Othello and the Seven Deadly Sins

Iago' s jealousy rises mainly from a his boss, Othello, picking Cassio to be his right hand man. "One Michael Cassio, a Florentine, a fellow almost damn'd in a fair

     Iago told Othello that he would discuss Desdemona with Cassio, and that he would talk about the affair. Iago does not do this, and instead he talks about Bianca with Cassio, and Cassio laughs at things Iago says. Othello sees Cassio laughing and just assumes he is laughing at Desdemona, which in return upsets him very much. Iago used several tactics to set up Othello for deception in this case.

Iago has many reasons to be Jealous of Michael Cassio, he is described as the perfect soldier throughout the book, and not only is Iago furious that Cassio was promoted to lieutenant first, but Iago suspects him, as well as Othello, of having an affair with his wife,

There are many opposing views to the way that Othello is defined within Shakespeare's The Tragedy of Othello. Some suggest that Othello is a savage "Moor," and at no point is he the noble "Venetian" he attempts to portray himself as. Others suggest that Othello is the noble "Venetian" he portrays himself as, and his ultimate demise stems directly from Iago being a savage. Yet some agree that Othello is both the noble "Venetian" and the savage "Moor," unable to fully interpolate himself into the "Venetian" paradigm, but becoming, rather, a "noble savage."

Iago warns Othello that “[Desdemona] did deceive her father, marrying [Othello], and when she seemed to shake, and fear your looks, she loved them most.” (Shakespeare 3.3.207-210). We can see that Iago is trying to make Othello jealous by pointing out that Desdemona has already betrayed someone that she loved so what would prevent her from doing it again. Iago manipulates Othello by claiming that Desdemona gave Othello’s handkerchief away “yours by this hand! And to see how [Cassio] prizes the foolish woman, your wife! She gave it to him, and he hath given it to his whore” (Shakespeare 4.1.170-173). The final blow to manipulating Othello, Iago tells him that Desdemona gave Cassio her handkerchief confirming her betrayal. This is the end to behaving rationally for Othello. Mark Rose insist that Iago is “playing his victim [Cassio] with wine has robbed [Cassio of his reputation]. The presentation of Cassio as a decent man changed into a drunken madman foreshadows the actions of Othello to come” (Rose 285). This displays the idea that Iago is manipulating anyone in any way in order to get to Othello. In this case he is manipulating Cassio’s reputation so that later in the play Iago can use Cassio against Othello to make him jealous of his wife cheating on him with Cassio. Iago is easily able to set this in motion because he damaged Cassio’s reputation so much that Othello doesn’t trust him, or want him

He wasn't promoted to lituent and instead of him” Michael Cassio, a Florentine,A fellow almost damned in a fair wife,That never set a squadron in the field,Nor the division of a battle know, More than a spinster unless the bookish theoric,Wherein the togèd consuls can propose,As masterly as he: mere prattle, without practice,Is all his soldiership. But he, sir, had the election”(I,i,21-28). Iago is jealous of Cassio because he has more experience with war and its tactics.While this rumor is unconfirmed iago still thinks iago still thinks that his wife cheated on him with“the Moor, And it is thought abroad, that 'twixt my sheets,'Has done my office. I know not if 't be true, But I, for mere suspicion in that kind,Will do as if for surety.”(I,iii,429-433). Just the mere thought of his wife cheating on him makes iago want to destroy

In other words, Cassio is a man who knows as much about war as an old woman does, unless it is what he has read in books. Therefore, Iago finds him hardly qualified for the job he has gained. Iago is also jealous toward Othello because it is rumored that he has slept with his wife Emilia. (Find Quote In Book) Iago now has a motive to make Othello think that Cassio and Desdemona are having an affair to get revenge on Othello and achieve his goal. His hatred and jealously toward Othello and Cassio seem to turn Iago, himself into “the green-eyed monster” (III.iii.1203) that leads him down a path of destruction.

When Iago found out Cassio became Othello’s lieutenant, he can be comprehended as jealous. He talks about Cassio’s lack of knowledge and experience with fighting (I.i.20-27). Although, Iago may seem jealous of Cassio, he is only furious with Othello. Later, when Cassio welcomes Emilia by kissing her hand, he is being polite. He also speaks very highly of Desdemona by saying, “One that excels the quirks of blazoning pens,” (II.i.69).

Throughout church history, the Seven Deadly Sins, or Seven Mortal Sins as they are also known, have been seen as those that threaten everlasting life. In early times, a list was help for the people who could not read (Douglas). One cannot help but to see these sins throughout the drama of Othello. Christians in the past used the seven deadly sins to instruct on how to live a holy life and to show how easily we are inclined to a sin nature. Shakespeare incorporates these sins throughout the drama of Othello. The reader follows the characters through the sins of wrath, pride, envy, lust, sloth, greed and gluttony to the bitter end of this tragic love story. Shakespeare shows how easily it is to open the door to the devil and how many lives it affects.

During Act I, Scene I of the play, Iago berates Cassio as he spoke to his fellow conspirator, Roderigo, by saying he was unworthy of his lieutenancy as a man who lacks knowledge in the battlefield. By repeatedly emphasizing Cassio’s inadequacy, Iago uncovers that he likely does this out of envy for Cassio.. Iago also suspects that Othello slept with his wife, and it supposedly sets his mind into emotional turmoil. He explicitly states that the thought of it bothers him, “gnaws his inwards.” Although the truth of Iago’s words here remain unclear, if he is in fact disturbed by this idea, this could give him more incentive to ruin Othello as he eventually

Iago’s manipulation of Othello is the most significant in the play Othello. Although, Iago’s elaborate plan would never have worked without careful manipulation of Othello’s honorable lieutenant, Cassio. In the third scene of act two, Iago uses his established credibility and pathos to manipulate Cassio’s emotions. The scene starts with Othello telling Cassio to assist Iago in standing guard through the night. When Iago arrives, he begins his manipulation by shifting the conversation to Othello’s wife Desdemona, which leads Cassio to say, “She is indeed perfection” (Shakespeare, 2.3.22). Iago uses this conversation to direct Cassio’s emotions. Immediately after Cassio confesses his feeling for Desdemona, Iago tells Cassio he has a “stoup of wine,” and wants to have a toast to Othello’s health (2.3.23). With persuasion from Iago, Cassio takes part in the toast and gets drunk. Shortly after Cassio leaves, Iago sends Roderigo, a former suitor to Desdemona, to start a fight with him. Not long after, Roderigo runs back pursued by Cassio. Iago, knowing

Iago finds the opportunity to make an undermining comment — "Ha, I like not that" — that rankles in Othello's mind. Iago further insinuates that Cassio was not just leaving, but that he was "steal[ing] away so guilty-like". Iago's words here are filled with forceful insinuation, and as he pretends to be a man who cannot believe what he sees, he introduces jealousy into Othello's mind. Iago also urges Othello to recall that Desdemona deceived her own father by marrying Othello. To Brabantio, Desdemona pretended to be afraid of Othello's dark looks; she pretended to shake and tremble at Othello's exotic demeanor, yet "she lov'd them [Othello's features] most".The implication is clear; Iago does not have to state it: If Desdemona deceived her own flesh and blood, she might just as naturally deceive her husband. ‘Look to her, Moor, if thou hast eyes to see, She has deceived her father, and may thee’.(Act I,

Now that Michael Cassio is in distraught, he has no one to turn to, but Desdemona, Othello’s wife. Iago’s ultimate destruction is put into full motion. Michael Cassio and Desdemona spend a lot of secretive time together trying to figure out how to convince Othello to reinstate Cassio’s lieutenant position. The only person that knows their time together is Iago, since he is considered a trustworthy friend. This makes Iago’s plan

Iago quickly tried to come up with false evidence to apparently, to prove to Othello that this is indeed, reality, “I know not that; but suck a handkerchief – I am sure it was your wife’s – See Cassio wipe his beard with.”(3.3.496). Iago was supposedly ‘thickening his proofs’, and he insisted that Cassio has Desdemona’s handkerchief. Notice how Iago is exaggerating false allegations, only to make Othello think that Desdemona is unfaithful. It becomes fairly manageable for Iago to sell his tale to Othello, as he takes advantage of Othello’s trust, and reports what he ‘apparently witnessed’. After Iago successfully manipulates Othello, to consider his wife as a false-hearted woman, he doesn’t even think to reflect upon his sinful deeds, revealing his cold-hearted soul to the audience. By now, the viewers can only look down upon Iago with disgust, as he is also breaking a loving relationship between an honest man and his innocent wife. Why would Iago want to harm Desdemona when he clearly hates the Moor, and only the Moor? What was Iago’s purpose in slandering a beautiful, innocent woman? Well, Iago’s villainous schemes continue to leave the audience in disbelief. Then, Iago also vividly describes to Othello, about how Cassio is yearning for Desdemona, “There are a kind of men so loose of soul that in their sleeps will mutter their affairs. One of this kind is Cassio. In sleep I heard

Shakespeare shows the readers and viewers of the play, The Tragedy of Othello, an impression on what love really is and how it can have different meanings to different people. Love takes many different forms and can change over time. There are many different examples of love that is seen throughout this play, there is Othello and Desdemona, Emilia and Desdemona, Emilia and Iago, and Michael Cassio is in love with Desdemona. Love plays a large role in this play, it is what brings the characters together but it is also what kills them in the end.