to the influencing powers of the media, opening an avenue where media created especially for children can indoctrinate entire generations. Disney movies, like all other media “are powerful vehicles for certain notions about our culture,” such as racism. (Giroux 32). Racist scenes in Disney movies are often identified as simply being “symbols of the time” when the films were produced. Furthermore, Disney racism is often passed over as simple humor, or as a simple guide to
Hollywood’s leading animation studio has had many instances of stereotyping and being racially insensitive. Two main examples of their racism towards Native American tribes have been Peter Pan and Pocahontas. In both instances, there have been controversial songs that have the Native Americans at the center. Both depict the stereotypes that are not necessarily true of the tribes.
Pocahontas and John Smith’s relationship really highlights the differences in culture in the film. John Smith, due to lack of exposure to Indian’s, truly believes that they are savages in comparison to the way the English live. Pocahontas and her tribe believe that the white men are savages in their own way, simply because they live and act in a different manner. When Pocahontas and John Smith teach each other the different greetings of their cultures, it is first exposed how different the two are. When John Smith and Pocahontas come together and fall in love, they have a few conversations that enlighten their lack of exposure to each others culture. John smith tells Pocahontas, “We've improved the lives of savages all over the world” and in
All of this proves that Hollywood is not doing a good job in making up for the blatantly racist films of the twentieth century. Hollywood needs to do more to reverse the stereotypes of early film because such stereotypes are still seen today along with their respective repercussions.
There are several critics towards Avatar which states that this movie contains racist themes in which the white hero once again saving the primitive natives. The editor in chief sci-fi magazines Jesse Washington writes that Avatar reminds her of Pocahontas story which also tells about how the main white characters realize that they are complicit in a system which is destroying aliens or people of color, and then go beyond assimilation and become leaders of the people they once oppressed.