Writing about gender during the Victorian era should prove an easy task, especially compared to the complexity of gender today, where the binaries of male and female have been replaced with a gender spectrum. Before beginning a discussion of gender, I must distinguish the difference between sex and gender. Sex is based on a combination of physical anatomy, genes, and hormones, whereas gender is based on societal roles, behaviors, activities and attributes. These societal attributes change with time as do the ideal representatives of masculine and feminine. Despite a female head of state, Queen Victoria, the Victorian era was patriarchal and emphasized the male in almost all regards. The typical picture of masculinity was an upper class, …show more content…
As previously mentioned, the four Victorian gentlemen are doubles for each other, yet not one of them are married. There is a surprising lack of women in this text other than Jekyll and Hyde's servants and the girl Hyde tramples (Jekyll/Hyde p1781). Through the lack of women, and the emphasis on the Victorian gentleman's relationship, Stevenson creates a masculine homosocial world. This world represents the public masculine domain, of work and education, which women were not permitted to inhabit. More surprising, the lack of female characters also eliminates sex from the story, which was very much a part of private masculinity. Since prostitutes and pornography abound in the late nineteenth century, it is peculiar that Jekyll frees Hyde, through the potion, to indulge the evil part of his personality, yet his primitive, instinctual, masculine nature does not have sex. A possible explanation is Stevenson’s wife did not approve of the sexual references in the text as his wife, Fanny, "felt that Stevenson's first draft did not do justice to the theme" (Longman p 1779). Whatever the reason for excluding women, the emphasis on the story is clearly two pictures of masculinity; one is the animal inside, the private, hidden self, at war with the public self, who is constrained by a moral compass and social …show more content…
As Jan Marsh illustrates regarding the influence of Rossetti’s vocation, “Goblin Market was therefore written around the time that Christina started at the penitentiary, helping to reclaim and re habilitate young prostitutes” (Marsh p 239). In light of her work with “fallen women”, the moral fits; however, that Rossetti includes the moral at all is surprising. The real story ended once Lizzie sacrificed herself for Laura and Laura recovered. The last forty-four lines of the poem feel like an afterthought, as if Rossetti tells the reader what the poem is about, while author’s intentions only go so far. Nevertheless, the lines are included and they highlight the feminine bond of sisterhood. They also represent another feminine picture of the private domesticated female as Rossetti writes, “Afterward, when both were wives/ With children of their own” (Goblin line 544-545). The fairy tale world is brought into the present Victorian day with these lines, where Rossetti presents a glimpse of the girl’s
“It brought home to me the deeply Jungian possibilities of a Dr Jekyll-Mr Hyde double life for women.” Atwood makes a psychoanalytical allusion to Robert Louis Stevenson’s famous novel, The Strange Case of Dr. Jekyll and Mr. Hyde, which tells of a
Within ‘A Doll’s House’ Nora Helmer has a strong appetite for knowledge. This is particularly evident in her voracious longing for independence: “But it was great fun, though, sitting there working and earning money. It was almost like being a man”. This knowledge of “being a man”, and what that entails, would be unknown to many women during the Victorian era due to the fiercely patriarchal society that was perpetuated. The desire for knowledge and its inaccessible nature is particularly evident in the lack of further education for women. In fact, in the United Kingdom the first widespread report of female further education was the Edinburgh Seven in 1869. Whilst that instance of knowledge was not destructive, in the case of Nora and ‘A Doll’s House’ her appetite for knowledge is ultimately catastrophic for the Victorian female ideal due to the secrecy she creates around it: “My husband must never know of this”. As a result of this concealment and Nora’s appetite for knowledge, the Victorian ideal unravels and ultimately becomes destructive. Likewise, in Rossetti’s ‘Goblin Market’ an appetite for knowledge is ultimately destructive for the characters within the poem. After tasting the “fruit” of the “Goblin Men” and becoming knowledgeable of the taste and effects of it Laura “knew not was it night or day”. This confusion of time and geographical
In a harsh world, desire is something that can bring vulnerability to any person. Cristiana Rossetti’s “Goblin Market” is a riveting tale about two sisters who handle desire differently. One knows desire exists, but has the maturity and courage to not give in to her own yearnings, whereas the other cannot control her desires and pays dearly for them. Love is a strong theme in “Goblin Market” and is shown through the love that Lizzie has for her sister, Laura. Lizzie does not let her desire get the best of her when hearing the goblin men, she “thrust a dimpled finger / In each ear, shut her eyes and ran” (Rossetti 67-68). However, it is Laura that falls into a desire for the goblin men through curiosity: “Curious Laura chose to linger / Wondering at each merchant man” (Rossetti 69-70). The difference in the sisters understanding of desire cannot be better shown than in these lines.
In both Goblin Market and “The Bloody Chamber”, women face objectification as pornographic objects whose solitary purpose is to be a man’s appealing possession. Evidently, the objectification of women impacted the way each author constructed their texts. Feminist movements aiming to undermine these rigid female and male roles are prominent in the time period of both literary works. Both Christina Rossetti and Angela Carter use strange worlds to differentiate from the typical fairy tale’s predictable conclusion and instead make a statement through the use of a female heroine. Both literary works contrast the archetypal idea that a man must always be the savior
A seemingly innocent poem about two sisters’ encounters with goblin men, Christina Rossetti’s “Goblin Market” is a tale of seduction and lust. Behind the lattice of the classic mortal entrapment and escapement from fairyland, “Goblin Market” explores Laura’s desire for heterosexual knowledge, the goblin men’s desire for mortal flesh, and Laura and Lizzie’s desire for homosexual eroticism.
Even the most casual reader can note the fact that there are very few female characters present in Robert Louis Stevenson's 19th century novel, The Strange Case of Dr. Jekyll and Mr. Hyde. Those that are found within the work hardly constitute as substantial ones none of the women have more than a few lines of dialogue and appear within the tale for longer than a chapter or two. A bevy of critics have pointed out the fact that such an egregious omission is hardly coincidental in fact, more than a few have cited the fact that this piece of literature functions as a protest regarding the degree of women's liberation that the New Woman possessed near the turn of the 20th century in Victorian England (Reed 2). When considered through this feminist lens, it becomes easily discernible to the prudent reader that Stevenson portrayed no female characters in a positive light and simply used them to reinforce negative aspects of femininity, which he believed were rapidly changing for the worse.
Christina Rossetti’s poem, Goblin Market, was written in the Victorian era during a time of vast social change across Europe. Though the Victorian period was a time of female suppression and order, Rossetti exposed social stigmas and ideologies that are displayed through the journey of two sisters, Laura and Lizzie. Despite initial impressions of a childhood fairytale, the suggestive and multi-interpretive use of language signifies an underlying message of erotic sexual commentary and feminist views. In addition, Rossetti conveys moral lessons by illustrating consequences of the goblin’s seduction. Through the sister’s experience with the goblins, the power of sisterhood becomes undeniable. Christina Rossetti’s Goblin Market serves as a
The short epic poem the Goblin Market by Christina Rossetti resembles a fairytale because of the goblins and the happy ending of the united sisters, however the metaphors and allegory of fruit is ambiguous for different interpretations of drugs, sexual pleasures, temptation to sin, etc. The poem is broken into four major sections- temptation, fall, redemption, and restoration. Many people had mixed feelings toward the poem; some were even shocked of the Goblin Market because of how dark it is since Rossetti is usually linked to children novels and nurseries. The target audiences is not children but adolescents, as this poem is a merely a stage to warn young women about temptation and desires.
Christina Rossetti 's poem "Goblin Market" is what many deem Christina 's best work. "Goblin Market" presents itself as rather fairy tale like, featuring of several strange things, a parade of mythical goblin men. In fact Rosseti claims to have written it as a childrens poem. However, many who analayze or many of those who have read this poem claim that the underlining themes of "Goblin Market" feature a host of adult themes. Of several of those are "a struggle between self and soul, a comment on sex as a capitalist commodity, a parable of feminist solidary, a lesson about poetry 's subversive power, and a lesbian love story" (Heather Henderson and William Sharpe, 2010, p. 1644). Although, these themes are all apparently present within Rossetti 's work, another theme that has not been mentioned is also present. Evident within "Goblin Market" is a signifcant focus on capitalism and industrialism. England during the Victorian era proved itself quite accomplished within the realms of industry, capitalism, science, and literature. There is evidence that as the nation became stronger, powerful, and more profitable, morality suffered. So, along with these many achievements, many individuals had crisis of religous faith, while a substantial focus on capitalist greed and social darwinism took center stage. A concentration of these social attutides and their consequences are featured within Rossetti 's "Goblin Market", in several areas of her poem.
The dual character combination of Dr. Jekyll and Mr. Hyde is one of the most well-known in literature and is arguably the most blatant example of duality Stevenson uses to try and get the theme of The Strange Case of Dr. Jekyll and Mr. Hyde across. The dual personalities Dr. Jekyll possesses are stark examples of the animalistic and civilized sides of man that inherently resides in all men. The virtuous Dr. Jekyll serves as a portrayal of the more rational, human side of man. When Mr. Utterson attends Dr. Jekyll’s dinner party he paints a picture of a quintessential Victorian man when describing Jekyll’s appearance, “well
In the Victorian era, the status of women in society was extremely oppressive and, by modern standards, atrocious. Women had few rights, in or outside of the home. Married women in this period relied on men almost completely as they had few rights or independence. With this mindset in focus,
Robert Louis Stevenson today is best remembered as a writer of the Victorian Gothic and in particular for his novella, Jekyll and Hyde (1893). In this work, Utterson, a lawyer, discovers the horrible secrets his friend, Dr. Jekyll, has been hiding from him and the consequences that result. Straying away from mainstream science, Jekyll pursues his own catastrophic interests in order to separate the two sides of his morality and thusly creates his brutish double, Hyde. This text introduces the idea of human duality and brings forth the question of morality. However, duality, although important, is only one aspect of this novella, and there are other points of intrigue. An example of this intrigue is the role of women or rather the lack of
Goblin Market, an 1862 narrative poem written by Christina Rossetti, also fashionably presents the theme of sisterhood even though the context of the poem is different from the one shown in Little Women. For the first century after its publication, many parents and teachers alike read the poem to children as a way of teaching them about the importance of sisterhood and sisterly heroism. Thus, Rossetti made the theme of sisterhood one of the poem's essential themes as a way of presenting a particular message to the community and the upcoming generations, especially considering that it was a period where women did not have a significant role in the society. One of the areas
Goblin Market was composed in the mid-eighteenth century, England; therefore, Rossetti’s poem contains the gender roles present during era. The opening lines state the type of characters that will be featured
The words ‘sex’ and ‘gender’ are commonly confused with each other in regular, everyday conversations when the two have very different meanings. The term ‘sex’ refers to the biological and physiological characteristics of a person, such as male or female; ‘gender’ is a social construction that refers to masculine or feminine roles in society ( Nordqvist). For