Museum Field Trips to National Gallery of Art (NGA) and The Metropolitan Museum of Art

It was a regular night in June when she made her way down the Longfellow neighborhood in Minneapolis. It was a quiet, working-class environment that she was familiar with and she was just making her way down to the commercial strip with her roommate, Latavia Taylor; her boyfriend, and two of her close gay friends. According to an interview with the Rolling Stone, this was fashion student, Cece McDonald’s makeshift family.

Compare and contrast one of your favorite library websites with the redesigned Cleburne County Library website?

My Humanities Art Experience took place at the Columbus, GA Museum, located on Wynnton Road. I really enjoyed my experience at the museum. It was my first time visiting an American museum. I saw many pieces of fine art, some of which I will list below.

The first room of the museum pulled in the audience with artwork from the 20th century. Although it may seem like artwork put together at the last minute, if you look closer, you will see something entirely different. Each piece had so much detail and unique qualities, such as style and art form, that you haven't see in many other museums before. It is important to appreciate the erratic design and character of each piece of art, but after seeing the entire museum, it is easy see the monumental difference between art now, and the art of our past. Art of the past showed a lot more

Imagine you want a big family. It's a huge dream of yours. But you can't because the government decided you can only have one child. Well, that was the situation in China. China created a one-child policy in 1980 to try and decrease their wildly growing population.

Perhaps illness so influenced the artistic style of Van Gogh, but the picture turned out completely different to all that the artist wrote so far. This is not a Van Gogh, who was known. In the canvas, there is tension, anxiety, dense colors and warm shades of olive-mustard. On the contrary, here there is some kind of lightness, airiness, and transparent weightlessness. On the manner of execution, the pattern resembles Japanese prints: iris field full of peace, a lightness, and transparency. "Irises" are simple and unique, they are striking in their serenity and the ability to remove the internal stress of everyone who saw at least reproduction. Painting simply breathes watercolor, translucency and make to look at it more than one hour.

A third photograph that is especially interesting was one of a snake done by a tattoo artist in San Francisco named Luke Stewart. His piece is a full back piece that appears from the subjects shoulders to their upper thigh and along their back. It is of a snake twisting and winding through what looks like a lotus garden. There are dark clouds as a background that make the rest of the image brighter and seems to come to

As one of the most excellent British modern museums, Tate Modern ran several digital strategies aim to creat incomes and build interactive communication with their audice. In that process, Tate proved how important that digital communication offered to museum to create and nurture an engaged arts community and to maximise the associated revenue opportunities. In the three years, Tate Modern had improvement on their incomes, however, their number of website visitings was not stable, thus, the result should be analysised with theories, to find out why it would happen.

Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene

Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).

On page 19 of his book Animal Farm (1946), George Orwell states that “Snowball and Napoleon disagreed at every point where disagreement was possible. […] But of all their controversies, none was so bitter as the one that took place over the windmill”. While Snowball argued that “a windmill could be made to operate a dynamo and supply the farm with electrical power”, Napoleon insisted on increasing food production. In his book “Trotsky”, French historian and Trotskyist, Pierre Broué claims that Leon Trotsky and the Left Opposition favoured rapid industrialisation because they believed that it represented a threat of 'Capitalist Restoration’, because of their international isolation and the internal development of bourgeois forces. On the other hand, Joseph Stalin and the Right Opposition opposed this tendency for fear of the consequences a heavy industrialisation would have over the peasants, who constituted more than 80% of the population of the Soviet Union. Joseph Stalin wanted to be sure that land and food production was under the full control

What a blessing I had today to experience in my own eyes wonderful sights and scenes. Many of you already know that I 'm famous for the mystical experiences I’ve had with Jesus and God in the past. Perhaps you’ve read my book? The Book of Margery Kempe? Yes, I Margery Kemp, got the opportunity to visit the Metropolitan Museum of Art in New York City. There 's over thousands of beautiful artwork, one visit won 't suffice. I was captivated by everything I saw, but I was especially drawn into the magnificent gallery number 305.

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

On Thursday I took my personal field trip around campus to observe the permanent sculptures as well as the ones on tour. I really enjoyed looking at both but I personally felt that I enjoyed the permanent ones better and that is what I will write about in this paper. The permanent sculptures resemble students and faculty at Western Michigan University. In contrast, the sculptures on tour did not relate so much to the students or campus as much but they did relate to the state of Michigan. While I was observing the sculptures, I did have one favorite and that the was Dunes because it painted an accurate illustration in my head when I was observing it. I decided to take my personal field trip in the morning instead of in the afternoon

The shot shows a male figure viewing photographs. We see the person from the rear, look over his shoulder, past him, as he passes along the collection of images, and at the same time we look into some of the faces that are visible in the photos and which seem to be looking at us outside of the picture frame rather than at the person in the picture viewing them. We are dealing here with black-and white photographs from the late 1920s, which, among others, were taken by the German anthropologist and racial theorist Egon von Eickstedt between 1926 and 1929.1 A selection of these pictures, created in connection with research into the indigenous population of India listed under the generic term Adivasi and—this should be stressed first—without explicit reference to the problematic race-theory-based history of its origins, was brought back to India in 2012. Accompanied by a team of ethnologists from Germany and England, the photographs were exhibited in Tejgadh, in the state of Gujarat in northwest India, in different locations: in the still young “Museum of Voice” of the Adivasi Academy, in individual private houses in the neighbouring villages and in a consecrated place in the open air, reserved for rituals. This latter-mentioned setting has been recorded in the above-mentioned photo. Mounted on brown card, the photographs hang in long lines, three rows above one another on a movable wattle wall, which flanks the place of encounter in the outside space. A presentational