Admittedly, deception is an unethical motive that is unfortunately normal within human nature. In the play, "A Doll's House", there's recurrent actions of deception throughout the acts in which the characters take part on, one being the main character, Nora. Overall, during the play she paints herself to be a woman she really isn’t, making the audience reevaluate their judgement as she shows her true-self; thus, the recurring theme of the play being, looks can be deceiving.
Furthermore, throughout the play Nora is constantly deceiving people for personal gain. For instance, a tiny white lie she tells Torvald is that she hasn't eaten any macaroons when in fact, she has had a fair share already. She does this to prove to herself that she isn't a doll and that even though the rest of her life is taken care of, she still has control over something. Unsurprisingly, Nora ends up being more dishonest than she initially let on, for later on in the play she forged and lied, in order to save her family. Moreover, she initially argued that she had good intentions for her schemes since, Torvald got sick and her family depended on her. However, the fact that after she maintained her family, she kept lying and hiding where she obtained the money from proving that there's more to her motives. In addition, her lying didn't just limit to Torvald but
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Linde and Krogstad. For instance, she lied to Ms. Linde about the money she used to go to Italy to save Torvald and said it was from her admirers; meanwhile, she told Torvald it was money from her father that she had asked for. When in
As Torvald and Nora continue to immerse in conversation about Krogstad, Torvald speaks of the guilt that Krogstad must go through with lying and infidelity while surrounded by children. Torvald says "because that kind of atmosphere of lies infects the whole life of a home. Every breath the children take in is filled with the germs of some degenerate" (Ibsen, 70). Torvald had heard all the rumors that go around about Krogstad and had these preconceived notions which made it extremely difficult to respect him. He also states, " Every lawyer is quite familiar with is. And still, this Krogstad's been going home year in and year out, poisoning his own children with lies and pretenses; that's why I call him morally lost" (Ibsen, 70). The significance
Both female protagonists were deceitful in their own way but in my opinion, I felt as though they were both deceitful in their own way. Nora had lied about the loan, but she lied about other things as well. She influenced everyone; her children, the maids, Dr. Rank, and Mrs. Linde her to lie for her, so that she would not be caught by her husband. Mrs. Arbuthnot also lied to her son,
Ibsen, the writer of the play “A Doll House,” provides insight on self-right when faced with assisting a loved one and its deception that arose from it. The character of Nora has the most extenuating circumstances for the reason of deception within the play. Her deceitfulness is based on illegal applications, social expectations and the fear of her husband. Unfortunately, the biggest fabrication that is revealed at the end was the falsehood she had told to herself. All Nora’s deceptions began as an act of love for her husband Torvald, as the doctor inform her “it was necessary he should have no idea what a dangerous condition he was in”(p.
As Mrs. Linde and Nora continue with their conversation, Nora begins to question whether Torvald does love her. Nora begins to tell her story of how she was the one to raise the money for the trip to Italy and not Torvald. She reveals how she went to Krogstad and asked for a loan to help pay for the trip. When Mrs. Linde asked if Torvald knew any of this information Nora replied, "He's so strict on that subject ... with all his masculine pride how painfully humiliating for him if he ever found out he was in debt to me" (1194). Nora did not feel comfortable telling Torvald about the predicament because she did not want to offend him. Torvald is set on complying by his morals and the fact that Nora disobeyed them would dishonor her
Just think how a man with a thing like that on his conscience will always be having to lie and cheat and dissemble; he can never drop the mask, not even with his own wife and children. And the children—that’s the most terrible part of it, Nora… A fog of lies like that in a household, and it spreads disease and infection to every part of it. Every breath the children take in that kind of house is reeking evil
Throughout A Doll’s House, Torvald views Nora’s actions as being deceiving not only towards him but also towards her family. However, Nora gain her perspective on her own actions and begins observing it differently than Torvald’s. The play states, “ It was me they told that his life was in danger...well, well, I thought, you’ve got to be saved somehow. And then I thought of a way-,” (Ibsen 35-36). Within Nora’s and Mrs. Linde’s private conversation, Nora conveys that her manipulation of money revealed how she deceives her husband even though it was in good intent to save his life. In addition, this demonstrates Nora’s willingness to think about others, such as her husband, before realizing for herself that there were going to be consequences for her later on. Within the play, Nora states, “ You have never understood me. A
After submitting my mini essay and rereading it, I realized there are a couple things I could improve on. One being eliminating passive sentences. I could work on this by finding worksheets or lessons on passive sentences and practice identifying them and changing them to active. Learning how to avoid passive voice will help make my writing more clear, helping the readers understand my points easier. Additionally, it will help make my arguments sound stronger and keeps the sentences from being too wordy and becoming confusing. Eliminating passive voice will help make my writing more direct and clear and overall help improve my writing.
As act I of “A Doll’s House” begins, the scene is set to impress the audience “with vivid descriptions of a room “furnished with taste, but nothing too extravagant”. (Ibsen) The first to enter is Nora. Nora walks in with her arms full of bags after shopping, and her husband, Torvald calls from another room to make sure it is her he hears coming through the door. Torvald sets limits on Nora’s spending; he treats her as both a child and a doll. The way in which the characters in the play treat, and react to one another, shows the selfish intentions in which the expectations of society hold of them.
There has been a rise on the topic of gun violence. It has become a more relevant topic today and one cannot walk away from the news without hearing a story related to gun violence either being covered or displayed on the teleprompter below. This paper will analyze three sources: an article written by Dov Cohen, titled “Culture, Social Organization, and Patterns of Violence,”on the trends of violence based on location, a Ted Talk given by Dan Gross, titled “Why Gun Violence Cannot become America’s New Normal,”on the topic of gun violence and how it affected his life as well a proposition to ending violence in the U.S, and an article, “Analyzing Available Data Could Help Improve Background Checks Involving Domestic Violence Records,” written by the U.S. Government of Accountability Office(GAO) which covers the process of background checks within the sales of firearms. These three sources will be evaluated on the bases that they evoke a strong argument with the use ethos, pathos, and logos within their writings.
Torvald cares not only about money, but also about his social status and reputation as well. When he finds out that Nora borrowed money from Krogstad with a forged signature, his love for her is suddenly completely gone, and he accuses her of destroying all of his happiness. Even though he is absolutely appalled by his wife's act, he insists that "it must appear as if everything between us were just as before—but naturally only in the eyes of the world"(3.242). Later, however, when Krogstad returns the bond with the forged signature and promises not to tell a soul about what happened, Trovald is suddenly able to love his wife again! He still only cares about himself, and this is portrayed when he jumps for joy exclaiming “I’m saved, I’m saved!” Nora is only an afterthought when it comes to his reputation. Their
ruined my whole future.?(Ibsen 916). Torvald has no compassion for her. He does not care that she took out the loan to save his life. Torvald just wants to order Nora around. His love is not true, but it is an angry petty obsession.
Early in the play, Nora says that money is really the only gift that makes her happy. This, along with begging for money and “wasting money on housekeeping and useless things,” painted Nora as a pampered brat who only cared about spending her husband’s money on foolish items. In actuality, Nora was taking the money she conned from her husband and the money she acquired from various odd jobs over the years and paying off the debt she owed to
A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the
In the play “A Doll’s House” by Henrik Ibsen, Nora goes through a transformation of self-realization. Nora lives a doll-like existence. she responds lovingly to her husband’s pet names such as “my little lark” or “my little squirrel” (Ibsen, 793). She does not mind playing a role for her husband. As the play progresses, Nora show that she is not a little girl. She understands how business work by taking out a loan behind her husband’s back to save his life. When she is blackmail by Krogstad, her eyes open to her unfulfilled and underappreciated life. she realizes that she been putting on a show for her husband. Nora has pretended to be someone else in order to fulfilled a role for not only her husband but also her father
When we reach our bikes, I review the route to Santa Barbara provided to us by the friendly waitress. Appears like a no brainer. We bike along Ortega Hill Road to Evans Road. From there we turn right onto the Ortega Hill bike path to Jameson Lane. All the way to Olive Mill Road and take a left and continue on the bike path to Channel Drive to the finish line - the Dolphin Statue in Santa Barbara. With Doris’ leg cramp gone, she’s restless and can’t wait to just get there.