Martha Graham’s production of Night Journey is a unique and symbolic contemporary dance work. Graham bases many of her dance pieces on Greek myths and this is seen in her work Night Journey. Graham has manipulated elements of contemporary dance to communicate the emotion of the main character, Jocasta. Graham’s previous work focuses on depicting both the power and struggle of female idols in history. Graham has choreographed Night Journey to explore the perspective of Queen Jocasta, the main protagonist in the piece rather than the story of Oedipus. (Mueller, 2007) Graham has skilfully choreographed significant symbols and motifs to convey Jocasta’s emotions of grief, pain confusion and love through the manipulation of motifs and …show more content…
The chorus and Jocasta dance with olive branches throughout the dance but particularly at the end of the piece. Jocasta uses the branches in such a way where she unsurely moves them back and forth between crossed and open shapes. This movement of the branches is a symbol choreographed by Graham to expressing Jocasta’s emotion of confusion as she is undecided if she wants to be in a relationship with Oedipus. Jocasta uses the olive leaves in relation with the motif of
The book “A Night Divided,” is a great book. It is about a girl named Gerta and her family. She has an older brother Fritz, a brother Dominic, her father (papa) and her mother Frau Lowe. The Berlin Wall had just gone up after the Second World War separating East and West Germany, and her and her family live in the West. One night her brother Dominic and her father decide they need to get through the wall for work without guards noticing because the consequences could be deadly. Her brother and Father make it across but they cannot find a way to come back because the wall has been added on and is even more dangerous now. Gerta ends up not being able to talk to her father or brother for at least 4 years. One day Gerta was walking to school with her best friend Anna when she see’s her brother, Dominic on the other side of the wall and waves. She eventually ended up seeing her dad to but then she got caught by an officer by the name of Officer Muller. She ended up getting away from the Officer but she knew he would be watching her every move from now on. But everyday when she goes to school she see’s them on the platform and her dad is doing a dance that he always did for her as a kid when they were little. But, he continues doing the digging scene from the dance trying to give her a signal that he wants her to do something or he is going to do something. But if Gerta tries to cross that wall it could be deadly and we don’t know what would happen.
Major Works Data Sheet Title: Night Author: Elie Wiesel Date of Publication: 1960 Genre: Autobiography, Narrative, and Memoir Biographical information about the author: Elie Wiesel, born on September 30, 1928, in Transylvania, lived with a bigger family.
After giving a brief introduction to her subject, Desmond quickly begins her analysis on the piece Radha choreographed by Ruth St. Denis. She states that St. Denis was one of the mothers of modern dance in America despite how her works are not as well remembered as others including Martha Graham’s. She depicts Radha by describing the dancing quality, patterns in choreography, lighting, set, and costume in detail. Desmond also recounts the social issues that are reflected in the piece including gender roles and race. The author’s main point in writing “Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis’s Radha of 1906” was to introduce St. Denis and share her detailed analysis of St. Denis’ Radha.
When Papa says this things been a long time coming, T.J. just triggered it, I think it mean that the night men were going to come but T.J. made them come even earlier than expected. I think this because people haven't accepted that everyone is equal and segregation isn’t right. T.J. was not the only one who killed the man and stole things, R.W. and Melvin did to, but they wore stockings over their face to look black. Even if R.W. and Melvin weren't wearing the stockings they wouldn't have gotten as much trouble as T.J. because they are white. No one could kill or sentence them to a chain gang back then because if you did their racist father would call the Night Riders or kill you. I know that the Night Riders also known as the KKK did horrible things to people, T.J. was no exception. R.W. and Melvin father was one of the ones hurting T.J. and his family, so clearly they were also teaching their children to do the same. Hanging out with these kids, T.J. had it coming getting in trouble because his so called friends were racist and just using T.J., just like their father. He should have realized that, but he didn't, and things didn't end up going well for T.J.
The horrible accounts of the holocaust are vividly captured by Elie Wiesel in Night, an award winning work by a Holocaust survivor. It describes his time in the Holocaust and helps the reader fully understand the pain he went through. In the text, Elie continuously mentions how he is losing his faith to god. It is evident that he has nearly, if not completely lost his faith during the events of the holocaust. In the memoir, Night, Elie Wiesel’s faith changes because of the absence of God, the dehumanization of the prisoners, and all of the death that surrounds him.
Petipa’s production of Swan Lake is a beautiful example of the structure movements that dancers must perform; in the clip titled Odile entrance & Black Swan pas de deux, you see “The Black Swan” perfect posture and balance, dancing on en Pointe all the while managing to gracefully seduce the prince through her seductive movements and entrancing expressions. In contrast Modern dance focus is on the dancer expressing their inner most emotions and feelings through free flowing movements. The modern dancer uses their whole body more naturally and fluidly to convey what their current emotional state is, unlike classical ballet where the ballerina at all times keeps an upright posture, and performs with structured, angular lines. Martha Graham’s “Frontier” is a great example of the free movements of Modern dance; In this performance Martha Graham uses her whole body to move to the rhythmic sounds of the drums and music, you can clearly see that there is no confined structure in this performance, she is completely moving organically to how she is feeling and what she is trying to convey through her movements.
Suicide can sometimes feel like the only way to pacify the pain. It is as if something is eating away parts of you slowly and intently and the only way to relieve the constant pain, is to die. Tiffany Hunter and Pierre L’errant are two very different characters with both equally unique yet queer personalities. Although Pierre and Tiffany are not the best of friends, their contrasting characteristics somehow complement each other. They both have similarities in their plans of suicide as well as differences that help them make the correct decision on where they want their life to go in future. Although they both made different decisions at the end, they assisted each other to settle on the right choice. Drew Hayden Taylor develops a theme of despondency and isolation from peers and loved ones in the novel “The Night Wanderer.”
Stamina can be defined as the ability to resist, withstand, recover from, and have immunity to trauma, wounds, or fatigue. In his memoir, Night, Elie Wiesel demonstrated nothing but that. He was only fifteen years old when he was subjected to forced labor, forced marches, exposure, starvation, disease, injury, beatings, torture, and humiliation. Due to his strength, he survived the Holocaust and went on to become a Nobel Peace Prize winner. All in all, Elie went through the most horrible of treatment, and yet he used his strength and determination to push through all of it and become an amazing adult.
Who: One choreographer that draw my attention is Martha Graham. Particularly, when I watched her dance ‘HERETIC’, I was emotional.
The bronze material of the Dancer creates drama through shadow and light; areas where the fabric is pulled taught emerge into the foreground, while softer shadows send the pleated fabric into recess. Each fold and pleat evolves out of the movement of her body, no line or curve runs separately from the others. Tracing the folds of her clothing draws the eye to all areas of her figure: her foot extends from her hip, which is molded out by the veil, and the veil reveals her eyes which gazes back down towards her foot. Both her foot and head are titled outside of her center, but this is offset by the opposing motion of her arms held up on the other side of her body. Likewise, the dress and veil are gathered up in one hand to reveal her pointed foot, but flare out in an oval on her opposite side.
As section one develops, we see the woman collapsing to the ground before writhing at the foot of the cloth, the pressure pushing down on her, forcing convulsions, binding her to the ground. Exhibiting solely low and medium levels, conjointly with contrasting dynamics of sustained and vibratory or percussive movements, the woman reaches out to the audience, provoking involvement, and emotional attachment. Her determination and longing for freedom is oppressed as the representational movements manifest. The dancer ascends to an erect position, wrapping the cloth around her and stepping on it, binding herself to the ground. These introverted, constrained movements convey to the audience the dancer's struggle, particularly when combined with the myriad of literal and abstracted movements. The audience are shown her struggle against not only the symbolic interpretation of the ground as her work and the pressure placed upon her to work, but also the literal meaning of being bound and specifically the
Human nature can be analyzed through feelings, characteristics, and behavior. Humans are capable of expressing different emotions such as hate, frustration, remorse, happiness and other emotions depending on the situation they are encountering.Various aspects of human nature can be observed through many forms of media. Often times humans are portrayed in a negative way, however there are certain cases where they are portrayed positively, like in the memoir Night by Elie Wiesel. Evil acts, discrimination towards others, and perseverance for survival, are all apart of human nature.
In today’s society, many people are taught the difference between good and bad decisions. But what truly prevents people from acting on these beliefs if they know what is good and bad? Researchers such as John Darley, Bibb Latane, Milena Tsvetkova, and Michael Macy have explored this question through numerous experiments. The first two factors of decision making come from these findings, the pressures from society and diffusion of responsibility. First hand experiences from a Holocaust survivor, Elie Wiesel, and from a brave citizen, Tara McCartney, tell of real life instances of another factor, selfishness.
Have you ever wondered what makes our world so differently? Well I have. Diversity makes our world different in a good way. A Night Divided is a book I have been reading. It taught me the importance of diversity, to accept people for who they are, and how to make my school Santiago, a better place.
Matthew Bourne’s Swan Lake was first performed at the Sadler Wells Theatre in London in 1995. Bourne's version of Swan Lake is the longest running ballet in London’s West End and on Broadway. It has been performed in a number different countries such as United Kingdom, Europe, Australia, South Korea, Japan, Israel and Singapore. Mathew Bourne’s rendering is best known for having traditionally female parts of the swans danced by men. Graeme Murphy version of Swan Lake is not so much a battle between Odette (Good) and Odile (evil), which is presented through the original Swan Lake. But it examines love and betrayal, and other elements of the original story. Through comparing and contrasting Acts 2 and Act 4 of Graeme Murphy’s rendering of Swan Lake and Mathew Bourne's Act 2 and Act 4, this essay will interpret and evaluate how each choreographer portrays movement and non-movement components throughout their piece.